Immanuel Kant saw the universe as a profound source of aesthetic experience, especially through the concept of the sublime, which he distinguished from beauty. Beauty reflects harmony between imagination and understanding, while the sublime emerges when we face something so vast or powerful—like the infinite cosmos or a violent storm—that our imagination is overwhelmed. This … Continue reading
The Monk is back. Two of the most famous paintings from Germany’s Romantic period are back on display at a central Berlin museum after a two-year restoration. I recently visited that exibition and appreciated the famed landscape painter Caspar David Friedrich. The making of a perfect piece of art has always been a purification process … Continue reading
Dante is not just any poet. With his epic poem “Commedia”, in English “Divine Comedy” he created an Italian cultural Monument, a journey through Hell, Purgatory and Paradise full of symbols, archetypes, historical and allegorical references. The article wants to revisit the work of Poet Dante Alighieri from a Jungian view in the light of … Continue reading
Now, what is art anyway? To me art works are symbolic patterns, which have connotations that are unclear or hidden. They may have interferences with the Zeitgeist and references to the past… Continue reading
This article explores the psychological underpinnings of Shakespeare’s “Macbeth” from a Jungian view. Carl Jung left a great deal of ambiguity surrounding his work. He understood, as long as there have been men and they have lived, they have all felt this tragic ambiguity and everybody must accept his or her “Shadow” during the individuation process. Ambiguity between good an evil, and a failed individuation is … Continue reading
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