Tag: Archetypes

  • Augustus – Archetype of Magician and the Wise King – Princeps

    Augustus – Archetype of Magician and the Wise King – Princeps

    This article wants to explore Caesar Augustus (formerly Octavian), Rome’s first emperor; his achievements and who he was from a Jungian angle. He transformed Rome from a crumbling, war-torn republic into a stable, wealthy (global) empire. His reign birthed the Pax Romana (a 200-year period of relative peace), the creation of a standing professional army, and massive infrastructure projects.

    Augustus (born 63 BC as Gaius Octavius, also known as Octavian) was the founder of the Roman Empire and the first Roman emperor from 27 BC until his death in AD 14.He built and run the first global empire (in regards to the known geography) with a shrewd understanding of governance of provinces. Maintaining communication and supply chains, money system an flow, his interior and foreign politics, military achievements all were a roaring success; let alone how he ended the civil war and how gave the Romans back the Republic and a Golden Age, just it wasn’t the Republic but an autocratic empire ruled by an emperor with sophisticated hard and soft power, highly efficient administration and accounting using the currency of the Unconscious: Moneta, Gold and Myths.

    He was the first Emperor of Rome and by all accounts the best. As he reigned and right before Augustus died in 14 AD, he had written a record of his good deeds as Emperor—Res Gestae Divi Augusti, The Deeds of the Divine Augustus (left).

    Hic vir, hic est, tibi quem promitti saepius audis, Augustus Caesar, divi genus, aurea condet.

    — Virgil’s Aeneid, famous Roman propaganda, officially heralding the beginning of the Pax Romana and declaring Augustus as the savior bringing back a mythical, prosperous “Golden Age”

    “Here is the man, this is he, whom you so often hear promised to you: Augustus Caesar, son of a god, who will found a golden age again in Latium, across the fields where Saturn once reigned…”

    C.G. Jung did write about Augustus, but only briefly and within the specific context of historical and psychological synchronicity. Rather than analyzing Augustus as an individual personality, Jung utilized the Roman Emperor and the “Age of Augustus” to illustrate cultural transitions, archetypal shifts, and the psychological concept of the Kairos (the right or opportune moment for a paradigm shift).

    Jung’s Augustus

    Jung’s references to Augustus generally center on two main ideas:

    1. The Archetype of the Wise King

    Jung occasionally cited Augustus alongside other major historical figures—such as Cyrus the Great, Julius Caesar, and Alexander the Great—as physical manifestations of the “wise king” archetype. In Jung’s view, these leaders were successful because they projected and embodied a collective psychological need for order, structure, and a unified “Self” during times of vast cultural chaos.

    2. The Birth of Christianity and the Kairos

    Jung’s most significant mentions of Augustus occur when he discusses the psychological atmosphere of the Roman Empire around the birth of Christ. In works like Aion: Researches into the Phenomenology of the Self (Volume 9, Part 2 of the Collected Works), Jung explores how the consolidation of the Roman Empire under Augustus created a unique, tense psychological environment:

    • The Pax Romana as a Psychological Pressure Cooker: Jung noted that Augustus’s political unification of the Mediterranean world stripped conquered nations of their local gods and mythologies. This forced a massive, collective internalization of psychic energy (libido), creating a widespread spiritual vacuum. ]
    • The Syncretic Cradle: Jung argued that this political structure accidentally created the perfect psychological conditions for a universal religion like Christianity to take root. The outer order established by Augustus forced the human psyche to seek inner, spiritual transformation.

    The Psychological Illusion of Augustus: A Jungian Essay Synopsis

    To understand Augustus is to understand the psychological phenomenon of the archetype mastering the individual. Augustus was the ultimate psychological magician archetype of the ancient world. He did not just conquer a physical empire; he invoked the collective unconscious of Rome. The persona of Augustus was not personal, but the state, shielding his inflated Ego.

    1. The Mask of the Republic: Mastery of the Persona

    Jung would emphasize that Augustus’s greatest triumph was his masterful manipulation of the Persona—the public mask we wear to satisfy societal expectations. Rome was profoundly traumatized by decades of bloody civil war. The collective psyche of the Roman people desperately craved peace, yet they violently loathed the concept of a “king” (rex).

    Augustus von Prima Porta (20-17 v. Chr.), aus der Villa Livia in Prima Porta, 1863

    Augustus von Prima Porta (20-17 v. Chr.), aus der Villa Livia in Prima Porta, 1863

    Augustus understood this collective complex perfectly. He did not crown himself king; instead, he wore the persona of Princeps (First Citizen) and claimed to “restore the Republic.” Psychologically, this was a masterful act of projection. By keeping the outer symbols of the old Republic intact—the Senate, the consuls, the elections—he allowed the Roman people to maintain their conscious illusion of freedom. Behind this democratic mask, however, lay an absolute, cold-blooded autocracy. Augustus split the Roman psyche: he gave them the comfort of their traditions while taking away their actual political power.

    2. The Archetype of the Wise Ruler and the Shadow

    Augustus was able to rule so successfully because he successfully channeled the Archetype of the Wise King (the bringer of order, law, and structure). When a society is in chaos, it naturally projects this archetype onto a strong leader. Augustus willingly became the living vessel for this projection.

    However, Jung always reminded us that where there is great light, there is an equally dark Shadow. The peace of the Pax Romana was built upon a foundation of ruthless, calculated criminality. To achieve total power, the young Augustus (then Octavian) utilized proscriptions—state-sanctioned murders of political rivals—stole private wealth, and crushed opposition without mercy. He integrated his personal shadow into his governance. He was a “criminal” in his methods, but because he used that darkness to establish an unshakeable outer order, the collective consciousness of Rome forgave his sins and eventually deified him as a god.

    3. The Currency of the Unconscious: Moneta and Myth

    My research highlighted his shrewd governance of money and provinces. A Jungian analysis would look at how Augustus used these tools as psychological symbols. He weaponized Roman coinage, especially the golden Gold Aureus, worth 25 Denari by stamping his own face alongside symbols of peace, fertility, and divine ancestry (claiming descent from Venus).

    Every time a Roman merchant spent a coin, they were unconsciously swallowing Augustan propaganda. He unified the vast, diverse provinces not just with military roads, but by establishing the “Cult of the Emperor.” He filled a massive psychological void by turning the state itself into a religion, binding the individual ego of millions of diverse subjects to the central, stabilizing symbol of Rome.

    4. The Kairos and the Spiritual Vacuum

    Ultimately, Jung would view Augustus as the necessary catalyst for a cosmic psychological shift. By centralizing all power, wealth, and spiritual authority into a single, global, autocratic empire, Augustus created a highly efficient, soulless machine.

    In the eyes of Jung, this total outer ordering of the world had a profound psychological consequence: it starved the inner life of the individual. By successfully ending the civil wars and binding the world under one autocratic law, Augustus accidentally created the perfect spiritual vacuum (Kairos). The outer world was completely conquered and pacified, forcing the human psyche to look inward for meaning—thereby setting the stage for the rapid, unstoppable rise of Christianity. Augustus built the external kingdom, but in doing so, he forced humanity to seek the kingdom within.

    Augustus did not just rule Rome; he reprogrammed its collective psyche. He understood that laws and swords only control physical actions, but myths and symbols control the human soul.

    From a Jungian lens, one may say Augustus’s persona was “perfect” because he deliberately stepped out of his individual human identity to become a state psychological archetype. He mapped his political agenda directly onto the ancient, recurring images of the human unconscious mind.

    1. Harnessing the Collective Unconscious: The Myth of Apollo vs. Dionysus

    To heal a traumatized Rome, Augustus utilized a profound psychological split. He associated his bitter enemy, Mark Antony, with Dionysus—the archetype of chaos, intoxication, eastern excess, and emotional wildness.

    Conversely, Augustus aligned himself entirely with Apollo—the archetype of light, reason, order, harmony, and logic.

    • He built his personal mansion on the Palatine Hill directly connected to a massive new Temple of Apollo.
    • In the collective unconscious, Apollo represents the ego’s victory over the dark, chaotic instincts of the unconscious (the Shadow).
    • By defeating Antony, Augustus framed his victory not as a bloody civil war, but as the cosmic triumph of sanity over madness.

    2. The Puer Aeternus (Eternal Youth) in Art

    In Jungian psychology, the Puer Aeternus is the archetype of eternal youth, divine potential, and timeless beauty. If one looks at statues of Augustus created throughout his 40-year reign, one will notice something unnatural: he never ages.

    Whether he was 30 or 70 years old, masterpieces like the famous Augustus of Prima Porta always depicted him as a flawless, athletic young man in his prime. This was a deliberate psychological manipulation. By freezing his image in time, Augustus communicated a subtle message to the collective unconscious: The Emperor is immortal, and under his rule, Rome will enjoy a permanent, unchanging golden age. He transformed his physical body into a static, divine symbol.

    3. Activating the Archetype of the Great Mother

    Decades of war had left the Roman population physically and emotionally depleted. Augustus recognized that the collective psyche was crying out for nurturing, fertility, and rebirth. He answered this by elevating the archetype of the Great Mother through state art.

    He commissioned the Ara Pacis Augustae (The Altar of Augustan Peace). Its most famous relief panel features a maternal goddess—often identified as Tellus (Mother Earth) or Pax (Peace)—nursing two thriving infants, surrounded by blooming plants, cattle, and flowing water. Through this imagery, Augustus bypassed the rational mind and spoke directly to the instincts of the Roman populace. The symbol promised that submitting to his autocratic power would directly result in psychological safety, abundant food, and a rebirth of the family unit.

    4. Religious Manipulation: Pietas and the Pontifex Maximus

    Augustus knew that directly declaring himself an absolute dictator would trigger the collective Roman complex against tyranny, which had led to the assassination of Julius Caesar. Instead, he manipulated the Roman virtue of Pietas—duty to the gods, the state, and the family.

    He systematically rebuilt 82 decaying temples, revived forgotten priesthoods, and outlawed foreign “cults.” In 12 BCE, he assumed the ultimate religious title: Pontifex Maximus (Chief Priest). Statues from this era, such as the Via Labicana Augustus, show him with his toga pulled over his head in a posture of deep humility and prayer.

    This was his most brilliant psychological inversion: he masked supreme political power behind an image of supreme religious submission. A Roman citizen could not rebel against Augustus without feeling unconsciously guilty of rebelling against the gods and the cosmic order itself.

    2. Divine Ancestry and Cosmic Justification

    To solidify his rule, Augustus utilized the archetype of the Divine Child. Because his adoptive father, Julius Caesar, had been officially deified, Augustus styled himself as Divi Filius (Son of the Divine).

    He explicitly linked his family lineage to Venus, the goddess of love and generation, and claimed that his birth had been foretold by cosmic signs. On the intricate Gemma Augustea gemstone, he is carved sitting side-by-side with the goddess Roma, being crowned with a laurel wreath while his personal zodiac sign, Capricorn, floats above him. By weaving his personal biography into the stars, he made the autocratic empire seem like a pre-ordained, cosmic necessity rather than a political coup.

    Livia: The Archetype of the Great Mother and the Matrona

    If Augustus was the public Sun (Apollo), his wife Livia Drusilla was the grounding Moon. Livia was arguably the most successful female political actor in antiquity because she understood how to manipulate the rigid Roman patriarchy from within. She did this by perfectly embodying the collective Roman archetype of the Matrona (the idealized Roman wife and mother) while quietly managing the levers of imperial power.

    [ COLLECTIVE PSYCHE OF ROME ] (Craved Tradition & Family Order) │ ┌──────────────────────┴──────────────────────┐ ▼ ▼ [ LIVIA’S PERSONA ] [ LIVIA’S SHADOW ] • Wove her own clothes • Orchestrated successions • Rejected flashy jewelry • Eliminated political rivals • Posture of quiet obedience • The true “Power behind the Throne”
    • The Persona of Hyper-Tradition: While previous elite Roman women flaunted their wealth with extravagant silk and imported pearls, Livia did the opposite. She famously spun and wove Augustus’s clothes herself. By presenting herself as an old-fashioned, frugal housewife, she disarmed the conservative Roman Senate. Her public persona was a psychological shield: no one could accuse Augustus of being an Eastern-style tyrant when his wife lived like a woman from Rome’s mythical past.
    • The Empress Deified: Augustus and Livia flooded the empire with her image. In sculpture, she was deliberately synthesized with Ceres (goddess of agriculture and harvest) and Ops (goddess of abundance). Through these visual anchors, the Roman collective unconscious ceased to see Livia as a mortal politician. Instead, they saw her as the literal source of Rome’s fertility, stability, and peace.
    • The Shadow Legacy: Behind this flawless mask of submissive motherhood lay an incredibly sharp, calculating political mind. Rumors—later popularized by historians like Tacitus—suggested that Livia was a master poisoner who systematically eliminated every rival heir to ensure her own son, Tiberius, would inherit the empire. From a Jungian perspective, Livia lived out her Shadow in complete secrecy, ensuring that her public Persona remained untarnished.

    Virgil: The Mythmaker of the Imperial Soul

    Augustus knew that visual art could capture the eyes, but literature could capture the imagination. He and his wealthy cultural minister, Maecenas, bought the loyalty of Rome’s greatest poets. Chief among them was Virgil, whom Jung would view not as a mere propagandist, but as a master mythmaker who rewrote the psychological origin story of the Roman people.

    • The Aeneid as Collective Therapy: After a century of civil wars, the Roman people suffered from a profound collective guilt complex. They felt cursed by the gods for spilling their brothers’ blood. Virgil’s epic poem, the Aeneid, acted as psychological therapy. He recast the Romans not as bloody conquerors, but as a people of destiny.
    • The Archetype of Pius Aeneas: Virgil created the ultimate psychological prototype for Augustus in the character of Aeneas. Unlike Greek heroes like Achilles (who fought for personal glory), Aeneas is defined by pietas (duty). He constantly sacrifices his personal desires, his love (Dido), and his comfort to fulfill a divine mission to found Rome. This directly mirrored Augustus’s narrative: I did not want to rule, but I sacrificed my life to save Rome.
    • The Prophecy of the Golden Age: In Book 6 of the Aeneid, Virgil writes a scene where Aeneas visits the underworld and sees a vision of the future. Virgil explicitly writes Augustus into this cosmic prophecy:

    “Here is the man… Augustus Caesar, son of a god, who will bring back the Age of Gold to the Latian fields…”

    By anchoring Augustus into a sacred national epic, Virgil did something profound: he made the autocracy feel inevitable. To oppose Augustus was no longer a political stance; it was an act of cosmic rebellion against history, destiny, and the gods themselves.

    Augustus, Livia, and Virgil created a triad of political mastery, psychological branding, and mythic storytelling that stabilized an empire for generations.

    William Shakespeare saw Augustus Caesar ( he uses his birth name Octavius) as the ultimate political machine—the cold, calculating embodiment of modern realpolitik.

    In his two Roman plays, Julius Caesar and Antony and Cleopatra, Shakespeare dramatizes exactly how Augustus as young man used his status as an adopted heir to systematically destroy his much more powerful rivals. From a Jungian perspective, Shakespeare presents Octavius as a man who completely sacrificed his human Ego to become the living Persona of the Roman State.

    1. The Power of the Adopted Name

    Shakespeare emphasizes that Octavius’s greatest weapon was not military genius, but his legal name. He was only Julius Caesar’s grand-nephew, but the dictator’s will legally adopted him.

    • In Julius Caesar, when the young Octavius arrives in Rome, the older, battle-hardened Mark Antony treats him like a minor child.
    • However, Shakespeare shows Octavius instantly weaponizing his inheritance. He drops his birth name (Octavius) and demands to be called “Caesar.”
    • Shakespeare understood the psychological trick: by adopting the name, Octavius inherited the murdered dictator’s ghost and the fanatical loyalty of Caesar’s veteran legions. He transformed a legal technicality into a divine right.

    2. How He Outdid His Powerful Rivals

    Shakespeare structures Antony and Cleopatra as a psychological clash between two completely different types of human consciousness: the Emotional/Instinctual man (Antony) versus the Rational/Calculated man (Octavius).

    MARK ANTONY (The Past)OCTAVIUS CAESAR (The Future)
    • Driven by Emotion & Passion
    • Rules via Personal Charisma
    • Relies on Physical Strength
    • Antony calls him “The Boy”
    • Driven by Logic & Strategy
    • Rules via Bureaucracy & Law
    • Relies on Psychological Warfare
    • Octavius lets Antony ruin self

    Shakespeare demonstrates that Octavius defeated his rivals not by being a better battlefield commander, but by possessing absolute self-control and letting his enemies destroy themselves:

    • Eliminating Lepidus (The Weak Link): The post-Caesar world was ruled by a Triumvirate: Antony, Octavius, and a wealthy politician named Lepidus. Shakespeare portrays Lepidus as a weak, easily manipulated peacemaker. Once Lepidus is no longer politically useful to contain Antony, Octavius ruthlessly strips him of his power and lands on trumped-up charges, locking him away.
    • Neutralizing Mark Antony (The Great Warrior): Antony was Rome’s greatest general, a legendary soldier of immense charisma. Octavius knew he could not beat Antony in a pure contest of martial valor. Instead, Shakespeare shows Octavius engaging in brilliant psychological warfare. He uses Antony’s scandalous affair with Cleopatra to turn the Roman public against him. He frames Antony not as a rival Roman leader, but as a degenerate who has abandoned his Roman identity for an Eastern queen.

    3. The “Boy” Who Became the World

    Throughout Antony and Cleopatra, a proud Antony repeatedly mocks Octavius, dismissing him as “the boy Caesar.” Antony represents the old world of chivalry, individual sword fighting, and raw emotion.

    Octavius, however, represents the cold dawn of the global, technocraticcratic empire. He does not drink, he does not let passion sway his judgment, and he treats people strictly as chess pieces. When Antony challenges him to a one-on-one sword duel to settle the war, Octavius merely laughs. He understands that the era of individual heroes is over; the era of the institutional state has arrived.

    By the end of the play, Antony and Cleopatra are dead by suicide, and the “boy” stands alone at the top of the world.

    The Final Shakespearean/Jungian Inversion

    Shakespeare gives Octavius the final, chilling lines of the tragedy. Standing over the bodies of Antony and Cleopatra, Octavius orders a grand, respectful burial for them. A casual reader might see this as kindness, but Shakespeare—and Jung—would see it as the ultimate triumph of his Persona. By burying them as tragic, noble figures, Octavius controls the narrative. He absorbs their glamour into his own history, ensuring that his reign as Augustus begins not with the look of a bloody criminal, but with the solemn dignity of a cosmic peacemaker.

    To see how Shakespeare reveals Octavius’s cold, calculating nature, we must look directly at his spoken lines. In Shakespeare’s world, characters like Antony and Cleopatra speak in lush, emotional, and poetic language. Octavius, by contrast, speaks in short, sharp, and highly disciplined verse. He treats language not as art, but as a tool for political containment.

    Here are three key moments from Antony and Cleopatra where Shakespeare strips away the “perfect persona” to reveal the ruthless political machine underneath:

    1. The Weaponization of Public Relations

    Octavius defeats Antony primarily in the theater of public opinion. He meticulously documents Antony’s failures in Egypt and reads them aloud to the Roman Senate to alienate the public. When Antony treats his own wife (Octavius’s sister, Octavia) with disrespect, Octavius does not react with personal rage. Instead, he views it as a perfect political opportunity:

    “Let determination Antony’s be to do as he please;
    But let your best love draw to us. The Rome which he forgot
    Is now upbraiding him…
    (Act 3, Scene 6)

    The Strategy: Notice how Octavius removes his own personal feelings. He does not say “I am angry for my sister.” He says “Rome is upbraiding him.” He speaks as the state, converting a private family insult into a national security issue.

    2. The Chilling Rejection of Old-World Honor

    Mark Antony is a veteran soldier who believes in ancient military chivalry. Knowing he is losing the political war, a desperate Antony sends a messenger to Octavius, challenging the young man to a one-on-one sword duel to decide the fate of the world.

    Octavius’s response is dripping with contempt:

    “Antony, I have many other ways to die;
    meantime I laugh at his challenge.
    (Act 4, Scene 1)

    The Strategy: Shakespeare uses this moment to show that Octavius has zero ego vulnerabilities. A traditional, prideful tragic hero would feel compelled to fight to prove his bravery. Octavius, however, understands that he has already won through economics, logistics, and strategy. He feels absolutely no need to risk his life for “honor.” He lets Antony’s own emotional instability consume him.

    3. The Lie to Cleopatra (The Spider’s Web)

    The most terrifying glimpse of Octavius’s calculating nature occurs in the final act. Antony is dead, and Cleopatra is barricaded in her monument. Octavius wants to capture her alive so he can parade her through the streets of Rome in his triumphal march (the ultimate PR campaign for his new empire).

    He visits her and speaks words of profound, soothing comfort, promising her mercy and safety:

    “Feed, and sleep.
    Our care and pity is so much upon you
    That we remain your friend; and so, adieu.
    (Act 5, Scene 2)

    The Strategy: It is a complete, ruthless lie. The moment Octavius exits the room, Cleopatra’s handmaid reveals that Octavius’s spies have already confirmed his true plan: he intends to humiliate her in Rome as a trophy. Cleopatra realizes that Octavius’s words are entirely hollow, leading to her famous declaration: “He words me, girls, he words me, that I should not be noble to myself!” Octavius is so detached from human empathy that he can look a grieving woman in the eye, mimic the persona of a benevolent savior, and plan her public psychological destruction simultaneously.

    Shakespeare’s Octavius is unforgettable because he is a tragic hero’s worst nightmare: a man who cannot be provoked, cannot be seduced, and cannot be outmaneuvered because he has no vulnerable human heart left to target.The psychological dynamic between Octavius and Cleopatra is arguably the most fascinating relationship in the entire play, specifically because it is the only relationship Octavius cannot fully control.

    From both a Shakespearean and a Jungian perspective, their interaction is a profound battle between two opposing cosmic forces: the Archetype of Absolute Logos (Order/Mind) represented by Octavius, and the Archetype of Absolute Eros (Chaos/Passion) represented by Cleopatra.

    Here is why their connection is so uniquely compelling:

    4. The Clash of Incompatible Worlds

    Shakespeare structures the entire play around a geographical and psychological split. Rome is cold, masculine, orderly, and driven by the ego. Egypt is warm, feminine, chaotic, and driven by the unconscious.

    • Octavius is the supreme master of Rome.
    • Cleopatra is the literal embodiment of Egypt.
      When they finally meet face-to-face in Act 5, it is not a meeting of two individuals, but a head-on collision between two incompatible modes of human existence. Octavius cannot understand Cleopatra because she operates entirely outside of logic, and Cleopatra despises Octavius because he is entirely devoid of passion.

    5. The Battle for the Narrative

    As mentioned earlier, Octavius desperately needs Cleopatra alive. His “perfect persona” back in Rome requires a grand Triumphal March. To truly cement his transition from the “criminal” Octavius to the divine “Augustus,” he needs to parade the conquered Eastern Queen through the streets of Rome in chains.

    Cleopatra understands this perfectly. She knows that if she walks in his triumph, she becomes a mere prop in his myth. She describes the horror of what Octavius will do to her image:

    “Thou’st sign how the shouting Varletry of Rome
    Will clamor at our booths! … Saucy lictors
    Will catch at us like strumpets, and scald rhymers
    Ballad us out o’ tune.”(Act 5, Scene 2)

    The connection between them becomes a high-stakes psychological chess match. Octavius tries to “word” her (manipulate her with false promises of safety), while Cleopatra pretends to submit to his authority while secretly plotting her own escape through death.

    6. Cleopatra’s Final Victory Over the Machine

    The climax of their relationship occurs when Cleopatra commits suicide using the asp. By choosing the manner and time of her own death, she denies Octavius his ultimate prize. She completely shatters his perfect script. When Octavius enters her monument and finds her dead, Shakespeare gives him a moment of genuine, stunned awe. The cold technocratic machine is forced to recognize a power greater than his own empire:

    “Bravest at the last,
    She leveled at our purposes, and, being royal,
    Took her own way.”(Act 5, Scene 2)

    In Jungian terms, the Shadow of Egypt—the untamed, irrational unconscious—escapes the trap set by the Logos of Rome. Octavius

    Octavius:
    “She shall be buried by her Antony.
    No grave upon the earth shall clip in it
    A pair so famous.”

    Even in defeat, the future Augustus Caesar manages the public relations. He cannot parade her physical body through Rome, so he will parade her romantic legend instead, ensuring the world remembers him as the majestic architect of peace who brought a tragic, epic era to its grand conclusion.

    Essentially Octavian / Augustus was pure ratio, not able to be evil as there was nothing there to hold emotions. To say he was “pure ratio” (pure reason) means he transcended traditional concepts of “good” and “evil.” He did not commit atrocities out of malicious rage, sadistic pleasure, or personal hatred. Conversely, he did not show mercy out of genuine love or empathy. In a Jungian sense, Augustus was dangerous precisely because his Ego was entirely hollowed out and his persona the State. This is why some call him a criminal, my research found him as technocrat and magician a roaring success, and so was his a political machine. They were all looking at a man who successfully achieved the ultimate, chilling goal of total power: he became a mirror.

    The Void Where Emotion Should Be

    For a normal human being, performing evil acts—like executing political rivals or betraying family members—triggers an emotional response. It causes guilt, fear, or a confrontation with one’s own internal Shadow.

    But Augustus operated like an advanced algorithm. To him:

    • A political murder was not an act of cruelty; it was a necessary subtraction.
    • A peaceful treaty was not an act of kindness; it was a necessary addition.

    Because there was no emotional weight anchoring his actions, he could switch from being a ruthless “criminal” to a benevolent “savior” without feeling any internal contradiction. His moral compass wasn’t broken; it simply didn’t exist. It was replaced entirely by efficiency and strategic utility.

    He became an vessel archetype himself. In a Jungian conclusion: he ceased to be a man and became the vessel for the archetype itself. When an individual completely empties out their personal ego and surrenders their human emotions to a collective psychological need, they stop being a person. They become a living symbol. And a vessel archetypes holds more than one archetype.

    When we look back at the architecture of his “perfect persona,” we can see that he simultaneously held at least four distinct archetypes within his singular vessel:

    1. The Savior / Bringer of Light (Apollo)

    • The Collective Need: A traumatized society begging for an end to a century of bloody civil war and existential dread.
    • The Manifestation: Augustus stepped into this vacuum as the bringer of the Pax Romana (Roman Peace). He channeled the sun-god energy of Apollo to project absolute clarity, sanity, renewal, and a literal “Golden Age.”

    2. The Tyrant / Ruthless Executioner (The Dark Father)

    • The Collective Need: The unconscious psychological understanding that chaos cannot be tamed by kindness alone; it requires absolute, terrifying boundaries.
    • The Manifestation: . Augustus held the archetype of the ruthless autocrat who utilized proscriptions, state-sanctioned murder, and cold-blooded betrayal to liquidate his rivals. He wielded the shadow side of power without letting it consume his sanity.

    3. The Humble Priest / Guardian of Tradition (Pietas)

    • The Collective Need: A deeply religious population feeling intense cosmic guilt, believing their civil wars were a punishment from ancestral gods they had abandoned.
    • The Manifestation: Augustus seamlessly shifted into the archetype of the pious spiritual guide. By rebuilding 82 temples and posing in sculpture as the veiled Pontifex Maximus (Supreme Priest), he absorbed Rome’s collective guilt. He made the people feel safe by anchoring them back to their mythological roots.

    4. The Divine Child / Eternal Youth (Puer Aeternus)

    • The Collective Need: A dying Republic needing to believe in its own immortality and unshakeable future.
    • The Manifestation: By styling himself as Divi Filius (Son of the Divine) and legally freezing his public statues so he never aged, he channeled the archetype of eternal potential. He became a symbol of a Rome that would never grow old, decay, or die.

    In a way he create himself as archetypal images – understanding the archetypes of Romans and invoking them. His shadow was hidden but had taken over the Ego or maybe fusioned . No individual persona needed. The people projected in this vessel what the wanted to see.

    1. The Fusing of Ego and Shadow

    In a normal human, the Ego (the conscious “I”) is constantly at war with the Shadow (the repressed, dark impulses like cruelty, greed, and ambition). The Ego uses a Persona to hide the Shadow from the world.

    With Augustus, that internal conflict ceased to exist.

    [ TRADITIONAL LEADER ] [ AUGUSTUS CAESAR ] ┌────────────────────────┐ ┌────────────────────────┐ │ PERSONA (Fake Mask) │ │ │ ├────────────────────────┤ │ EGO / SHADOW FUSION │ │ EGO (Conscious “I”)│ │ │ ├────────────────────────┤ │(Cruelty & Order Blended│ │ SHADOW (Hidden Dark) │ │ Into One Divine State) │ └────────────────────────┘ └────────────────────────┘ *Constantly fighting* *Perfect Alignment*

    Augustus did not hide his shadow; he rationalized and integrated it. His ruthless criminal acts (the shadow) were perfectly aligned with his desire to create a global empire of absolute law (the ego). Because his personal morality was entirely obliterated, he felt zero guilt. By accepting his own darkness as a necessary tool of statecraft, he achieved a terrifying internal harmony. He didn’t wear a mask; he became the monument.

    2. Invoking the Roman Psyche

    Because he was internally hollow and entirely self-contained, he could look at the Roman collective unconscious with complete, cold objectivity. He understood what the Romans were too terrified to admit to themselves: they wanted a tyrant, but they needed to call him a savior.

    He didn’t force new ideas onto the Romans. Instead, he reached deep into their ancestral memory and pulled out the exact archetypal images they already worshipped—Pietas, Pax, Apollo. He invoked these images so perfectly that he transformed his physical reality into a living mythology.

    3. The Mirror Vessel of Projection

    The Roman people did not see the real Octavius—because there was no “real Octavius” left to see. Instead:

    • The traumatized soldier looked at him and projected the Savior.
    • The conservative Senator looked at him and projected the Restorer of the Republic.
    • The peasant looking for bread looked at him and projected the Provider of Abundance.

    Augustus allowed millions of people to project their deepest psychological desires into his empty vessel. He let them deceive themselves. He didn’t have to lie to the Roman people; he simply allowed them to see exactly what they desperately wanted to see to feel safe again.


    This has been a masterclass in psychological and historical analysis. One can compare this type of Ego-Shadow fusion as something unique to antiquity, or notice certain modern political leaders who have successfully turned themselves into a similar mirror for collective projection.

    The entire relationship between the Emperor and his people was based on a massive, collective projection of opposites.

    ┌──────────────────────────────────────┐ ┌──────────────────────────────────────┐ │ WHAT THE ROMANS WANTED TO SEE │ │ WHAT AUGUSTUS ACTUALLY WAS │ ├──────────────────────────────────────┤ ├──────────────────────────────────────┤ │ • Traditional Republic (Freedom) │ VS │ • Global Absolute Autocracy │ │ • Holy Priest (Divine Humility) │ │ • Cold Realpolitik & Calculus │ │ • Flawless Eternal Youth (Puer) │ │ • Aging, Frail, Mortal Man │ │ • Traditional Morals & Piety │ │ • Ruthless, Pragmatic Pragmatist │ └──────────────────────────────────────┘ └──────────────────────────────────────┘

    The Romans projectively created a myth of ancestral virtue and freedom, using Augustus as the canvas—even though Augustus was the literal architect who dismantled their actual freedom and built a cold, global, bureaucratic machine.

    The Ultimate Persona: Princeps

    The only true “Persona” left was the title “Princeps” (First Citizen).

    This title was a masterstroke of linguistic and psychological camouflage. By refusing titles like “Dictator” or “King,” and choosing a word that literally meant “First Among Equals,” he maintained the fragile, comforting illusion that the old Republic was still alive.

    The title Princeps acted as a psychological buffer. It allowed the Romans to hand over total autocratic control of their military, their treasury, and their laws without having to consciously face the humiliating reality that they had become subjects of a tyrant.

    The Void of the Mirror

    Because the Romans were looking at a mirror, they never had to see the real Octavian. They never had to look at:

    • The sickly, frail man who suffered from chronic illnesses.
    • The cold strategist who used his own daughter, Julia, as a political pawn.
    • The pragmatist who recognized that human freedom is easily traded for physical security and full grain warehouses.

    By giving them the title Princeps, Augustus gave the Romans the permission they needed to deceive themselves. They wanted stability at any cost, but they needed to look noble while accepting it. Augustus gave them both. in his way he created and run the empire. The Romans wanted and did BY NO MEANS want really the Old Republic – which was a mess. History named what the economic analysis shows: “Goldene Zeiten führt’ ich ein” (Wilhelm Hankel) – the Golden Age.

    Merging a cold, concrete economic analysis with a Jungian archetypal framework will gives a remarkably original and complete picture of how the Roman Empire was built. Historical reality is that the Roman people by no means wanted the old Republic back. The late Republic was a catastrophic mess of hyper-inflation, warlords, broken supply chains, and endless slaughter. The collective psyche was utterly exhausted. By combining economics and psychology, the introduction shows how Augustus didn’t just fix the economy—he used economic stability as the physical medium to manifest the archetype of order. Here is how two analytical angles can perfectly merge:

    The Economic Body and the Jungian Soul

    The Economic Body and the Jungian Soul

    • The Problem: The late Republic failed economically because individual elites looted the provinces, destroyed the currency, and disrupted trade to fund their private civil wars. Psychologically, this created a state of constant, collective survival dread.
    • The Augustan Solution: Augustus centralized the treasury, stabilized the currency, cleared the Mediterranean of pirates, and created a predictable tax system for the provinces.
    • The Archetypal Merge: This wasn’t just good governance; it was psychological containment. By providing physical, economic security, Augustus fulfilled the collective unconscious craving for the “Wise Ruler/Provider.” The stabilization of money and trade became the physical proof that his myth was real. The Romans happily traded the chaotic “freedom” of a bankrupt Republic for the predictable “slavery” of a prosperous, autocratic empire.

    This thesis shows that Augustus’s true genius lay in understanding that one cannot rule the human mind with myth alone, and one cannot rule it with bread alone. He used the title of Princeps to smoothly bridge the gap, giving the Romans a booming economy while allowing them to maintain the comforting, proud illusion of their old traditions. The German ‘Wirtschaftswunder’?

    When one dives into the core economic data—such as his tax reforms, provincial governance, or the monetization of the empire—all one can say what his empire survived dozens of less capable and disastrous until the last Augustulus with West Rome fell.

    I have stated the ultimate historical proof of his genius. The absolute testament to the system Augustus built is its sheer structural resilience.For the next five centuries, the Western Roman Empire was subjected to every imaginable horror:

    • The Madmen and the Cruel: Caligula, Nero, and Commodus.
    • The Incompetent and the Weak: Emperors who were murdered within months of taking power during the anarchic “Crisis of the Third Century.”
    • Economic Collapses: Hyperinflation, plagues, breaking of supply chains and barbarian invasions.

    During decades, centuries of disastrous leadership that would have instantly shattered any normal kingdom, the Roman Empire survived. It endured because Augustus had successfully decentralized the idea of leadership away from the individual and placed it into the Archetype of the State. The bureaucracy kept collecting taxes, the provinces kept trading, and the legions kept fighting because the idea of Rome—the mythic container Augustus forged—remained alive in the collective unconscious of millions.

    It wasn’t until 476 CE, when a child named Romulus Augustulus was quietly deposed, that the Western engine finally stopped beating. The profound irony of history is that the Western Empire began with an Augustus who was pure, unshakeable Logos, and ended with an Augustulus (“Little Augustus”) who was an empty, powerless shadow. s

    Friedrich Dürrenmatt’s Romulus the Great (Romulus der Große) provides the absolute perfect literary bookend to my thesis. If Augustus created the empire by flawlessly blending the Ego and the Shadow to become a hyper-rational, divine vessel of order, Dürrenmatt’s Romulus dismantles it using the exact same psychological mechanism in reverse. He turns the “weak King” into a weapon of absolute destruction. From a Jungian and economic perspective, Dürrenmatt’s comedy beautifully illustrates the poetic conclusion to the analysis:

    1. The Anti-Augustus: The Conscious Saboteur

    Augustus masked his absolute autocracy under the humble persona of Princeps (First Citizen) to build a system the Romans secretly wanted.In Dürrenmatt’s play, Romulus Augustulus does the opposite. He masks his razor-sharp political judgment under the persona of a blithe, incompetent chicken-breeder who cares more about his poultry than the encroaching Germanic army let alone Rome. Everyone around him—his wife, his ministers, the soldiers—believes he is just a lazy fool. But as the play unfolds, Dürrenmatt delivers a devastating psychological twist: Romulus’s incompetence is entirely calculated. He knows the empire is economically bankrupt and morally corrupt. He states explicitly that Rome did not just fall; it betrayed its own ideals of humanity for tyranny. Romulus realizes that the only moral thing a ruler can do with a tyrannical machine is to liquidate it.

    2. Slaying the Archetype via Farce

    Augustus used symbols, art, and myths to make the State look divine, untouchable, and inevitable. Dürrenmatt’s Romulus understands that one cannot defeat a divine myth with swords—one can only defeat it with the Grotesque and the Absurd. ‘ A historical tragedy repeated itself as comedy.

    Romulus systematically de-mythologizes the state:

    • He sells off the ancient busts of Rome’s greatest emperors and heroes just to pay his domestic staff.
    • He ignores urgent wartime dispatches to eat his soft-boiled eggs.
    • When a wealthy trouser-manufacturer offers to bail out the empire financially in exchange for the princess’s hand in marriage, Romulus flatly refuses. He refuses to let capitalism artificially prolong a zombie state.

    By refusing to act like a “Hero,” Romulus denies the Roman people their final, desperate desire: to project the “Tragic Savior” archetype onto him. He forces them to look at the economic and moral void they have created.

    3. The Climax: Two Chicken-Breeders Facing the Void

    The psychological masterpiece of Dürrenmatt’s play occurs when Odoacer, the Germanic chieftain, finally conquers the palace. Romulus sits calmly, waiting to be executed as a sacrificial lamb for his judgment against Rome.

    But in a stroke of sheer comedic and existential genius, Odoacer deeply admires Romulus.

    Odoacer doesn’t want to conquer Rome; his own people are bloodthirsty “heroes” whom he cannot control. Odoacer wanted to surrender to Rome’s civilizing order to save his own people from their savage impulses.

    ┌──────────────────────────────────────┐ ┌──────────────────────────────────────┐ │ AUGUSTUS’S ERA │ │ AUGUSTULUS ERA 486 AD FALL OF W ROM │ ├──────────────────────────────────────┤ ├──────────────────────────────────────┤ │ • Absolute Logos Rules │ VS │ • Absolute Absurdity Rules │ │ • Ego shadow Integration │ │ • Complete Collapse into Asylum │ │ • Global Machine │ │ • Weak Kings Fools Economic crash │ │ • Benefit for Rom HQ & Protectorates │ │• Supply Chain Break Overrun borders │ └──────────────────────────────────────┘ └──────────────────────────────────────┘

    The Ultimate Jungian Paradox

    The ending is a tragicomic inversion of Augustus’s world. The two leaders realize they are both trapped by the historical projections of their societies. They cannot be heroes, and they cannot be martyrs.

    Instead of a bloody execution, Odoacer grants Romulus a pension and sends him into comfortable retirement in Campania. The great, terrifying, global apparatus that Augustus Caesar forged out of pure calculation, myth, and economic steel ends not with a grand cosmic bang, but with two tired old men sitting in a garden, talking about chickens

    Using Dürrenmatt’s play dramtizes when an empire’s economic body dies, the grand archetypal projections built by its founder collapse into total absurdity. Augustus created the myth; Romulus Augustulus turned off the lights.

    By making Romulus an old, cynical man who acts like an unbothered child, Dürrenmatt exposes the fundamental reality of the historical figure he was named after. Historically, the actual Romulus Augustulus was in reality a child—a defenseless, 14-year-old puppet emperor whose name was a diminished mockery of the great Augustus.

    Through a Jungian lens, this brings a entire economic and psychological analysis to a spectacular, full-circle realization:

    1. The Child and the Void

    Augustus Caesar built an empire because his inner self was a hyper-rational, calculated void. He hollowed out his individual ego to let the massive, devouring Archetype of the State move through him. He was empty, a pristine vacuum of pure calculation.

    But a void cannot sustain life forever. Over five hundred years, that structural vacuum completely dried out the soul of Rome. By 476 CE, the grand, terrifying mechanism had exhausted its economic and psychological capital. The empire began with an empty man pretending to be a god, and it ended with a literal, helpless child standing in the wreckage. The “Divine Child” archetype (Puer Aeternus) that Augustus used as propaganda to promise eternal youth had decayed into its sad, literal reality: an impotent, frightened little boy.

    2. Dürrenmatt’s Masterstroke

    Dürrenmatt’s genius in Romulus the Great was to take that historical child and psychologically transform him into a man who consciously chooses the posture of a child.

    Romulus behaves with the total, unbothered innocence of a child—playing with his chickens, eating his breakfast, ignoring his duties—because he knows it is the only way to suffocatingly starve the monstrous machine. By refusing to engage in the “adult” games of war, economy, and politics, he exposes the empire’s ultimate secret: without the founding myths and without a humming industrial economy mighty the Roman Empire is completely empty. It has no clothes.

    Conclusion

    • Augustus was a void who created an empire by letting the collective unconscious project a grand myth onto him.
    • The Economy was the blood and iron that kept the machine and the empire running for centuries even under incompetent rulers.
    • Romulus Augustulus was the literal child left behind when the myth ran out of fuel – money.
    • Dürrenmatt’s Romulus is the philosopher who looks into that void, laughs at its absurdity, and gracefully closes the book.

    If you like to read on, here is how economic history aligns with Augustus’ magnificent global technocratic empire and psychological framework.

    Appendix Rome Inc.: Caesar & Augustus in Modern Economic Terms

    Introduction

    Julius Caesar started clearly as a politician, became a brilliant leader and founded Rome’s empire a second time as a corporate raider with legion and a ledger. This document maps his economic strategy and its continuation under Augustus using modern fiscal and geopolitical concepts. We argue that Caesar created an ancient proto-capitalism (early or nascent forms of capitalism) as monopoly and corporatism, while Augustus stabilized the system with propaganda and Egyptian gold — mirroring the U.S. post-WWII.

    We are effectively asking: What kind of economic system was the Roman Empire from its rise under Julius Caesar until the fall of Western Rome, and how does it compare to modern Western (post-Enlightenment) economic models. So we are viewing Julius Caesar and Augustus through the lens of economic governance, power centralization, and applied economic concepts. However, Julius Caesar / Augustus are the system.

    The Fall of Rome was not a single event — it was the slow unraveling of an almost Jungian system with beautiful persona over its unconscious forces within the empire itself — aggression, decadence, arrogance, corruption — eventually taking over and destroying it from within. Its shadow took over, exposing greed, naked power, decadence and performative pageantry.

    Main sources The Cambridge History of Capitalism. Volume 1- The Cambridge Ancient History- The Last Age of the Roman — John Anthony Crook; Andrew Lintott; Elizabeth Rawson, Goldene Zeiten führte ich ein – Caesar und sein Wirtschaftsimperium, Willhelm Hankel, Ceasar, Sämtliche Werke

    Rise of economic prosperity of Rome in the late Republic and under Caesar & Augustus

    Roman data, especially GDP assumptions are often based on little more than a handful of data points. It has been therefore established fairly recently, that any parts of the Roman world witnessed dramatic population growth during the last few centuries BCE, including its newly conquered territories, and the Roman economy experienced increases in in aggregate production, Roman people also enjoyed higher per capita incomes. For a while, Roman society was not only quite prosperous, but also relatively inclusive (cf. Willem M. Jongman Re-constructing the Roman economy, Cambridge History of Capitalism I, 2014).

    Crucial performance indicators show increases in production and consumption from the third century BCE, until the Roman economy reached a spectacular peak during the first century bce and the first century CE, lasting until perhaps the middle of the second century CE. One explanation would be to argue that all this was the product of Roman imperialism, vulgar looting. Keith Hopkins came up with an alternative optimistic model: Roman taxation in rich interior provinces stimulated those interior provinces to develop an export industry (Hopkins 1980, 2002). This then kindled the kind of long-distance economic integration of the empire and technological advances in the wake of the Roman conquest. It was good to live in the Roman empire, and it was good to have been conquered by Rome.

    What and who contributed to the success? Roman civil law remains the foundation of many modern legal systems, solving pressing issues that could have harmed the economy. It guaranteed private property, it discouraged dishonesty in business, and made it easy to enforce contracts. We can also see that both the state and private enterprises used effective administration to keep track of their affairs. Roman emperors in this period insisted on the importance of good governance. Roman rule was by the law. Under Augustus, the earlier privatized system of provincial tax collection was brought under central control, if only to avoid the excesses of the previous period. Furthermore, a system of imperial bureaucratic administration evolved, with separate departments such as the treasury, based on preceding model of Roman senior magistrates but he enforced a difference of scale, and it was a big difference. This central government provided infrastructure such as roads for the empire, harbors, and enormous warehousing complexes. Another benefit of Roman rule was internal and external security. Roman legions were better trained, better paid, better led, and better equipped than any opposition. Until the later second century ce undoubtedly they earned it by the peace that they maintained. A sound and stable money is another important institution for an advanced economy, and again there is no doubt that Rome’s integrated monetary system that covered most of its territory and supplied denominations for the entire range of transactions and protected value by low inflation. Apart from coinage, Rome also had a civil banking sector. Large public projects were completed, and complex business ventures were financed. The Roman economy was not constrained by a lack of capital nor of labor due to supply of slaves. The empire was administered effectively from cities, and Roman culture was urban culture and with a complex and sophisticated market for specialized urban goods and services, and advanced division of highly skilled labor. Elite purchasing power was huge, and so was demand for goods. The condition seems to have to be met for such urbanism: agrarian productivity growth to support large non-agricultural sector and elaborate administration as well as demanding infrastructure and long supply chains. (cf. Willem M. Jongman Re-constructing the Roman economy, Cambridge History of Capitalism I, 2014).

    Good governance and administration, a high trust, secure business friendly environment with all prerequisites capitalism needs, was put in place or it least perfected by the Julius Caesar / Augustus system. Caesar monetized conquest. Augustus commodified stability.

    Timeline of the Pre-Imperial Rupture

    The Crises of the Roman Republic refers to an extended period of political instability and social unrest that culminated in the demise of the Roman Republic, and the advent of the Roman Empire from about 134 BCE-44 BCE. Following a period of great military successes and economic failures of the early Republican period, many plebeian calls for reform among the classes had been quieted. However, many new slaves were being imported from abroad, causing an unemployment crisis among the lower classes. A flood of unemployed citizens entered Rome, giving rise to populist ideas throughout the city. Beginning in the summer of 54 BCE, a wave of political corruption and violence swept Rome, reaching a climax in January 52 BCE. The causes and attributes of the crisis changed throughout the decades, including the forms of slavery, brigandage, wars internal and external, overwhelming corruption, land reform, the invention of excruciating new punishments, the expansion of Roman citizenship, and even the changing composition of the Roman army.

    133 BCETiberius Gracchus killed — beginning of the death of political consensus.
    88 BCESulla first marches on Rome — civil war begins.
    82 BCESulla becomes dictator — executions, reforms, and purges.
    79 BCESulla retires, dies the next year.
    49 BCECaesar crosses the Rubicon — follows Sulla’s example, but takes it further.
    44 BCECaesar assassinated — Brutus and Cassius as last defenders of the old Republic.
    27 BCEAugustus founds the Principate — Republic dead in all but name.

    Julius Caesar (49–44 BC)

    In Ancient Rome, the main way in which the administrative mechanism, army and social programs were funded was through conquest. If Rome was conquering new territories, the money was rolling in, which included revenue from slave trade, war plunder and annual taxes from the conquered provinces. This allowed for very high amounts of financial debt and spending. For most of the time, this highly leveraged national economy was thriving since these expenses were being covered. Economic crises in the late Roman Republic and the associated problem of private debt are well known to scholars.

    Julius Caesar’s actions had a profound effect on the Roman economy between 49 and 45 BC. There is a whole economic discussion of this in Andrew Collins and John Walsh. Debt Deflationary Crisis in the late Roman Republic Ancient Society Vol. 45 (2015), pp. 125-170 (46 pages).

    Caesar did crisis management and achieved a turnaround:

    1. addressed the debt crisis, including or maybe foremost his,
    2. addressed the land crisis
    3. increased the money supply by 50% by converting gold and silver bullion into coin,
    4. reduced debt by 25% by allowing land owners to estimate the value of their property before the crisis (That is, before 49 BC),
    5. addressed hoarding of money by passing a law limiting an individual to holding a maximum of 60,000 sesterces in gold or silver,
    6. provided rent relief in the year 48 BC,
    7. regulated interest rates,
    8. normalized grain imports into Rome thus stabilizing the food supply,
    9. sold 1 million Gauls into slavery, thus creating a glut in the slave market,
    10. created colonies in various provinces, using demobilized veterans and unemployed proletarians from the city of Rome.

    Caesar’s handling of the debt crisis at the beginning of the civil war is perhaps a good candidate for the notion that Caesar somehow adhered to a modern notion of popular economic ideology, some two thousand years in advance of the thinkers of the Industrial Revolution. The seminal work is Frederksen’s very old but very good article, “Caesar, Cicero and the Problem of Debt.” The short version is that at the start of the civil war, as often happened during civil wars and other domestic crises in the late Republic, a debt crisis occurred, as creditors pulled in their debts en masse in fear of an economic collapse. This caused, as it had only a decade earlier during the Catilinarian crisis in 63, a shortage of cash and credit, which threatened to paralyze the Italian economy. At the time, Roman debt laws were quite harsh towards debtors, the majority of whom were rural farmers rather than urban people (which might account for why this part of Caesar’s career, as well as the debt crisis of 63, are mostly overlooked by pop history, which routinely pretends that the Italian countryside didn’t exist). Frederiksen argued that Caesar did two things to free up cash.

    First, he confiscated the money in the treasury, which even Sulla and Cinna hadn’t done. This allowed him to pay his troops, who had gone without pay for quite some time and who, by their reckoning, were mostly due to go home, since the Gallic campaign which they had signed on for was over–Caesar would have issues with reluctant soldiers throughout the early part of the civil war.

    Second, he arranged that IOUs, which were frequently used in large transactions (the Romans had no paper currency or bank notes), could be traded at face value temporarily as if they were cash, and over the course of a couple years instituted a new procedure for defaulting on debt. Previously, the debtor basically had to sell everything he owned if he couldn’t pay the full sum of his debt when his creditors called it in. Since the value of his property was probably vastly insufficient to cover his debt, this left everyone unhappy and didn’t accomplish much–the debtor was left homeless and penniless, and the creditors didn’t get even a small portion of their money back.

    Early in the civil war Caesar had frozen debts and prevented creditors temporarily from calling them in, and by 47 or so he had worked out a policy by which debtors could willingly default on their debts in advance of their being called on by their creditors. If they did so, instead of ceding all their property, they could go to the praetor and have him evaluate their worth. He would then cede his property to his creditors, but was permitted to retain enough to survive. This policy was expanded on in later years and became the default procedure in the imperial period. But why? Frederiksen’s argument was that Caesar desperately needed cash to continue circulating, because he was at the beginning of a war. To this Morstein-Marx’s added that at the beginning of the civil war Caesar went to great lengths not to make himself look like a radical trying to overthrow the state. In order to keep his legitimacy in the face of an enemy that had badly damaged his own by abandoning the city and Italy, Caesar would have needed to prevent an economic ruin. In that context, it probably doesn’t make sense to attribute Caesar’s debt policy to a general ideological fixation but his strong pragmatism.

    Even if we were to focus on only one period of Caesar’s career, his conquest of Gaul, we would see a significant impact upon the Roman economy. One consequence of the Gallic Wars, one million Gauls sold into slavery. This event alone reduced the cost of slaves in the Roman economy, and made it easier to purchase slaves than before. But Julius Caesar did so much more than that. He deposited huge sums of plunder (from Gaul) into the Roman Sacred Treasury, used for emergency situations. When Caesar died, the previously depleted treasury contained 700,000,000 sesterces. Caesar also settled his veterans on land, the usual payout for retiring legionnaires, in colonies in conquered territories. Colonies were also planted by moving members of the Roman proletariat, as many as 80,000 to North Africa. To that end, Caesar planted colonies in Carthage and Corinth, cities that had been destroyed in 146 BC. This act of reconstitution helped not only stabilize the regions (North Africa and Greece) politically, but it also helped these regions thrive economically. Colonies were also planted in the provinces of Further Spain and Gaul.

    Caesar also tried to solve the debt crisis by adopting a path between not doing anything (which favored debt-holders) and forgiving debt altogether (which, obviously, favored debtors). Between 49 & 45 BC, land prices had fallen precipitously. Caesar addressed this issue by assessing land at its pre-49 BC value, which allowed debtors to sell their land or transfer it in payment of debt. This was significant because the Roman financial system relied on land value and in order to function properly it needed that value to be consistent. From a macroeconomic perspective, and Caesar understood this, during a period of falling land prices, with debtors flooding the market trying to sell their land in order to pay debt, a downward spiral of falling land prices would cause debtors to default on their debt, with even creditors eventually being ruined. Furthermore, falling land values would result in a shrinking money supply (debt and credit underwritten by land) and a fall in demand for commodities. Also, interest rates would rise significantly as would rents on properties. Caesar addressed all of these problems in an attempt to stabilize the economy.

    Caesar reduced Annona recipients by half (down to 150,000), thus relieving pressure on the treasury. Most of the grain at the time came from Sicily. Grain was still being grown in Italy but transportation by sea was much less expensive, and faster, than importation by land. In combination with his colonial policy, Caesar must have relieved pressure on the Roman treasury by reducing the number of poor unemployed Romans in the city.

    Julius Caesar actions show key characteristics of an LBO, i.e. the significant use of debt (borrowed money) to finance the acquisition and his legions. This means he took out out loans to cover a large portion of the purchase price, and used the acquired Rome’s assets as collateral. The term “leveraged buyout” refers to the use of debt to amplify the investment, meaning he could acquire a larger share using a relatively small amount of his own capital. After he won the civil war, the republican oligarchy became a monopoly: L’état, c’est moi. But the oligarchy stabbed back.

    Caesar’s Profit & Loss Statement

    AssetsConquest loot, tribute flows, minting control, land reallocation.
    LiabilitiesElite debt, urban poverty, military upkeep, corrupt tax farming.
    RevenueWar booty, provincial tribute, confiscated aristocratic property.
    ExpendituresArmy pay, debt relief, grain dole, public works.
    Fix?Yes, temporarily — liquidation + conquest stabilized finances.
    Flaw?Yes — growth depended on expansion, not internal productivity.

    Julius Caesar and Augustus built history’s most successful state-sponsored extraction model. Their financial statements reveal why the empire thrived temporarily but collapsed inevitably.

    Caesar’s Corporate Raiding (49-44 BC)

    AssetsConquest loot, tribute flows, minting controlCrisis capitalism works short-term
    LiabilitiesElite debt (1B HS), urban poverty, military upkeepUnpaid social costs accumulate
    Revenue500M HS war booty + 340M HS annual tributePlunder isn’t renewable
    FlawGrowth depended on expansionNo productivity = evt. collapse

    Key Insight: Caesar’s reforms were a debt-fueled leveraged buyout, a brilliant restructuring and turnaround without systemic change.

    Augustus (27 BC–14 AD)

    Since Tiberius Gracchus’s attempts at reform in 133 BC, Rome had been ravaged by a long civil war. The Roman Republic was in crisis because the constitution was no longer being respected Octavian ‘Augustus’ Caesar (63 BC – 14 AD) was Julius Caesar’s Great nephew and adopted son and named successor and for all intents and purposes — recognized as the founder of the Roman Empire, which he ruled from 27 BC until death. After Caesar was assassinated by senators in 44 BC, a new civil war broke out between his adopted son, Octavian, and Marcus Antonius. Octavian and his supporters won the Battle of Actium. After the assassination of Caesar in 43 BC, Octavian fought to avenge him and fought to become Caesar’s political heir in With Mark Antony, a political counterpart and Marcus Lepidus he formed the Second Triumvirate and defeated the assassins of Caesar, Brutus and Cassius at the Battle of Philippi in 42 BCE. The second Triumvirate did not last, its final break came in 32 BC. In a Senate session in January 27 BC, Octavian made a decisive turn: He formally restored the Republic and ended the civil war. Did he? No, Augustus didn’t created only defacto a monarchy”—he built a hybrid regime where republican forms masked imperial substance. He returned formally power to the Senate and the people, sort of that is. The real money (aureus or otherwise) flowed to his fiscus, the legions swore oaths to him, and the Senate clung to hollow rituals and small little purse. As the poet Ovid wrote: “The name of king was hateful; so [Augustus] ruled as princeps.

    1. “Lipstick on a Monarchy”: The Augustan Facade

    • Republican Theater: Augustus retained republican institutions (Senate, magistracies, elections) but hollowed them out.
    • Titles over Thrones: He avoided titles like rex (king) or dictator, opting for princeps (“first citizen”) and Augustus (“revered one”).
    • Constitutional Charade: He held a patchwork of powers—tribunicia potestas (veto power), imperium proconsulare (control over provinces/armies)—that gave him monarchical authority while feigning republican modesty.
    • Julius Caesar’s Ghost: Caesar’s fatal error was flaunting autocracy (e.g., sitting on a golden throne). Augustus learned from this, masking his power behind tradition. As Tacitus quipped: “The nation… preferred the security of the present to the dangers of the past.

    2. “The Real Money Stays with the Real Principal”

    • Fiscus vs. Aerarium:
    • Julius Caesar: As dictator, he treated the aerarium (Senate’s treasury) as his personal fund, provoking elite backlash.
    • Augustus: More subtle. He created the fiscus (imperial treasury) as a parallel system. Tributes from imperial provinces and taxes flowed here, not to the Senate’s aerarium. The fiscus funded legions, client kings, and bribes—all levers of control.
    • Senatorial Theater: The Senate still managed Italy and senatorial provinces, but the aerarium became a “pocket money” fund for civic pageantry (e.g., games, temples). The real fiscal muscle lay with Augustus.

    3. Tribute in mostly Aureus

    • Gold for Empire-Building: The aureus (gold coin) and denarius (silver) were Rome’s “hard currency,” used for:
    • Paying legions (loyalty bought in gold).
    • Long-distance trade and imperial projects.
    • In-Kind Taxation: Many provinces paid tribute in grain, metals, or goods (e.g., Egypt’s grain funded Rome’s plebs). These were monetized or stored as strategic reserves.
    • Currency Conversion: Local coinage (e.g., Greek drachmae) circulated in provinces, but procurators often converted taxes into aurei/denarii for transfer to Rome.

    4. Why This System Worked

    • Plausible Deniability: Senators could pretend Rome was still a republic, while Augustus’ control of the fiscus and legions made him the de facto “principal.”
    • Carrot and Stick:
      • Carrot: Elite families were co-opted with provincial governorships (senatorial provinces) and symbolic honors.
      • Stick: The Pax Augusta depended on armies paid from the fiscus—and armies answered to Augustus alone.

    5. Julius Caesar vs. Augustus: A Study in Subtlety

    Power DisplayOvert (dictatorship for life)Covert (princeps, “restored Republic”)
    Financial ControlSeized aerarium openlyRedirected revenue to fiscus
    Elite RelationsAlienated Senate (assassinated)Co-opted Senate (died of old age)

    In short: The Republic was a stage set, the aureus was the emperor’s tool, and Augustus was the ultimate principal of the so called principate system.

    Augustus assumed leadership of the imperial provinces along the borders of the Roman Empire. Subsequently, he received the official authority of a proconsul. In addition, Augustus combined the powers of a tribune, censor, consul, and pontifex maximus which formed the basis of the lean principate system which controlled not only the main purse of a highly sophisticated decentralized administered Roman empire The principate paved the way for a new era of peace in Rome—the Pax Augusta. Rome experienced its political, economic, and cultural heyday.

    1. Decentralization and Provincial Organization

    • Imperial vs. Senatorial Provinces: The Roman Empire was divided into imperial provinces (under direct control of the princeps/emperor) and senatorial provinces (overseen by the Senate). Imperial provinces were often frontier regions requiring military oversight, while senatorial provinces were typically more stable.
    • Decentralization: While the system was decentralized in theory (with local elites retaining some autonomy), the emperor increasingly centralized fiscal authority, especially after Augustus. Procurators (imperial financial agents) were appointed to oversee taxation and spending in imperial provinces.

    2. Money Flow and Tribute

    • Taxation in Aureus: While gold aurei and silver denarii were used for large transactions and state payments, much taxation (e.g., grain, goods) occurred in kind, especially in less monetized regions. Cash taxes were often collected in local currencies and exchanged into Roman coinage.
    • Tribute vs. Local Spending: Provinces paid fixed annual tribute (tributum) to Rome. The idea of “Rome’s demand minus local projects” is partially correct:
    • Local Projects: Funds for infrastructure (roads, temples) or garrisons were sometimes allocated from provincial revenues, but this was not a standardized “subtraction.” Instead, the emperor or Senate might approve ad hoc expenditures from their respective treasuries (fiscus for the emperor; aerarium for the Senate).
    • Surplus Extraction: The primary goal was to extract surplus wealth for Rome. Local elites often bore the burden of funding civic projects to maintain their status.

    3. Role of the Princeps (Emperor)

    • Control Over Revenue: The fiscus (emperor’s treasury) received income from imperial provinces, inheritance taxes, and imperial estates. The aerarium (public treasury) managed senatorial provinces and traditional state funds, but the fiscus grew dominant over time.
    • Profit and Loss: The emperor acted as a de facto “contractor” through procurators (financial officials) who managed provincial accounts. Procurators ensured revenue targets were met and could pocket excess funds or face penalties for shortfalls. However, this was not a formal “percentage” system but rather patronage-driven corruption or efficiency incentives.
    • Senatorial vs. Imperial Funds: By Augustus’ reign, the fiscus and aerarium were theoretically separate, but emperors often blurred the lines, using the fiscus for state projects (e.g., armies, building programs) to consolidate power.

    4. Key Clarifications

    • Tax Farming: Under the Republic, tax-farming companies (publicani) collected taxes for profit, but Augustus reduced their role in imperial provinces, replacing them with procurators loyal to him.
    • Fixed Quotas: Provinces often had fixed tribute quotas, but additional exactions (e.g., emergency levies) occurred during crises.
    • Senatorial Influence: While the Senate nominally controlled senatorial provinces, emperors increasingly intervened in their governance, especially after the 1st century CE.
    • Decentralization: True for senatorial provinces; imperial provinces saw tighter control.
    • Aureus Use: Some in-kind taxation was significant.
    • Emperor’s Treasury: the fiscus (Augustus’ account) eclipsed the Senate’s aerarium.
    • Contractor Analogy: Procurators functioned like profit-driven agents, but the system was more bureaucratic than a strict “general contractor” model.

    The emperor’s financial power stemmed from controlling provincial revenues and military loyalty, enabling him to bypass senatorial oversight. Over time, this fiscal centralization became a hallmark of imperial authority. “Procurators” formed the basis of this empire order and the senatorial ‘beltway elite’ was only to agreeable not to be bothered by the challenging administering of the empire.

    1. Provincial Governance Structure

    Legate (Legatus Augusti pro praetore)

    • Role: Appointed by the emperor, the legate was a senator who served as the military commander and civil governor of an imperial province.
    • Authority:
      • Controlled the legions stationed in the province.
      • Oversaw law, order, and public works.
      • Reported directly to the emperor, not the Senate.

    Procurator (Procurator Augusti)

    • Role: An equestrian official appointed by the emperor to manage financial affairs.
    • Authority:
      • Collected taxes (e.g., tributum, customs duties).
      • Managed imperial estates, mines, and minting.
      • Audited provincial accounts and ensured revenue flowed to the emperor’s fiscus.
      • Direct reporting to the emperor, independent of the legate.

    2. Financial Control: Who Had “P&L”?

    • Procurators held de facto “P&L” responsibility:
      • They were tasked with meeting revenue quotas set by the emperor.
      • Managed provincial expenditures (e.g., paying soldiers, funding infrastructure).
      • Any surplus after expenses was sent to the fiscus (emperor’s treasury).
      • Shortfalls or corruption could lead to penalties or dismissal.
    • Legates had no direct financial control:
      • They relied on procurators to fund military campaigns or public projects.
      • Could request funds but had no authority over taxation or treasury.
      • Their power was constrained to prevent them from amassing both military and fiscal authority (a lesson from the Republican era).

    3. Checks and Balances

    • Separation of Powers:
      • The legate handled military/governance; the procurator managed money.
      • This prevented provincial governors from becoming autonomous (e.g., like Republican-era governors who exploited provinces for personal gain).
    • Emperor’s Oversight:
      • Both officials reported directly to the emperor, creating a system of mutual accountability.
      • Procurators acted as the emperor’s “eyes and ears,” ensuring legates did not misappropriate funds or rebel.

    4. Key Issues

    • Conflict Potential:
      • Tensions between legates and procurators were common. For example, the historian Tacitus mentions clashes in Judaea and Britain.
      • Procurators sometimes overstepped by interfering in non-financial matters (e.g., Pontius Pilate in Judaea).
    • Profit Incentives:
      • Procurators were not “general contractors” who pocketed a formal percentage of revenue. However, corruption (e.g., embezzling surplus or inflating taxes) was widespread, as seen in trials like that of Gaius Verres.
      • Successful procurators could earn promotions (e.g., to prefectures or higher equestrian offices).

    5. Conclusion

    In overseas imperial provinces:

    • Procurators had P&L-like control over finances, ensuring revenue extraction and expenditure management.
    • Legates focused on military and administrative duties, dependent on procurators for funding.
    • The system aimed to centralize fiscal power under the emperor while preventing provincial governors from becoming too powerful. This structure reinforced imperial control and ensured wealth flowed to Rome (and the emperor’s fiscus), but it relied heavily on the loyalty and competence of procurators.

    The big purse was held by Augustus and his procurators took extracted it, and held the local purse i.e. granted money for investments and some for operational expenses of legat.

    1. “The Big Purse” (Emperor’s Fiscus)

    • Held by Augustus: The emperor’s personal treasury (fiscus) was the ultimate destination for provincial revenue. However, the fiscus was not strictly “private” but a hybrid of imperial and state funds, blurring the line between Augustus’ personal wealth and the empire’s finances.
    • Procurators as Extractors: Procurators collected taxes (cash and in-kind) and funneled the bulk to the fiscus. They also managed imperial estates, mines, and customs duties, ensuring steady revenue streams.

    2. “Local Purse” (Provincial Funds)

    Operational Expenses:

    • Procurators retained some funds locally to cover critical costs:
      • Legionary pay: Soldiers’ salaries were a top priority (unpaid legions risked mutiny).
      • Garrison upkeep: Forts, roads, and supply chains.
      • Imperial projects: Temples, aqueducts, or arenas to promote Romanization (often tied to the emperor’s prestige).
    • Legate’s Role:
      • The legate could request funds from the procurator for military campaigns or emergencies but had no direct control over taxation or treasury.
      • Example: A legate campaigning in Germania might need extra funds for siege engines or bribing tribes—this required negotiation with the procurator, who had final say.

    3. Investments & Local Spending

    • Discretionary Spending:
      • Procurators could allocate funds for local projects, but major investments (e.g., a new forum or harbor) often required imperial approval.
      • Local elites (e.g., wealthy merchants, landowners) were frequently pressured to fund public works to gain favor or social status, reducing the burden on the fiscus.
    • Balancing Act:
      • Procurators aimed to extract maximum revenue for Rome while maintaining enough local stability to ensure future tax flows. Overspending on local projects risked imperial displeasure; underfunding them risked revolts.

    4. Checks on Power Exceptions and Realities

    • Procurators vs. Legates:
      • The procurator’s independence from the legate was intentional—a safeguard against governors combining military and financial power (a danger highlighted by figures like Julius Caesar).
      • Tacitus (Annals) records tensions, such as when a legate in Syria clashed with a procurator over control of funds for troop deployments.
    • Emperor’s Oversight:
      • Both officials reported directly to the emperor. Corrupt or incompetent procurators could be recalled or prosecuted (e.g., Pontius Pilate was removed after complaints about his heavy-handedness in Judaea).
    • Corruption: While procurators were supposed to follow strict accounting, many embezzled funds or extorted extra taxes. The infamous Gaius Verres (though a Republican-era governor) exemplified how officials could exploit provinces for personal gain.
    • Crisis Adjustments: During wars or famines, the emperor might divert fiscus funds back to provinces, but this was reactive, not systematic.

    Procurators acted as the emperor’s financial agents, extracting revenue while managing a “local purse” for essential expenses and approved projects. Legates depended on these funds for operations but lacked fiscal autonomy.Augustus centralized control via this system, ensuring provinces enriched Rome while maintaining stability.The system’s efficiency relied on loyal, competent procurators—when they failed, provinces suffered (e.g., Boudica’s revolt in Britain was partly triggered by procurator greed). This structure became a blueprint for imperial governance, balancing extraction with pragmatic local spending. The Senate’s treasury was called the aerarium (or aerarium populi Romani – “Treasury of the Roman People”).

    1. Aerarium (Senate’s little Purse)

    • Role:
      • Managed traditional state funds (e.g., revenues from senatorial provinces, sales of public land, fines, and older Republican-era taxes).
      • Funded non-military state functions: public festivals, roads in Italy, salaries for low-level magistrates.
    • Control:
      • Overseen by quaestors (junior magistrates) during the Republic. Under the Empire, Augustus transferred its administration to praefects (appointed by the emperor), reducing senatorial autonomy.

    By the 1st century CE, the aerarium became largely symbolic. Emperors like Nero and Vespasian drained it for crises, and it was eventually folded into the fiscus by the 3rd century. Augustus also created the aerarium militare (military treasury), funded by new taxes to pay legionary pensions—a clever way to ensure army loyalty while bypassing the Senate’s aerarium. The Senate’s treasury was the aerarium, but under the Empire, it was a shadow of its Republican self, dwarfed by the emperor’s fiscus.

    2. Fiscus (Emperor’s Purse)

    • Role:
      • Controlled revenues from imperial provinces, imperial estates, mines, and inheritances.
      • Funded the military, imperial building projects, and the emperor’s discretionary spending.
    • Dominance:
      • Over time, the fiscus eclipsed the aerarium in importance, especially as emperors like Augustus and Tiberus centralized financial power.

    3. Key Distinctions

    Revenue SourcesSenatorial provinces, fines, old taxesImperial provinces, estates, mines
    ExpendituresCivic projects, Italian infrastructureLegions, imperial projects, bureaucracy
    ControlNominally the Senate (but emperors increasingly intervened)Directly by the emperor via procurators

    The aerarium militare (military treasury) was established by Augustus in 6 CE, and its initial funding came directly from his personal wealth. This was a masterstroke to secure army loyalty while sidestepping reliance on the Senate’s aerarium: “I transferred 170 million sesterces from my own patrimony to the military treasury, which was established on my advice to provide rewards for soldiers who had served twenty years or more.
    — Res Gestae Divi Augusti 17.2

    Yes, Augustus kickstarted the aerarium militare with his personal fortune, then institutionalized it through taxes. This move epitomized his genius: using personal wealth to solve a systemic problem, then binding the army’s loyalty to the imperial office itself. The Senate’s aerarium was left funding civic fripperies, while the emperor controlled the lifeblood of power—military pay.

    1. Augustus’ “Seed Capital”

    • Initial Contribution: Augustus injected 170 million sesterces from his own funds (patrimonium Caesaris) to launch the aerarium militare.
    • Source: He boasts about this in his Res Gestae Divi Augusti (Paragraph 17), his autobiographical account.
    • Purpose: To fund military pensions (praemia militiae) for retired legionaries, replacing the ad-hoc system of land grants or spoils of war.

    2. Sustaining the Fund: New Taxes

    • To ensure long-term funding, Augustus introduced two new taxes (unpopular but effective):
    • Vicesima hereditatium (5% inheritance tax):
    • Levied on Roman citizens inheriting property, with exemptions for close relatives and the poor.
    • Centesima rerum venalium (1% sales tax):
    • Applied to public auctions of goods. These taxes flowed directly into the aerarium militare, bypassing the Senate’s aerarium.

    3. Why This Mattered

    • Army Loyalty: By guaranteeing pensions, Augustus transformed the legions into a professional standing army loyal to him, not individual generals or the Senate.
    • Political Neutralization: The Senate lost control over military funding, weakening its influence.
    • Fiscal Innovation: This was one of Rome’s first dedicated “social welfare” systems, stabilizing the empire by reducing veteran discontent.

    4. Key Nuances

    • Senatorial Resentment: The new taxes annoyed the elite (especially the inheritance tax), but Augustus framed them as necessary for “national security.”
    • Separation from Aerarium: The aerarium militare was distinct from both the Senate’s aerarium and the emperor’s fiscus, though emperors later manipulated all three for flexibility.
    • Legacy: This system lasted for centuries, though later emperors like Nero and Caracalla drained the fund during crises.

    Augustus prioritized securing, stabilizing and consolidating the vast territories already acquired. He greatly reformed politics, administration and the economic system, as well as investing in large logistic and public infrastructure needed by the large empire a world currency, the Aureus. It was a Money system similar to Breton Woods- Augustus had essentially (though with some exceptions) created one integrated monetary system that covered most of its territory with a robust monetary denominations to cover the entire range of transactions, from fiduciary small change in bronze, to silver denarii and high-value gold coins (aurei). Recent research has shown that this coinage was widely used. Per capita monetary stock was exceptionally large by the standards of a preindustrial economy. The system also worked well in the sense that there was little or no inflation until the late second century CE. The denarius was never backed 1:1 by silver, and trust decayed faster than coin content.

    1. The Reserve Currency Paradox
      1. Rome, like modern hegemons, ran a chronic current account deficit. It imported luxury (silk, spices, art, slaves), paid in precious metal, and exported state of the art engineering, law, and garrisons. This worked as long as trust in Roman coinage and imperial security held — as mentioned from the second century CE it became a military-backed reserve currency in all but name.
      2. Elites in the beltway (Rome, take your pick) were able to consumed extravagantly
      3. Augustus avoided deficit and imperialism that turned into a treadmill of debt-financed conquest – see military strategy. He wanted a robust ROI for acquiring potential conquest and maintaining it it.

    Role and Usage of the Aureus:

    • The aureus was a high-value gold coin primarily used for large transactions, state payments, and storing wealth, rather than everyday commerce. This limited its direct impact on daily price dynamics, which were more affected by the silver denarius and bronze coins.
    • Gradual Debasement:
      • Debasement of the aureus began under Nero (64 AD), reducing its gold content from ~8.18g to 7.2g. Subsequent emperors continued this trend, but the process was slow. By contrast, the denarius suffered extreme debasement, losing most of its silver content by the 3rd century. This stark difference meant inflation manifested more acutely in the denarius-driven economy.
    • Economic Structure and Monetary Velocity:
      • The Roman economy was largely agrarian and less monetized. Money velocity was low, delaying inflationary effects. Gold, being scarce and tied to elite/state transactions, retained perceived value longer, even as its content decreased.
    • Gold Supply and Fiscal Policy:
      • Conquests and tributes expanded Rome’s gold reserves, offsetting debasement effects. Emperors carefully managed aureus production to avoid oversupply, unlike the rampant minting of debased denarii to fund crises.
    • Gresham’s Law and Hoarding:
      • Older, higher-purity aurei were hoarded (as per Gresham’s Law), while newer, debased coins circulated. This preserved trust in gold’s intrinsic value relative to the near-worthless denarius.
    • 3rd-Century Crisis:
      • Political instability, military demands, and economic collapse in the 3rd century forced rapid debasement of all coinage, including the aureus. By the 270s–280s AD, the aureus’s gold content plummeted to ~5g, eroding trust. Hyperinflation ensued as the monetary system buckled under debased silver and gold.
    • Monetary Reforms:
      • Diocletian’s failed price controls (Edict on Maximum Prices, 301 AD) and Constantine’s introduction of the solidus (312 AD) marked the end of the aureus. The solidus, with stable gold content, restored confidence, underscoring that the aureus’s debasement had become unsustainable

    The Aureus as a Central Currency & State Control of Money

    • Role of the Aureus:
      • The aureus was central to large-scale transactions, debts, and state payments (e.g., military salaries, infrastructure projects). Its high value and association with imperial authority preserved trust despite gradual debasement. As Michael Crawford notes in The Roman Republic, the state’s monopoly on coinage allowed emperors to manipulate currency as a fiscal tool.
      • Sture Bolin’s Work: Bolin’s 1958 study (State and Currency in the Roman Empire) analyzed coin debasement as a form of implicit taxation. By reducing precious metal content while maintaining nominal value, the state extracted wealth without raising explicit taxes. This “seigniorage” mirrored central bank policies, as you note. His data (8,200 coins) showed debasement was systematic but restrained until the 3rd century crisis.
      • Bolin Reference: While his 1958/1959 work is cited in economic history circles, access may require academic databases (JSTOR, etc.). A key secondary source is Elio Lo Cascio’s Debasement, Supply of Money, and Prices (2012), which engages with Bolin’s methodology.

    2. Money Supply (M) vs. Goods Supply (Q)

    • Low Money Supply:
      • Roman coin production was logistically constrained (manual minting, limited bullion). As Keith Hopkins argued (Taxes and Trade in the Roman Empire), the economy was under-monetized, relying heavily on barter and credit. The state struggled to match money supply to economic growth during the Pax Romana (27 BCE–180 CE).
    • Exploding Q (Goods Supply):
      • The empire’s expansion integrated provinces into a Mediterranean-wide trade network. Grain from Egypt, metals from Spain, and luxury goods from Asia flooded markets, increasing Q. This parallels the Industrial Revolution’s productivity boom, where output growth offset inflationary pressures from credit expansion (per Adam Tooze, The Deluge).

    3. MV = PQ Dynamics in the Roman Context

    • Low Velocity (V):
      • Money velocity was suppressed by hoarding (e.g., treasure troves of older, purer aurei), infrastructure investments (e.g., aqueducts, roads), and a rentier elite class that extracted wealth without recirculating it. This aligns with Peter Temin’s analysis in The Roman Market Economy.
    • M < Q Growth:
      • As long as Q (goods from conquest, tribute, and trade) grew faster than M (money supply), prices remained stable. The aureus acted as a “reserve currency,” incentivizing provinces to export goods to earn gold for tribute payments, further boosting Q. This system collapsed when Q stagnated (3rd century CE).

    4. The 3rd-Century Crisis: Collapse of the System

    • Disruption of Pax Romana:
      • Political instability (e.g., the “Barracks Emperors”), invasions (Goths, Persians), and the loss of Egypt (270–273 CE to Palmyrene rebels) shattered supply chains. Egypt alone provided 30% of Rome’s grain; its loss caused famine and panic.
      • Spike in M and Drop in Q:
      • Emperors like Gallienus (253–268 CE) debased the aureus to 5g of gold (from Nero’s 7.2g) and minted vast quantities of antoniniani (silver-washed bronze coins) to pay armies. This reckless M expansion, combined with collapsing Q (war, plagues, reduced trade), triggered hyperinflation. Prices in denarii reportedly rose 15,000% by Diocletian’s reign (284–305 CE).
    • Diocletian’s Reforms:
      • The Edict on Maximum Prices (301 CE) failed because it ignored MV=PQ dynamics: fixing P while M and Q were volatile was untenable. Constantine’s solidus (312 CE) succeeded by resetting trust in M (stable gold content).

    Why Inflation Erupted c. 270 CE

    • Systemic Collapse:
      • The crisis was not purely monetary but structural: the empire’s administrative and logistical capacity (tax collection, military defense) broke down. As Clifford Ando notes in Imperial Rome AD 193 to 284, the state could no longer enforce stability, leading to a feedback loop of declining Q and rising M.
    • Bolin’s Measurement:
      • Bolin showed that pre-3rd century debasement was calibrated to match Q growth (e.g., Nero’s 10% reduction in aureus weight vs. 20% GDP growth from provincial integration). By contrast, 3rd-century emperors debased coins faster than Q could expand, destroying the M-Q balance.


    The long fuse of economic decline

    Gibbon diagnosed Rome’s fall not so much in terms of geopolitics, logistics, economics, or even engineering — but as a kind of philosopher’s lament. His core diagnosis was “loss of virtue”, especially civic and martial virtue, and religious excess — which reflects his Enlightenment temperament more than hard historical analysis let alone following the money, the blood of any hegemony. He got even the timeline wrong. Already the Republic was a rotten, a well designed and carefully ritualized oligarchy, a beautiful pack of wolves before degrading in corrupt hyenas. The economic sophistication and urbanization added risks, however, requiring solid agrarian productivity growth *) and stable supply chains.

    Not really the idolized virtue of classic Gibbon — unsustainable greatness: “The decline of Rome was the natural and inevitable effect of immoderate greatness. Prosperity ripened the principle of decay; the causes of destruction multiplied with the extent of conquest; and, as soon as time or accident had removed the artificial supports, the stupendous fabric yielded to the pressure of its own weight.”
    — Volume 3, Chapter 38 (Final Chapter), Modern Library Edition, also in Oxford World’s Classics edition

    Before Julius Caesar, Roman authority was legitimated by the “mos maiorum” — the ancestral custom — a blend of civic religion, senatorial tradition, law, and the sacred rites that linked gods, people, and city. The Republic wasn’t just a political form — it was a cosmic order.

    Well, a fuse was lit in 88 BCE, when Sulla marched with legions against the capital. He shattered the sacred firewall between:

    • Military command and domestic power
    • Violence and law
    • Republican legitimacy and personal will

    The Roman system depended on self-restraint and ritualized (backdoor) power. Sulla introduced pre-emptive violence and legalized vengeance into the heart of Rom. Though the Republic survived Sulla, the spell was broken. His example made it possible for future generals — especially Caesar in this role — to believe that power, once seized, could be legitimized by victory. Was he wrong? No. Before Sulla, Roman politics was violent, yes — but ritualized. Even when chaos erupted, there was still a sense that Senatus Populusque Romanus (SPQR) held a kind of sacred center.

    But when Sulla marched on Rome:

    Hereplaced auctoritas with visauthoritywithforce.
    He didn’t justkill people—hekilled precedent.

    From then on:

    • Loyalty to Rome became loyalty to a general .
    • Elections became military calculations.
    • The Senate became a kabuki theater — and the Republic a ritual mask a Jungian persona, which literally means mask, worn by dictators, later by Emperors, later Emperor gods.

    Caesar learned the lesson perfectly. So did Pompey. And so did Octavian. The Republic no longer offered a framework for settling disputes — it offered a platform to seize or be destroyed. The explosive came in 49 BCE with Caesar.

    Even the strongest emperors — like Marcus Aurelius — ruled in a shadow of that original sin. Their legitimacy was always haunted by the knowledge that a legion could make or break an emperor.

    When we finally arrive at Romulus Augustulus (476 CE), we are watching the final symbolic burial of something that died centuries earlier. What would Odoacer answer to Julius Caesar if he would complain about his take over of West-Rome: “You hypocrite”? The Fall of Rome in 476 CE is just the charred crate. But Julius Caesar was at his core an exceptional shrewd business man, as well an exceptional leader, manager and politician. He saw a potential, cool and efficiently prepared for battle for Rome like he did in all his military campaigns.

    This is the base of my motivation to follow the money to understand Julius Ceasar, Augustus and their Empire. They came at the right time in a double strike, as disruptive force and creator of an empire, which is the seed of Western history.

    *) It is also worth to mention is, that a contributing factor clearly influencing agricultural economy may have been the Roman warm period (McCormick et al. 2012) The demographic and economic collapse of the late second century saw interestingly worst weather for a long time, and those were only the beginning of a centuries-long period of much less favorable climatic conditions (Campbell 2010). Not the only high culture prospering during climate warming periods in history

    1. The Clash of Disciplines: Economists vs. Historians

    • Wilhelm Hankel’s Lens: As a central banker, Hankel prioritized monetary mechanics over narratives of climate or epidemics, nor was he interested in penuts. His analysis aligns with economists like Peter Bernholz (Monetary Regimes and Inflation), who frame Rome’s debasement as a classic case of fiscal mismanagement, not exogenous shocks.
    • Historians’ “Thin Data”: Many historians (e.g., Kyle Harper in The Fate of Rome) do emphasize climate cooling (the “Late Antique Little Ice Age”) and plagues (e.g., Cyprian’s Plague, 249–262 CE) as destabilizing factors. However, their datasets (e.g., ice cores, papyri) are indirect proxies, which economists often dismiss as “soft” variables.
    • Gibbon’s Legacy: Edward Gibbon (Decline and Fall, 1776) famously blamed moral decay and Christianity—a narrative now largely discredited. Your skepticism is shared by modern scholars like Bryan Ward-Perkins (The Fall of Rome), who argue Gibbon ignored structural economic factors.

    Key Takeaway: The divide reflects a deeper methodological schism. Economists prioritize quantifiable variables (M, V, Q), while historians integrate “messy” socio-environmental contexts. Complexity theory bridges this gap by modeling systemic interactions (e.g., trade networks collapsing under political shocks).

    2. Rome’s 300-Year “Stability” vs. Modern Fiat Systems

    • Aureus’s Longevity: Rome’s 300-year run is impressive, but it was underpinned by imperial coercion and limited monetization. The state could enforce aureus acceptance (e.g., tax payments), while most transactions occurred outside the monetary system (barter, credit).
    • Fiat’s “Brittleness”: Modern fiat systems are indeed crisis-prone, but their flexibility (e.g., central bank liquidity, fiscal stimulus) allows recovery. The Eurozone crisis (2009–2015) was resolved through mechanisms Rome lacked: debt restructuring (ECB’s OMT), bailouts (ESM), and political union.
    • Apples vs. Oranges: Comparing Rome to fiat systems is tricky. Rome’s economy was agrarian, pre-industrial, and lacked financial instruments (bonds, fractional reserve banking). Modern crises stem from interconnected credit markets—a risk Rome never faced.
    • The euro, designed as a “modern aureus” (but unstable, political), ironically faces similar trust issues. Unlike Rome, however, the ECB can’t debase coins—but it prints digital euros, a power Nero would envy!

    3. Complexity Theory and Rome’s Collapse

    • Systemic Fragility: Rome’s stability masked vulnerability to cascading failures. The 3rd-century crisis was a “perfect storm”:
    • Political: Loss of Egypt (Rome’s breadbasket) disrupted grain supply (↓Q).
    • Military: “Barbarian” invasions (Goths, Sassanids) forced defense spending (↑M via debasement).
    • Economic: Plagues reduced labor supply, spiking wages (↑P) amid collapsing productivity (↓Q).
    • Modern Parallels: Complexity theorists like Joseph Tainter (Collapse of Complex Societies) argue that empires fail when marginal returns on complexity (e.g., bureaucracy, military) turn negative. Rome’s administrative overstretch in the 3rd century mirrors modern states struggling with globalization’s complexity.

    While historians fixate on individual shocks (plagues, cooling), economists like Hankel (to whom I agree) rightly stress the system’s inability to absorb shocks once M/Q equilibrium broke.

    4. Why Academics Miss the Economic Angle

    • Disciplinary Silos: Oxford/Cambridge historians often lack training in monetary theory. For example, Adrian Goldsworthy (How Rome Fell) details political-military decline but barely mentions debasement.
    • Exceptions: Economic historians do exist:
    • Peter Temin (The Roman Market Economy): Models Rome using neoclassical economics.
    • Walter Scheidel (Escape from Rome): Analyzes fiscal-military dynamics.
    • David Schaps (The Invention of Coinage): Links money to state power.

    To bypass traditional historiography, engage with:

    • The Cambridge Economic History of the Greco-Roman World (2007).
    • Journal of Economic History (papers on Roman monetization).

    5. Final Thought: Rome vs. Modern Fiat

    1. Aureus’s “Success”: Rome’s 300-year stability was a product of low complexity, coercive power, and a non-credit economy. When shocks exceeded the system’s adaptive capacity (270s CE), collapse was irreversible.
    2. Fiat’s Trade-offs: Modern systems sacrifice stability for resilience. The Fed’s response to 2008 (QE, bailouts) would’t work in Rome—but Rome couldn’t trigger a global financial crisis either.

    Security Strategy: While the Roman military was strong, the challenges of long supply lines, difficult terrain, and hostile local populations made further conquests increasingly risky. Notable campaigns, such as the disastrous defeat in the Battle of the Teutoburg Forest (9 CE), highlighted the dangers of over extension. Publius Quinctilius Varus (AD 9): Tasked with pacifying Germania, Varus was misled by Arminius, a supposed ally. Marching into unfamiliar terrain without adequate reconnaissance, his three legions were ambushed and annihilated in the Teutoburg Forest. This catastrophic loss halted Roman expansion into Germania and exposed vulnerabilities in imperial overreach. [Source]

    1. Security and internal peace: After years of civil war, Austus aimed to establish a secure and stable empire, fostering internal peace (Pax Romana) rather than further military conquests. Augustus favored economic stability and prosperity over the uncertainties of conquest.
    2. Resource Efficiency: Expanding the empire required significant resources, both in terms of finances and military manpower. Augustus recognized that maintaining and defending existing territories was more sustainable than stretching resources thin through continuous expansion. The costs associated with expansion—such as military campaigns, governance, and infrastructure—were weighed against the potential economic benefits.
    3. .Strategic Boundaries: The natural geographic boundaries of the empire (like the Rhine and Danube rivers) provided a strategic defense line. Augustus and his successors understood that pushing beyond these boundaries could lead to overextension and increased vulnerability to external threats.
    4. Political Stability: Augustus sought to establish a system of good governance and economic prosperity that relied on local elites in the provinces, which required a stable political environment. Continuous expansion could disrupt this balance and lead to resistance or rebellion in newly acquired territories.

    Augustus’ Profit & Loss Statement

    AssetsEgypt’s gold, centralized imperial estates.
    Liabilities28 legions, expensive client kingdoms.
    RevenueTax census, Egyptian surplus, customs duties.
    ExpendituresSalaries, veterans, urban subsidies.
    Fix?Yes — rebranded kleptocracy with divine mandate.
    Flaw?Yes — rentier empire with extractive base.

    Augustus’ Vertical Integration (27 BC-14 AD)

    AssetsEgypt’s gold (200M HS reserve), imperial estatesPetrostate resource curse
    Liabilities28 legions (300M HS/year), client state bribesMilitary-industrial complex
    RevenueEgyptian surplus (40% of total), efficient taxationOffshore accounts + VAT
    FlawRentier economy with extractive baseDutch Disease in antiquity

    Key Insight: Augustus created stability through financialization – it worked with a savvy operator on the helm, but later the Roman equivalent of kicking the can down the road.

    Main sources The Cambridge Ancient History, Vol. 10- The Augustan Empire, — Alan Bowman, Edward Champlin, Andrew W. Lintot, The Cambridge History of Capitalism. Volume 1- The Rise of — Larry Neal (Ed.), Jeffrey G. Williamson

    Conclusion: Roman vs. Modern Western Economics

    If you take a hard look, Julius Caesar / Augustus run a tidier at least tighter economy than today’s western elite.

    System


    Proto-capitalism *) as monopoly and corporatism in which the state fuses with capital, commands the army, suppresses labor, and controls the narrative. Julius Caesar / Augustus are the system. *) characterized by the beginnings of complex commercial activity, money-based economies, and private corporations laying the groundwork for a more fully developed capitalist system.Financialized capitalism as oligarchy. Essentially corporatism in which the state elite acts symbiotic with capital, commands the army and security apparatus, party cartels / uni-party suppress opposition and dissidents. Perpetual bureaucracy controls global narrative, foreign policy and institutions. (Deep State).
    Supply ChainFully integrated throughout the empire an centrally controlled. Proto-BRICS states (e. g. Carthage) were taken out preemptively, piracy constant problem.Globally integrated even with adversaries (BRICS). Partially deindustrialized therefore very vulnerable.
    Labor BaseSlavery (massive supply from conquest); plebeian urban class for grain & games.Free labor market; wages set by supply/demand + minimum wage laws and low income migration. Tendency of transhumanism, labor becomes expendable. Highly fractured and ideological urban underclass acts as mob on demand.
    CurrencyHard currency: Silver denarius, Gold aureus (Augustus). Value derived from metal content but decreasing rapidly after Augustus. — later a military-backed reserve currency in all but name.Mostly fiat currency; value comes from legal tender status, trust, and monetary policy. Hegemony/Imperialistic powers enjoy reserve currency status — US after canceling gold standard a military-backed reserve currency in all but name.
    Money CreationControlled minting = power. Caesar & Augustus centralized it—effectively proto-central banks.Central banks (e.g., Fed, ECB) create digital/physical money through policy instruments.
    DebtCaesar used debt strategically, both personal and public. He canceled debts and reset land leases. Debt Holders: Urban elites, plebeians, provincial cities.Sovereign debt is a policy tool; debt monetization (QE) is modern central bank strategy.
    Taxation SystemMixed: tribute from provinces, tax farming, poll taxes, indirect taxes. Augustus professionalized it.Progressive income tax, VAT, corporate taxes; increasingly parasitic.
    Land DistributionCaesar redistributed land to veterans and poor (populist); later Augustus tied this to military service.Welfare state, housing subsidies, but land = private property, protected by legal structures.
    Public SpendingMassive infrastructure, aqueducts, roads, colonization = imperial Keynesianism via conquest loot.Stimulus, deficit spending in recessions becomes debt induced growth ; Keynesian or monetarist frameworks dominate.
    Imperial IntegrationCommon roads, currency, language, legal norms = economic unification of Mediterranean.EU economically marginalized , Western globalization, sanctions and tariffs try to enforce integration—less violently but also increasingly repressive internally. BRICS rising in a multi-polar globalism create alternative modern logistic.
    Wealth InequalityExtreme. Elite senatorial/aristocratic class vs. grain-dependent plebs. Asset Holders: Veterans, imperial family, publicani, equestrian class.Also extreme in some regions; mitigated by progressive taxation and welfare programs.
    “Soft Power” / PropagandaUltimate power served Caesar/Augustus. Augustus created a state-private fusion economy, backed by propaganda, military prestige, financed by Mediterranean liquidity flows. Augustus considered a “son of a god” Divus Augustus” first emperor worshiped in temples. Public works & grain distributions seen as stabilizing (bread and circus).Tension between populism, technocracy, and elite capture. Hand-outs limit extremes. Enforced narratives become reality until it isn’t. Increasingly totalitarian and sociopathic tendencies.



    Caesar = monetary sovereign / CEOCentral Bank Governor with no limits
    Proconsuls = extractive agentsIMF technocrats / public-private contractors
    Tribute economyPost-colonial core–periphery extraction
    DebasementFiat inflation & monetary easing
    Egyptian goldReserve currency/ FX reserves
    Beltway eliteDC contractors / lobbyists
    Client kingdomsU.S. geopolitical protectorates
    Tax farmersMultinational rent-seekers

    Why It Collapsed

    Caesar’s FixLoot and inject reset and turn aroundShock therapy + liquidity injection
    AugustusComplex stabilityImperialism
    Post-ActiumStagnationLate capitalist fatigue
    3rd CenturyDebasement + revoltHyperinflation + trust collapse
    Late EmpireBarter, autocracyFailed state syndrome like the stillbirth transnationals

    What Gibbon Saw: Moral decay undermining institutions

    Gibbon and later Tainter’s theories focus on the internal factors contributing to societal decline, and this is a fair point. Gibbon focuses on the moral and civic decline of the Roman populace, while Tainter suggests that as societies become more complex and require more sophisticated administrative systems, they can reach a point where the failure of maintaining this complexity leads to instability and eventual collapse. And while Gibbon recognized many of the symptoms of economic weakening — inflation, debasement, burdensome taxation, land abandonment — his 18th-century Enlightenment lens missed or minimized some causal mechanisms that modern historians and economists now emphasize:

    But If regimes fail, it’s the money.”

    The money supply and supply chains are the most complex parts and integrity sensitive parts of running an empire, but also most vulnerable to outside events and malfeasance. They are the heart of any empire economic endeavor, if unprotected of enemy daggers and destroyed by unhealthy elite incompetence – it is never mono causal and always result of a long process of failures.

    WHAT GIBBON UNDERSTOOD

    1. Coinage Debasement & Inflation

    Gibbon clearly notes the decline of the Roman silver denarius, particularly under emperors like Caracalla and Gallienus, when silver content was drastically reduced.
    This led to hyperinflation, loss of confidence in imperial money, and a reversion to barter in some regions.

    The numerous and multiplied taxes… consumed the produce of the land. The coin became so base that it ceased to be money.”
    Vol. I, Ch. XVII

    He understood the symbolic and practical loss of trust in imperial financial instruments.

    2. Taxation Overload & Middle-Class Collapse

    Gibbon saw how the state, desperate to fund the army and court, crushed landowners and traders with ever-growing taxes. He describes the free peasantry disappearing, replaced by coloni—proto-serfs bound to land.

    The poor were ground down by oppression, the rich by envy. The whole machine groaned under its own weight.”

    3. Corruption & Misallocation of Resources

    Gibbon often emphasizes the decadence of court officials, eunuchs, and emperors whose excesses diverted resources from productive use to luxury, spectacle, and sycophancy.

    He’s perceptive here, but more moralistic than materialist. He condemns corruption without always following the feedback loop: how waste weakened state infrastructure.

    GIBBON’S BLIND SPOTS: WHAT HE MISSED OR UNDER-ANALYZED

    1. Trade Network Disruption

    He gives less attention to the fragility of Roman supply chains—particularly the breakdown of Mediterranean sea trade due to pirate activity, loss of Egypt, and civil war. When grain imports faltered, urban centers like Rome couldn’t feed themselves.

    2. Fiscal Dependence on Expansion

    Gibbon understates the Ponzi-like nature of Roman imperial economics. Rome paid for its military and bureaucracy with spoils from conquest. When expansion stopped (post-Trajan), the fiscal model turned inward and extractive.

    Think: A state addicted to war plunder becomes a state that cannibalizes its own people.

    3. Urban De-Complexification

    Modern historians use the term “decomplexification” to describe how advanced societies collapse into simpler, rural systems. Gibbon didn’t analyze this in depth: the reduction of cities, trade volume, and infrastructure density.

    TIMELINE OF ROMAN ECONOMIC CRISIS POINTS

    Here’s a modernized timeline of major economic stress events that either Gibbon noted in part or modern scholars now emphasize:

    33 CEFinancial panic under TiberiusEarly credit crunch; Tiberius injects liquidity (bailout)
    64–180 CEPax RomanaEconomic peak: strong coinage, trade, prosperity
    193–235 CESeveran dynastyMilitary overspending, coinage debasement begins
    235–284 CECrisis of the Third CenturyInflation, civil war, trade collapse, ruralization
    268–284 CEGallienus–Aurelian95%+ debasement of silver coin; near barter economy
    Diocletian (284–305)Reforms: price edicts, tax codification (capitatio-jugatio)Attempted stabilization; failed price control
    Constantine (306–337)Introduced solidus, stable gold coinMonetary stabilization, but tax burden shifted to peasants
    400s CEBarbarian incursions and secessionsItaly loses tax base; coin flow dries up
    476 CEFall of West RomeCoinage shrinks to ceremonial; economy now local-agro

    SUMMARY: Gibbon vs. Modern View

    Coin debasementNoted as symptom of decaySeen as systemic economic failure
    TaxationHarsh but moralized (bad governance)Structural necessity of military-overhead economy
    Trade disruptionLargely underplayedCrucial in de-urbanization and state fragmentation
    Economic cause of collapseSecondary to moral/intellectual decay

    Imperial Exhaustion

    After the close of the gold window, the currency was no longer backed by bullion — but it wasn’t entirely fiat either. It became what some economists quietly acknowledge: a military-backed reserve currency. The logic of imperial dominance shifted from Bretton Woods to what came after — a rentier economy where liquidity was underwritten by weaponry, not productivity or surpluses. Caesar or Augustus — fought real wars, won them, and monetized the victory.

    In this sense, this diverged sharply from the Roman model. Caesar used debt strategically but always in service of conquest. His liquidity was backed by legions and loot. Augustus, though more symbolic and subtle, still cashed in on victory — most notably, the seizure of Egypt and its gold reserves after Actium.

    Fast forward today. By contrast, modern deficit spending is liquidity avoiding victory. A MIC (Military Industrial Complex) always wins. It is narrative-backed, not reality-backed. Trillions flow into black holes of military adventurism, without land or monopoly taken, no tribute gained, and no legitimacy earned.

    Rome faced a similar moment in the 2nd and 3rd centuries AD. By then, real military expansion had stalled. The empire relied increasingly on symbolic power, expensive client states, and debased coinage. It still looked strong, but the victories were archival, not actual. The liquidity remained — but the machinery of conquest and trust had broken down.

    Verdict: When liquidity is no longer anchored in victory, debt becomes delusion. An empire can print currency, but it cannot print fear — and fear is what sustains hegemonic trust.

    Imperial Liquidity Cycles:

    Caesar (49–44 BC)Conquest-financed liquidity; debt canceled by war spoils; elite expropriation.Post-WWII economic dominance; Marshall Plan; trust backed by victory and industry.
    Augustus (27 BC–14 AD)Stabilization via Egyptian gold; illusion of productivity; soft imperialism.Post-Bretton Woods system; reserve currency regime; military-backed credibility.
    Post-Actium Empire (1st–2nd C. AD)Luxury consumption explodes; real productivity slows; military overstretched.“Greed is good” era; rise of financialization; offshoring; debt-fueled consumption boom.
    3rd Century CrisisCoinage debasement; inflation; local revolts; trust collapse.QE addiction; rising inflation; debt ceiling theater; military loss of credibility
    Late Empire (4th–5th C. AD)Barter economy resurgence; autocracy; elites hoard; state capacity collapses.Deindustrialization; polarized elite capture; currency weaponized but production outsourced (incl. to adversaries).

    Key Paradox: Both, continued to spend and project force long after it stopped producing at scale. Its enemies are embedded in its own supply chains. Shells and chips come from abroad — war is waged with IOUs.

    • What the P&L Shows:
      • 49-44 BC: Unsustainable leverage ratios (conquest-backed debt)
      • 1-200 AD: Currency debasement as monetary policy failure
      • 300+ AD: Collapse when Egypt’s surplus couldn’t cover deficits

    The empire didn’t start to fall when barbarians entered – it fell when the financial statements stopped balancing. Like modern corporations that mistake cash flow for solvency, Rome’s leaders failed to distinguish between liquidity and long-term viability. Not a plus if you start, well provoke a high intensity war and the country is not making things but your enemies are part of their supply chain

    Imperial Delusion: Military Theater in Rome’s Decline

    Both Rome and the U.S. kept the illusion of economic and military power alive through symbols, propaganda, and fear.” That is a root-cause problem, the media victory becomes more important than real victory. but when the fear fades — when bodies were counted or balance sheets readthe system shifts from propaganda to harsh reality

    In the twilight of the Roman Empire, military decisions often reflected internal decay more than external threats. Commanders and emperors, driven by personal ambition or political necessity, engaged in campaigns that were as much about image as strategy.

    • Emperor Domitian (AD 83): Seeking military glory, Domitian launched a campaign against the Chatti tribe. Despite minimal engagement, he celebrated a grand triumph in Rome, bestowing upon himself the title “Germanicus.” Contemporary historians criticized this as a “mock triumph,” highlighting the emperor’s prioritization of image over substantive victory. [Source]
    • General Barbatio (AD 357): During a coordinated campaign against the Alamanni, Barbatio’s actions undermined fellow commander Julian. By destroying supplies and refusing support, he jeopardized the mission, possibly due to political rivalry. Julian’s eventual success was achieved despite Barbatio’s sabotage, underscoring internal discord within the military hierarchy. [Source]
    • Emperor Valerian (AD 260): Attempting to negotiate with Persian King Shapur I, Valerian was captured during a parley—a rare and humiliating event for a Roman emperor. He spent his remaining years in captivity, a stark symbol of Rome’s waning influence and the perils of misjudged diplomacy. [Source]

    These episodes reflect a broader pattern where military endeavors served more as political theater than genuine strategy. The emphasis on spectacle over substance eroded Rome’s credibility, both internally and among its adversaries.

    Final Audit Opinion: Going concern assumption invalid after 200 AD when:

    1. Recurring revenue < recurring expenses
    2. Debt-to-assets ratio exceeded 5:1
    3. No new conquests to recapitalize

    Afterword: Illegals at the Gates

    Rome killed every state challenger(e.g. Carthage) before they could cohere into an alternative system — a proto-BRICS alliance never had a chance. But it wasn’t conquest that ended Rome. It was internal rot, fully on display already in the Republic. A system that relied on the dark art of imperial outsourcing extraction, vassal loyalty, and hostile oligarchies couldn’t survive the pressure of collapse at the core.

    In the end, the ones Rome once feared as “barbarians” became Romans. Just as today’s power structures may be undone not by a superior empire, but by their own overreach, debt, and the unintended consequences of exclusion.

  • The Wolf as an Jungian Archetype Vessel

    The Wolf as an Jungian Archetype Vessel

    This article argues that the wolf is an Jungian Archetype Vessel, one of the most persistent and structurally overdetermined animal-symbols in human civilization because the historical encounter between man and wolf unfolded simultaneously on three inseparable levels: biological rivalry, social mirroring, and archetypal projection. The wolf therefore persists as a privileged symbolic convergence point, through which deep psycho-biological structures become visible in religion, myths, dreams, political imaginations, and collective anxiety.

    It is not merely fascinating as a Natural Wolf in the wild, a zoological memory or mythological ornament.

    The present work further proposes that the differing symbolic “faces” assumed by the wolf across civilizations are not arbitrary cultural variations imposed upon a neutral animal image. Rather, they reflect differing probabilities of archetypal constellation conditioned by the organizing tendencies of the collective unconscious. The wolf functions as a recurrent imaginal vessel through which distinct cultures selectively actualize particular archetypal potentials: shadow, psychopomp, ancestor, devourer, founder, exile, or guide.

    In his view the collective unconscious may be heuristically understood as a formative probability field whose psychoid structure predisposes certain symbolic configurations to emerge under specific biological, historical, religious, and environmental conditions. The archetypal image is therefore neither mechanically determined nor freely invented, but emerges through the interaction between inherited archetypal potential and historically situated human experience.

    C.G. Jung used in the On the Nature of the Psyche an analogy between the psyche and light on the electromagnetic spectrum. In this model, the non-visible ends of the spectrum represent the collective unconscious. Infrared is is the “lower” invisible end. It represents the biological instinct where the psyche merges into the physical body (matter) .Ultraviolet, the “upper” invisible end represents the archetypes. These are “psychoid” (meaning they are both psychic and non-psychic), exerting influence from a realm that feels outside of time and physical space. Visible Light is the narrow band of consciousness and the ego. It is only here that we can clearly “see” or perceive the Archetypal images and ideas produced by the invisible ends.

    On the “Psychoid” as a Probability Filter (CW 8, §417)“

    The archetype represents psychic probability, portraying ordinary instinctual events in the form of types. It is a special psychic instance of probability in general, which “is made up of the laws of chance and lays down rules for nature just as the laws of mechanics do.”

    On the “Field” and Environmental Influence (CW8, §420)

    “Just as the “psychic infra-red,” the biological instinctual psyche,gradually passes over into the physiology of the organism and thus merges with its chemical and physical conditions, so the “psychic ultra-violet,” the archetype, describes a field which exhibits none of the peculiarities of the physiological and yet, in the last analysis, can no longer be regarded as psychic, although it manifests itself psychically. But physiological processes behave in the same way, without on that account being declared psychic.”

    On Statistical Order over Causality (Letter 56P, Atom and Archetype: The Pauli/Jung Letters, 1932-1958 is a collection of correspondence between physicist Wolfgang Pauli and C. G Jung)

    “The concept of probability in mathematics corresponds to the archetype… and the laws of nature are the ‘statistical’ expressions of these underlying patterns.” (Pauli to Jung, 1950)

    1. THE NATURAL WOLF: THE BIOLOGICAL MATRIX OF THE Archetype Vessel

    The life of early man and that of the wolf did not differ greatly a few thousand years ago. Both were hunters, and both survived only through success in the pursuit of prey. During those early millennia, wolves were direct competitors with humans for the same game species. This competition intensified when human beings settled approximately ten thousand years ago and turned increasingly toward agriculture and cattle raising. Domesticated animals became easy prey for wolves, and many sheep and goats fell victim to them. Thus the wolf gradually became the hated animal that threatened not merely livestock, but human livelihood, property, and security.

    Jungian Archetype Vessel
    Wolf family the-alpha-wolf-couplef-amily-the-yearling-missing

    This ancient rivalry still shapes our instincts. Even as a backpacker, I have often felt more unease at the thought of a nearby pack of wolves than at the possibility of encountering a brown bear. Such fear is deeply inherited. Yet the paradox remains: the more closely the wolf is studied in its natural setting, the less it appears as a demon of the wilderness, and the more it resembles an older, untamed reflection of ourselves.

    1. Wolves in the wild

    The basic social unit of wolf populations is the pack. Packs usually consist of five to eight members, though in regions with abundant large prey they may number thirty wolves or more. Wolves generally establish territories ranging from forty to more than four hundred square miles. They define and maintain these ranges through scent markings and vocalizations—growls, barks, and the legendary howl—and defend them vigorously against intruders.

    A wolf pack is essentially a family unit consisting of an adult breeding pair and their offspring, often from several consecutive years. Members of the pack form strong social bonds that promote cohesion, cooperation, and survival. Earlier literature frequently described wolf society as governed by a rigid dominance hierarchy led by an “alpha male.” This concept, largely derived from observations of unrelated wolves forced together in captivity, has since been substantially revised. More recent field studies, especially those conducted on free-ranging wolves in North America and in the recolonized wolf territories of Brandenburg and eastern Germany, show that wolves live primarily as family groups: two parents guiding, protecting, and disciplining their not yet sexually mature young.

    Archetype Vessel
    wolfhowling

    Communication is especially important for wolves, since coordinated movement, reinforced bonding, and the maintenance of internal order are all essential to survival. Wolves employ a remarkably sophisticated range of signals: vocalizations, body posture, facial expression, tail position, and scent. Within the family group, this constant exchange preserves social stability and solidarity. The collective “wolf talk,” often initiated by the breeding pair, keeps the pack united and functioning as a cooperative whole.

    Research on wild wolves has shown decisively that assumptions drawn from captive animals cannot simply be transferred to free populations. In captivity, wolves of different origins and unrelated bloodlines were confined together, often producing abnormal aggression and artificial hierarchies. In the wild, however, conflict is moderated by kinship. Cooperation rather than coercion is the principle that holds the family together.

    Wolves and humans have always been rivals, and sometimes enemies, perhaps because in many respects they are strikingly similar. Wolves possess a strong social nature and, like early humans, are organized in family tribes. Through gesture, posture, and movement they communicate emotion and intent with remarkable precision. Wolves howl together for several reasons: to reinforce social closeness, to celebrate a successful hunt, to assemble scattered pack members, or to warn neighboring packs to keep away.

    The so-called lone wolf is usually a dispersing younger animal in search of its own territory and a mate. It skirts the territories of established packs, often moving silently and cautiously across large distances. By leaving the parental group, young wolves begin the cycle anew: finding a mate, establishing their own territory, and founding a new family. Thus dispersal is not exile, but a necessary mechanism of wolf continuity and a safeguard against inbreeding.

    Within the pack every wolf assumes a share of responsibility for the welfare of the group. From early playful interactions with older siblings and adults, pups are trained—almost rehearsed—into the disciplines of cooperation, hunting, caution, and leadership. Their survival, and that of the pack, depends upon it. In this respect wolf society resembles every successful civil, military, or familial organization: cohesion emerges from shared purpose and learned responsibility.

    2. The “Beast of Waste and Desolation”

    This newer understanding confirms what naturalists such as Farley Mowat in “Don’t cry Wolf” and Barry Lopez in “Of Wolves and Men” had already intuited in their descriptions of wild wolves: not ruthless gangs ruled by constant violence, but highly organized kinship hunter communities held together by communication, ritual, and cooperation. The former with a heavy dose of of anthropomorphic prose, the latter with heavy dose of reality, multifaceted by touching symbolism and history and describing human-wolf relationship almost as peers in hunting. Barry Lopez argues from a naturalist view that traditional hunting cultures suggest deep behavioral analogies achieved through a respectful, reciprocal relationship. These societies and wolves viewed the hunt as a sacred covenant requiring humility, dignity in the ‘conversation of death’ with the prey and hunting skills. Barry Lopez shares a Nunamiut elder’s insight to a question if an old man and an old wolf possess identical knowledge of the land and hunting: “After a pause the old man looks up and says: The same. They know the same.

    The wolf is not a dangerous monstrosity not a pet animal, but an intelligent carnivore with a highly differentiated social life. Anyone who has owned a good hunting dog can observe that good dogs, good leaders, and perhaps good men in general share certain attributes with the wolf: alertness, discipline, courage, endurance, hunting skills and loyalty to the group, that is fiercely loyal to its family as provider. However, this day the wolf continues to evoke fear. Yet it seems more than fear, greed and hatred.

    Barry Lopez explicitly outlines this in his 1978 book, “Of Wolves and Men, Chapter 9 provocative titled: “An American Pogrom“, not only Native Americans and wolves, but also bisons on which both depended were killed, mostly for their hides, antelope, pigeons and Indian ponies: No one knows how many animals were killed in the plains say between 1850 and 1890… it is conceivable 500 million creatures perhaps 1 million or 2 million wolves. As the land filled up with other ranchers, as water rights became an issue, and as the indigenous people were removed to reservations, however, the wolf became, as Barry Lopez’s concluded,” ‘an object of pathological hatred.’” He continues: “The motive for wiping out wolves (as opposed to controlling them) proceeded from misunderstanding, from illusions of what constituted sport, from strident attachment to private property, from ignorance and irrational hatred.

    General Philip Sheridan’s infamous remark (often reported as “The only good Indians I ever saw were dead”) was used to justify the brutal displacement and cultural erasure of Indigenous populations.
    The phrase “The only good wolf is a dead wolf” became a rallying cry for its systemic eradication. Both phrases stem from a 19th-century worldview that framed wild nature and Indigenous sovereignty as things to be tamed or extinguished to make way for expansion by erasure.

    Snowmobile ‘sport’ running down wolf

    However, he “Beast of Waste and Desolation” that Barry Lopez diagnosed in 1978 was never only a historical artifact confined to the early modern inquisitions or the 19th-century American frontier; it seems to remain the defining psychological pathology of contemporary civilization.

    We still see the terrifying persistence of this unmediated autonomous shadow.

    In early 2024 a Wyoming man reportedly ran over a wolf with a snowmobile, taped its mouth shut, paraded the suffering animal through a local tavern as a trophy of human dominance, and executed it behind the bar—an act protected by a legal framework that initially punished this ritualistic torture with a mere $250 possession fine. The man took a photo beside the wolf with its mouth taped shut, which was shared on social media. In 2026 a judge in Wyoming sentenced him additionally “for what happened after the capture” to 18 months of probation and to pay US$1,000 fine and another $425 in fees.

    Or very recently, when a men was captured on video -verified by the Gray Lady, paper of record- relentlessly beating a defenseless, chained family dog with two wooden clubs, the illusion of human supremacy is stripped away. Here lies the ultimate tragedy of our broken mediation with nature: in our manic, compulsion to conquer, dominate, and externalize the enemy, it seems it is the human being who becomes the true archetypal image of The Beast of Desolation.

    2. JUNG, THE COLLECTIVE UNCONSCIOUS, AND THE ANIMAL IMAGE

    1. Preconceptual Psyche, Archetype per se, and Archetypal Image

    In Jungian psychology, one of the greatest sources of misunderstanding lies in the loose use of the word archetype. Jung himself employed the term with shifting emphasis over the course of his work, and only in his later writings does a more rigorous distinction emerge. If this distinction is not maintained, archetypal interpretation easily degenerates into arbitrary symbol collecting, in which every recurring image is casually called an archetype. Jung’s own position is considerably more exacting.

    Strictly speaking, the archetype as such—or archetype per se (Jolande Jacobi’s Archetyp an sich)—is not an image, not a mythologem, and not a symbolic figure accessible to direct consciousness. It is an invisible ordering principle, an abstract latent structural template of psychic organization, comparable less to a formed picture than to a blueprint capable of generating innumerable images. Jung occasionally compared it to the invisible axial pattern within a crystal: one does not see the axial law itself, but one sees its concrete realizations in the formed crystal. The archetype is thus not yet the symbol, but the precondition for symbolic formation.

    What consciousness encounters are not archetypes in themselves, but archetypal images: dreams, deities, animals, rituals, compulsive fantasies, fairy-tale motifs, and emotionally charged symbolic constellations. These are the concrete manifestations through which the deeper pattern becomes representable.

    Yet Jung’s mature psychology adds a third and still deeper dimension. The archetype is not merely a hidden schema inside the mind, as though the psyche were an enclosed subjective theater. Jung increasingly insisted that the deepest unconscious strata belong to what he termed the psychoid realm—a level of reality at which psyche and world, inner disposition and outer occurrence, are not yet fully separable. Here the archetype is no longer simply a mental category but a formative tendency participating in the structure of reality itself. This is one of the reasons Jung could later speak convincingly of synchronicity, meaningful coincidence, and the strange objective behavior of symbolic patterns in life events. The unconscious, in this view, is not unreal because it is invisible; rather, it is an unseen mode of the real.

    We may therefore distinguish three interconnected levels.

    First, the preconceptual psyche: a field in which instinct, psychic disposition, and formative reality are still entangled. Jung addresses this indirectly by pointing toward the transcendental nature of the archetype. He states in CW 8, §439:

    “Since psyche and matter are contained in one and the same world, and moreover are in continuous contact with one another… it is not only possible but fairly probable, even, that psyche and matter are two different aspects of one and the same thing. The psychoid phenomena indicate, as it were, such a background.

    Second, the archetype per se: the invisible structural blueprint or abstract ordering matrix emerging from this ground. As Jung writes:

    “One must, for the sake of accuracy, distinguish between ‘archetype’ and ‘archetypal ideas.’ The archetype as such is a hypothetical and irrepresentable model, something like the pattern of behaviour in biology.

    CW 9/I, §6 note 9

    Third, the archetypal image: the concrete symbolic manifestation by which consciousness encounters this blueprint in myth, dream, religion, animal symbolism, or lived experience. Again Jung gives the hinge sentence:

    “The archetype is essentially an unconscious content that is altered by becoming conscious and by being perceived, and it takes its color from the individual consciousness in which it happens to appear.”

    CW 9/I, §6

    Such a threefold distinction is not mere terminological precision. It has decisive methodological consequences. It means that when we speak of the wolf in archetypal terms, we are not claiming the existence of a singular metaphysical “wolf archetype,” as though a spectral wolf wandered through the collective unconscious. Rather, we are dealing with a recurrent symbolic representation through which several deep organizing patterns become visible. The wolf is one of the privileged concrete carriers chosen by the unconscious whenever certain archaic realities seek imaginal expression: predation, kinship, initiation, danger, territoriality, nocturnal intelligence, exile, and transformation.

    Thus the wolf belongs neither solely to zoology nor solely to mythology. It occupies the intermediate field where lived species-experience, inherited psychic structure, and symbolic imagination overlap. Its persistent return across civilizations suggests that mankind did not merely observe the wolf, but repeatedly encountered in it the outward manifestation of something inwardly and collectively known.

    1. Three Levels of Wolf Archetypal Emergence

    To avoid terminological ambiguity, the following three-level model is used throughout this study. It is not explicitly systematized in this form by Jung, but is derived from his later writings in Collected Works Volume 8 and Volume 9/I, particularly his distinctions between instinct, archetype as such, and archetypal representations, together with Jolande Jacobi’s description of the collective unconscious in Die Psychologie von C. G. Jung.

    Evolutionary Pattern (Biological Level)

    At the most concrete level, pattern refers to recurrent behavioral solutions stabilized through evolutionary selection pressure. These are adaptive configurations that persist because they enhance survival under recurring environmental constraints.

    In the wolf–human field these include:

    • cooperative pack hunting
    • territorial defense systems
    • kin-based social cohesion
    • dispersal of non-dominant juveniles
    • predator–prey interaction strategies

    At this level, pattern is not symbolic but functional: it describes what persists because it works under survival pressure.

    2. Archetype Per Se (Psychoid Constraint Level)

    At a deeper level, Jung posits an underlying organizing principle that is not itself observable as content, but which conditions the emergence of both instinctual behavior and symbolic imagery. He defines the archetype as “a hypothetical and irrepresentable model, something like the pattern of behaviour in biology,” and situates it within what he calls the psychoid realm, a domain in which psyche and material reality are not yet fully separable.

    At this level:

    • the archetype per se is not an image,
    • it is not a mythological figure,
    • it is not a personal psychological content.

    Rather, it functions as a structuring condition prior to reflection, shaping the space in which both instinct and imagination become organized. In heuristic terms, this level may be understood as an abstract constraint matrix governing the recurrence of certain form-generating dynamics across biological and psychic domains.

    3. Archetypal Image (Manifestation Level)

    At the third and most accessible level, archetypes become visible only through instantiation in concrete forms. The abstract archetype per se crystallizes into perceptible symbolic configurations. This is the level at which the unseen structural tendency becomes visible to consciousness.

    Jung explicitly warns against conflating these representations with the archetype itself. They are not the archetype proper, but localized symbolic realizations of the deeper structural condition.

    The model may therefore be summarized as follows:

    Evolutionary Pattern → Archetype Per Se → Archetypal Manifestation

    This describes a continuous emergence process in which biological stability generates recurrent behavioral forms; these forms correspond to deep psychoid constraints; and these constraints in turn manifest as symbolic and mythological imagery in consciousness.

    The wolf, in this framework, is not a single archetype but a recurring representational node where multiple archetypal structures converge.


    3. THE MANY ARCHETYPAL FACES OF THE WOLF

    The wolf functions as a privileged symbolic vessel through which several primal archetypal constellations become simultaneously visible in different imaginal forms.

    1. Mythological Figures: The Dual Mother and the Founder

    In mythology the wolf image often instantiates the archetype of the Dual Mother, representing nature’s capacity both to destroy and to nurture.

    The nurturing mother appears in the Roman Lupa who suckles Romulus and Remus. Here the wolf manifests the protective-maternal principle, suggesting that civilization itself is born from a raw instinctive foundation that is nevertheless cohesive and life-sustaining.

    The founder or ancestor appears in many Turkic and Mongolic myths, such as the legend of Asena, where the wolf becomes the literal progenitor of the people. In such narratives the wolf serves as the ancestral matrix linking human social identity to the primordial objectivity of the pack.

    2. Religious Symbols: The Psychopomp and Guide

    Because the wolf exists at the threshold between the civilized settlement and the dark forest, it becomes a privileged carrier of the archetype of the Guide.

    In Egyptian religion, Wepwawet—the opener of the ways, often represented as wolf or jackal—functions as scout and pathfinder for the soul. This is a symbolic realization of the wolf’s nocturnal intelligence: the ability to navigate where ordinary human consciousness is blind.

    Likewise, in Norse and Greek traditions, wolf- or hound-figures such as Fenrir and Cerberus guard the entrance to the underworld. They embody the threshold at which consciousness must confront its own biological and instinctual roots.

    3. Dream Images: Shadow and Social Self

    In dreams the wolf appears not as zoological fact but as functional psychic mirror, reflecting the dreamer’s relation to instinctual life.

    The predator commonly represents the Shadow: disowned aggression, hunger, or dangerous instinct threatening to overwhelm the ego.

    The pack often symbolizes the Social Self, highlighting either the dreamer’s need for kin-based cohesion or the fear of expulsion from the group.

    The solitary hunter frequently mirrors the dispersal phase: the psyche’s need for individuation, departure from the mother-group, and the search for an autonomous psychic territory.

    4. Transformation Symbols: The Archetype of Metamorphosis

    Transformation myths revolve around the tension between human reason and animal instinct.

    The werewolf is a symbolic realization of shadow-possession, in which the human ego is overtaken by archaic instinct. It represents not integration, but eruption: the collapse of mediation between civilized consciousness and primordial animality.

    The guardian wolf represents the opposite possibility: instinct integrated into psychic order, ferocity transformed into boundary, protection, and vigilance.

    The modern lone wolf myth is a symbolic realization of exile and individuation, though it often falsifies the biological truth that even dispersing wolves are ultimately oriented toward the creation of a new family unit.

    5. Interpreted Animal Behavior: The Archetype of Teleological Meaning

    At this level the evolutionary pattern and the archetypal image begin to merge. Human beings rarely observe wolves as merely neutral animals; they perceive organized meaning in wolf behavior.

    The alpha pair is interpreted as order, leadership, and sovereign coordination.

    The hunt becomes a symbol of purpose, synchronization, and collective goal-orientation.

    The howl functions as a symbolic carrier of communication across distance: the call that gathers the scattered members of the whole back toward the center.

    Thus the wolf is not a single archetype but a recurrent convergence point in which numerous archetypal structures become visible through one zoological carrier.

    6. Methodological Consequence for the Wolf Study

    This distinction is not merely terminological; it determines the epistemological basis of the entire study.

    When speaking of the wolf in archetypal terms, we are not positing a singular metaphysical “wolf archetype.” Rather, we are analyzing a recurrent symbolic convergence zone through which several deep organizing patterns become visible across both biological and psychic domains.

    The wolf therefore belongs neither exclusively to zoology nor exclusively to mythology. It occupies the intermediate field in which lived species interaction, inherited psychic structure, and symbolic imagination overlap.

    Its persistent recurrence across cultures suggests not that humans merely observed wolves, but that they repeatedly encountered in them the outward manifestation of structurally preformed inner realities.

    4. WOTAN, THE WOLF, AND COLLECTIVE POSSESSION

    This chapter examines the predator “shadow” manifestation of the wolf-vessel: the state of mass possession. Within Jung’s psychoid framework, Wotan and the wolf become symbolically linked expressions of storm, frenzy, instinct, and collective disinhibition.

    We argue that the creation of a lupus diaboli—wherein nature itself is cast as the enemy—signals the failure or collapse of a nation’s “civilized” containers. Likewise in temporal conflict (war), ethnic persecution or spiritual competition (Inquisition), the adversary must first be dehumanized. In this process, the aggressor’s probability field shifts toward the predatory shadow, transforming the group into a collective frenzy.

    Jung wrote extensively on the Wotan archetype and its specific constellation within the German psyche. His deep interest in mythology allowed him to recognize the lethal potential of irrational movements. He was consistently compelled by the study of semi-religious state cults (such as those imposed by Stalin, Hitler, and Mao). These systems are framed by neo-pagan metaphors as a substitute for the created religious void. In this void, the State does not merely govern; it possesses. The ‘predatory beast’ does not disappear under civilization; it simply waits for the ‘containers’ to crack. When they do, the resulting dissociation allows a rational society to participate in an archaic, predatory frenzy while believing itself to be fulfilling a ‘higher’ destiny. In his 1936 essay “Wotan,” he identified the eruption of a furor teutonicus beneath the thin veneer of Christian heritage and Enlightenment culture. “Jung’s research hypothesis—that archetypal structures condition collective behavior and symbolic imagination through which a society is either understood or unconsciously lived—finds its confirmation here. He identified the phenomenon of “dissociation”: a cultural rift wherein a rational, advanced society believes it has overcome “primitive stages,” while those stages have, in reality, only been suppressed. From this state of repression, they inevitably return.

    In “The Psychology of Dictatorship” (1936), Jung discusses how the “void” forces a return to archaic, tribal structures: The collective unconscious is a real fact in human affairs. …It is understandable, therefore, that there is such a force as the collective unconscious of a nation; … And the trouble about a nation is that it does not keep its word and has no honor, at least on the level of the collective unconscious. A nation as such, for all the claims of the totalitarian states, is a blind force.

    1. Wotan as Archetype of Storm and Frenzy

    Wotan is not a dead myth but an “autonomous psychic factor,” a restless wanderer who creates unrest and stirs up strife. Jung describes him as the “god of the storm and the frenzy, the leader of the Wild Hunt and the wolf-daemon” (CW 10, §375). In the psychoid ground, “storm” represents a non-local field of energy that overrides individual agency. When this field is activated, the collective psychic equilibrium shifts toward predatory shadow-identification, a “subjective determinant” that produces overwhelming effects in the collective life of a people.

    2. Wolves, Berserkers, and the War Band

    The historical úlfhéðnar (wolf-skinned warriors) illustrate the “psychic infra-red” state where biological rivalry becomes sacred ecstasy. This ritualized transformation allowed the warrior to bypass the “civilized” persona and tap into the raw power of the predator. By donning the wolf-skin, the individual is absorbed into the Männerbund (war-band), an entangled pack where the “predatory beast ” is no longer repressed but channeled. As Jung noted, this beast is always sleeping in the basement,”We keep forgetting that we are primates and that we have to make allowances for these primitive layers in our psyche.

    3. Odin’s Wolves and Sovereign Violence

    In the Norse mythological landscape, Wotan represents the archetype of the “Full Warrior”—the Ergreifer or “Seizer” who embodies a state of sacred, orderly or disorderly aggression. Yet, the moral and psychological direction of this warrior-energy is not contained within the God alone; it is mirrored in the dual propensity of his wolves. Here, the wolf-vessel bifurcates into two distinct psychoid possibilities: the integrated “Supportive Hunter” and the autonomous “Predator Shadow.”

    As the Sovereign Warrior, Wotan is flanked by Geri and Freki (“the greedy” and “the ravenous”). In the state of the Warrior’s “Fullness,” these wolves are not mindless monsters but high-functioning companions representing integrated instinct. They act as Supportive Hunters, channeling the raw hunger of the “infra-red” biological ground into the service of the state. They embody the virtues of the pack—loyalty, collective intelligence, and teleological coordination. In this integrated state, the predatory energy of the wolf is “socialized” through a psychoid covenant with the Warrior, providing the necessary “meat” or vitality to sustain the civilization. This is the wolf as a peer and protector, the Mac Tíre who acknowledges the Sovereign’s authority.

    However, the mythic field also holds the potential for the Predator Shadow, manifested in the catastrophic figure of Fenrir. Fenrir represents the wolf-instinct that has been repressed, chained, or dissociated from the “Full Warrior.” Like the King falls into the shadow—becoming either the Tyrant who abuses power or the Weakling who fears it—the “Supportive Hunter” disappears. The wolf then grows into an autonomous, world-ending force that can no longer be contained by the “civilized” persona. Fenrir is the eschatological result of a warrior-energy that has lost its wisdom and its mission. He is the devouring shadow that eventually breaks his chains to consume the very “God” (the Social Order) that failed to integrate him.

    Thus, Geri and Freki on one hand, and Fenrir on the other, represent the two poles of archetypal probability. They serve as a diagnostic mirror for the state of the collective: when the Warrior is in his Fullness, the wolf is a supportive ally; when the Warrior is in Shadow, the wolf becomes the predator that heralds the collapse of the world.

    The wolves Geri and Freki, who flank Odin’s throne, symbolize the duality of, “Sovereign Violence” necessary to maintain the state or win a war. This sub-chapter explores the wolf as the provider of predatory legitimacy. For the dictator or sovereign, the wolf serves as a mirror of the “predatory instinct of the primitive group.” As Jung stated in The Psychology of Dictatorship, a ruler in this state “must always have an enemy… someone to hunt, or the pack will turn on itself.” The wolf-vessel here transitions from a biological peer to a tool of absolute, non-human power.

    4. Jung’s Essay on Wotan and Collective Activation

    In his 1936 essay, Jung identified the eruption Wotan he likened to the of a furor teutonicus beneath the veneer of Enlightenment culture. In fact, Jung just foresaw the events a “powerful eruption” of the collective unconscious, the “awakening of Wotan from thousand years sleep”, and the uprising of the Germanic soul in Nazi Germany against the “rationalism”. He argued that because “traditional containers—the Church and its symbols—had become hollow,” primordial forces broke through the floor of the house (Preface of Essays on Wotan).

    C.G. Jung called Hitler 1938 in an interview with US-Journalist  H. R. Knickerbocker,a historical phenomenon, a loudspeaker of the German soul Hitler is a medicine man, a form of spiritual vessel, a demi-deity or even better, a myth”. C.G. Jung Speaking: Interviews and Encounters (edited by William McGuire and R.F.C. Hull), the H.R. Knickerbocker interview titled “Diagnosing the Dictators”

    It is worth to note a shared mechanism of the predator archetype: Demonizing the wolf (nature) and dehumanizing the enemy (man) are the same archetypal move. Both remove the “Other” from the sphere of empathy, “tilting” the psychoid ground toward pure aggression. Religious and political systems alike may seek symbolic monopoly by defining themselves as the exclusive bearers of truth, legitimacy, or collective destiny. Under conditions of dissociation, this tendency facilitates the dehumanization of the outsider and intensifies predatory group-identification. When the Church fails, the State moves in as a “surrogate,” but it uses the same “Wolf-Vessel” to organize the masses. This is a “psychic epidemic” or “true possession” where the individual’s conscious will is powerless against the autonomous force (CW 10, §388).

    “Wotan is a wolf-daemon… the individual’s conscious will is powerless against the autonomous force. It is a true possession, a psychic epidemic that has swept away the rational world.” CW 10, §388]

    Jung’s “Diagnosis” confirms that the more we believe we are “advanced” (Enlightenment) or morally superior , the higher the probability that the suppressed wolf-nature will return as a “furor.”Hitler functioned as a catalytic medium through whom latent archetypal contents achieved collective symbolic expression. He provided the voice for the furor teutonicus. Because his power was “magical” and “anti-intellectual,” it bypassed the rational “Enlightenment” filters and connected directly to the infra-red biological ground (instincts) of the people

    The significance of Jung’s 1938 interview with the American journalist H. R. Knickerbocker is heightened by Knickerbocker’s own historical role as one of the few Western reporters willing to publicize the reality of Stalin’s Holodomor against prevailing political denial. His discussions with Jung therefore occurred within a broader confrontation with the mass psychological catastrophes of the twentieth century.
    Deciphering Jung’s”Wotan essay”, distinct layers emerge in the interview “Diagnosing the Dictators”:

    • The Wind/Storm: Jung tells Knickerbocker that Hitler is “the loud-speaker which magnifies the inaudible whispers of the German soul.” This perfectly matches the “Wotan” essay’s description of the god as a “wind” that blows through a people.
    • Infection vs. Persuasion: Knickerbocker asks about the “contagion” of the movement. Jung confirms that this isn’t a political argument one can win; it’s a psychic epidemic.
    • The Role of the Journalist: Knickerbocker, by reporting both on Stalin’s Holodomor and Hitler’s awakening of the furor teutonicus, was essentially witnessing and reporting first hand the “shadows” of the 20th century. His psychology background allowed him to see that these weren’t just “bad policies,” but the unleashing of the primitive.
    • The “Wotan” Manifestation: While the 1936 essay is academic, Knickerbocker’s questioning forces Jung to describe and explain the physicality Knickerbocker saw front row of the Beer Hall Putsch 1923—the “dreamy eyes” and the power of Hitler’s voice over the crowds.

    5. Nationalism, Tribal Regression, and Predatory Group Mind

    When a society believes it has “overcome” its primitive stages, it falls into “dissociation.” This cultural rift allows a rational society to engage in archaic frenzy while believing itself to be modern. In totalitarian systems, the state becomes a “surrogate religion,” and the dictator a “demi-god” or “medicine man” of the tribe. The “Mac Tíre” (the peer) is replaced by the “Lupus Diaboli” (the enemy), a mechanism of dehumanization that allows the group to act as a predatory organism without the constraints of individual empathy.

    “The state has taken the place of God… when the traditional containers (the Church and its symbols) had become hollow, the primordial forces broke through the floor of the house.” (Preface to Essays on Wotan)

    6. The Wolf as Banner of Possessed Collectivity

    The wolf finally emerges as the literal signum or banner of the possessed group. From the Roman standards to modern paramilitary symbols, the wolf-image signals that the collective psychic equilibrium shifts toward predatory shadow-identification . The banner is the “Symbolic Convergence Zone” where the “loss of the animal soul” is replaced by a “mass psychosis.”

    The wolf-vessel, once a guide of the soul, is here inverted into the “predator wolf-shadow,” signaling that the group has successfully “swallowed the archetype” and entered the eschatological fury of the storm. Its the intersection where the Psychoid Ground speaks through the shaman. Jung’s diagnosis reveals that when a society suffers from ‘dissociation,’ it replaces the Statesman. This leader does not ‘use’ the wolf-symbol; he is consumed by the predator wolf-shadow. The resulting furor is the ‘awakening’ of a psychoid field that treats the world as a prey and the enemy as the lupus diaboli.” It seems Adolf Hitler was something more terrifying than evil: he was awakening an ancient archetype Wotan in the soul of the German people. Hitler, Jung argued, was not a normal statesman but a mouthpiece and medium, a convergence node for multiple dissociated collective contents.

    Wolf-symbolism provided an archetypal charged imaginal structure through which predatory collective identity could become psychologically organized. Modern civilizations remain vulnerable to archaic archetypal regression precisely where and when it believes itself most rational and psychologically emancipated. Under conditions of collective dissociation, archaic symbolic structures may re-emerge and organize mass political emotion in ways modern rational consciousness catastrophically underestimates. “Jung’s analysis reaches far beyond the Germany of 1936; it is a frightening diagnosis that continues to resonate—even literally today.

    5. THE WEREWOLF: ARCHETYPE OF TRANSFORMATION

    The werewolf myth symbolizes the catastrophic breakdown of mediation between human consciousness and instinctual nature. Ancient societies ritualized this tension; modern civilization represses and externalizes it, producing both individual fragmentation and collective predatory mass formation. How we treat the nature, the animal – particularly the wolf and including its archetypal images as beast), the loyal dog indicates the depth of the crisis manifest in a civilization caused by pathological estrangement from nature and instinct and loss of reason.

    A werewolf (also known as a lycanthrope) is a mythical human who possesses the ability to shapeshift into a wolf or a monstrous wolf-like hybrid creature. This transformation is historically triggered by curses, sorcery, or the light of a full moon. The word itself originates from the Old English term wer, which translates directly to “man,” combined with wolf.

    1. Historical Evolution of the Myth

    • Ancient Beginnings: The earliest referenced transformation appears in the Babylonian Epic of Gilgamesh, where a goddess turns a shepherd into a wolf.
    • Greek Mythology: King Lycaon of Arcadia was transformed into a wolf by Zeus as a punishment for serving him cannibalistic human remains. This tale birthed the word lycanthropy.
    • Roman Folklore: Romans used the word versipellis (“turnskin”) to describe sorcerers who changed forms using magical herbs.
    • Norse Culture: Legends spoke of Ulfheðnar (“wolf-coats”), fierce Viking warriors who wore wolf pelts into battle and supposedly channeled the beast’s raw, predatory rage.

    There are a number of cultures which have were-creatures in their mythology, usually involving large predators that hunt by night. Often the were-creatures takes the form of the most dangerous animal found in the area the most famous of all are the werewolves of medieval Europe. Folklore suggests a complete transformation into a natural wolf. Modern media popularized a bipedal, fur-covered humanoid beast.

    The term “were” is from the old english word “wer” meaning man, Thus, werewolves , man-wolves, are half human and half animal the grandfather of the hero Odysseus is named Autolykos, meaning “he who is wolf.” ANTIQUITY AND MEDIEVAL LYCANTHROPY TRADITIONS

    Historical lycanthropy traditions and modern collective mass formation are not literal regressions into biology, but psychic compensation mechanisms. When a group, culture, or nation experiences severe systemic distress, the fragile boundaries of the shared conscious ego dissolve. This forces a collective regression into the primordial, predatory layer of the unconscious—manifested in myths as the beast, upon today in societies as outcasts were denied innocence—denying itself reality.

    DomainCore Mechanism
    Individual psycheShadow possession / ego eclipse
    Collective psychologyMass regression / projection
    Civilizational crisisInstitutional collapse of symbolic containment
    Human-nature relationSeverance from nature and instinctual order

    1. The Archaic Paradigm: Ritualized Regression

    The earliest referenced transformation appears in the Babylonian Epic of Gilgamesh, where a goddess turns a shepherd into a wolf. In Greek mythology, King Lycaon of Arcadia was transformed into a wolf by Zeus as a punishment for serving him cannibalistic human remains—a tale that birthed the word lycanthropy. The grandfather of the hero Odysseus was named Autolykos, translating directly to “he who is wolf.” Romans later used the word versipellis (“turnskin”) to describe sorcerers who changed forms using magical herbs, while Norse culture spoke of the Úlfhéðnar (“wolf-coats”), fierce Viking warriors who wore wolf pelts into battle to channel the beast’s raw, predatory rage.

    Paradigm Shift: Controlled Ritual vs. Uncontrolled Fracture

    Archaic Paradigm (Controlled)Medieval/Modern Fracture (No Control)
    • Polytheistic/Tribal Acceptance• Rigid Moralistic Ego Framework
    • Ritualized Shape-shifting• Total Repression of Instincts
    • Safety Valve for Predatory Libido• Violent Shadow Projection & Panics

    These ancient rituals were not products of primitive ignorance, but controlled psychic safety valves. Archaic societies lacked highly differentiated, individual ego structures. In Carl Jung’s Collected Works (CW) 18: The Symbolic Life, he notes that archaic man lacked the internalized ego structure required to process overwhelming psychic energy. Instead, they relied on theriomorphic projection, externalizing internal bloodlust, survival drives, and tribal boundaries onto animal-formed deities.

    When faced with the terror of nature or war, they used ritual shape-shifting to deliberately channel the autonomous, predatory energies of the collective unconscious. By wearing the pelt or entering a trance, the human ego was temporarily suspended. This allowed the community to survive raw, chaotic environments without permanently breaking their psychic framework.

    2. The Medieval Fracture: Projections and Witch / Werewolf Trials

    The transition to medieval Europe fractured this delicate containment system. The medieval church enforced a rigid, hyper-moralistic conscious framework that completely demonized human instinct. Because the primitive, animalistic shadow could no longer be integrated through communal ritual, it was violently repressed.

    As a result, these unconscious forces revolted. The repressed predator was projected outward onto outsiders, neighbors, or “heretics.” This sparked massive collective panics where communities hunted literal “werewolves” to destroy their own internal, unacknowledged sins.

    Barry Lopez in his critically acclaimed 1978 book, Of Wolves and Men explores the wolf in European history and mythology. Lopez discusses how the fierce demonization of wolves paved the way for early modern werewolf trials. He notes that these trials mirrored the exact legal, theological, and interrogative patterns used in witch trials, and that inquisitors relied heavily on the same text, the infamous Malleus Maleficarum (known in German as the Hexenhammer, or “The Hammer of Witches”)

    In sociological terms, this period marked the birth of The Denial of Innocence. Under the pressure of collective trauma, a society’s conscious or possessed ego can no longer tolerate ambiguity or individual differentiation within an adversary group. Forced Confessions via Torture, The “Satanic Pact” Framework, extreme brutal elitists function as an aggressive cognitive flattening—a psychic defense mechanism where an agitated group actively strips away a target’s humanity or invokes The Beast (a wolf, a tiger, a leopard) to protect its own brittle psychological state.

    3. The Modern Parallel: Civilizations Under Distress

    This psychological blueprint bridges ancient lycanthropy directly to modern mass psychological phenomena, such as wartime propaganda, intense ideological shifts, and mass formation anxieties. When modern societies face overwhelming crisis or destabilization, rational systems break down.

    In this state, propaganda acts as a modern sorcery or “poisonous herb,” systematically triggering the autonomous shadow as a cultural contagion (CW 10: Civilization in Transition). Just as Jung argued in his essays on post-WWII Europe that a civilized nation could be possessed by an ancient, dormant archetype of rage (such as Wotan), the modern citizen drops their individualized moral consciousness and assumes a herd-like, predatory collective identity.

    Through the systematic Denial of Innocence, the “other side” is stripped of individual reality and flattened into a monster. The civilized nation, while consciously claiming righteousness, begins to act with the uninhibited, systematic cruelty of an unchecked apex predator.

    2. Boundary crisis a violent psychic rupture

    The lycanthrope fundamentally exists to test the limits of human agency. When the rational human mind is abruptly subjected to lupine physicality, the boundary dividing civilization from nature violently collapses. The hybrid body highlights the fragility of human identity and moral codes, suggesting that the civilized persona is merely a thin layer resting upon latent, carnivorous instincts.

    The human-animal hybrid in lycanthropic myth serves as the symbolic theater for the catastrophic collapse of the conscious ego framework. This chapter examines the structural dissolution of the boundaries that separate civilized humanity from raw animal nature.

    Rather than a fluid transition, this boundary crisis represents a violent psychic rupture where the structures of reason, language, and individual identity fail to mediate between the conscious mind and the primordial unconscious.

           A. Somatic Rupture (body mutates)
    
           B. Linguistic Collapse (loss of speech)
    
           C. Ego Eclipse (loss of agency)
    
           D. Post-Possession Trauma(return of guilt)
    
           [ CIVILIZED SPACE / EGO ]
             • Structured Language
             • Differentiated Morality
             • Solar Rationality
                        │
                        ▼  ❌ BOUNDARY RUPTURE (The Shifting Borderland)
                        ▲
             • Theriomorphic Libido
             • Somatic/Predatory Drive
             • Lunar Autonomy
           [ UNTAMED WILDERNESS / ID ]
    
    
    
    
    
    
    
    
    
    

    1. Somatic Rupture (body mutates)

    The Agony of the Bone-Shift: In John Landis’s An American Werewolf in London (1981), the transformation is intentionally stripped of any romantic mystique. It is presented as a brutal, agonizing, and non-consensual destruction of human anatomy. The literal elongation of the spine, the shattering and reforming of the jaw, and the violent eruption of hair from the skin serve as a visceral visual metaphor for the ego being ripped apart from within.

    When the instinctual overwrite is triggered visually, the human ego experiences a total eclipse, completely severing the individual from their moral center and their anchor to reality.

    2. The Loss of Speech and the Death of Rationality

    The most definitive marker of the human-animal boundary crisis is the immediate, agonizing loss of human language during the transformation. Language as an Ego Defense: In psychoanalytic terms, language is the primary tool of the conscious ego. It allows human beings to conceptualize, mediate, and delay gratification. By naming an instinctual drive, the ego establishes a healthy distance from it, containing its raw energy.

    The Speech-to-Roar Rupture

    Human Speech (The Conscious Ego)The Animal Roar (The Unconscious Id)
    • Logic and reason• Raw, chaotic emotion
    • Self-control and boundaries• Wild survival instincts
    • Civilized identity• Pure predatory drive

    The Silence of Reason: Without words, the capacity for moral reflection, logical deduction, and ethical choice vanishes. The human mind is silenced, leaving the body to operate purely on the uninhibited, non-verbal feedback loops of apex-predatory survival.

    The structural integrity of the human psyche relies entirely on its ability to maintain a differentiated boundary between the internal self and the external, instinctual ecosystem. In lycanthropy, this boundary suffers a total collapse.

    3. Ego Eclipse (loss of agency)

    In psychological terms, the werewolf is the ultimate manifestation of the autonomous Jungian Shadow. Unlike a healthy integration of these instinctual forces, lycanthropy dramatizes a catastrophic instinctual overwrite—the Shadow violently usurps the ego rather than negotiating with it, leading to a state of utter psychological possession.

    To map this dynamic accurately, we must look to the source of these overwhelming forces: the Collective Unconscious carrying capacity of the individual conscious mind. Lycanthropic possession is a violent movement between archetypal inflation and its inevitable, crushing counter-process the deflation. This psychological trajectory operates on a strict Jungian logic, mirroring the classic pattern found in profound literary studies of human-animal division, such as Hermann Hesse’s Steppenwolf.

    Archetypal inflation occurs when the fragile human ego identifies directly with the contents of the collective unconscious. The individual confuses themselves with an archetypal figure—in this case, the timeless archetype of the absolute apex predator—and assumes a scope, power, and significance that properly belong only to the untamed totality of nature.

    [ INDIVIDUAL HUMAN EGO ]
    ▼ ⚠️ IDENTIFICATION RUPTURE (The Illusion of Power)
    [ ARCHETYPAL INFLATION ] --> Ego merges with the Collective Shadow
    ▼ ❌ VISCERAL/MUNDANE TRIGGER (Jealousy / The Full Moon)
    [ VIOLENT DEFLATION ] --> Collapse into Guilt, Madness, and Trauma

    At its onset, this expansion of consciousness feels like a genuine, liberating breakthrough. Yet, a subtle and decisive error occurs: the ego does not merely witness these archetypal realities; it identifies with them. The werewolf does not simply encounter the instinctual beast—he believes himself to be the beast. His personal suffering and repressed rage are suddenly granted a tragic grandeur, elevated to a universal, mythic scale where ordinary moral boundaries seem entirely irrelevant.

    This inflated state contains the exact conditions of its own catastrophic collapse. The human ego cannot permanently sustain identification with the raw totality of the collective unconscious without fracturing. The trigger for this inevitable collapse often arrives in a moment that appears strikingly mundane, yet carries an unrefined emotional weight that the inflated ego cannot accommodate.

    The Mechanics of Psychic Capture:

    The Sovereign Ego (Healthy State)The Autonomous Shadow (Possessed State)
    • Operates from a conscious moral center• Controlled by raw, untamed libido
    • Governs action through willful choice• Guided by instinctual survival feedback loops
    • Negotiates and integrates base desires• Enforces total compliance through violence

    The structural integrity of the human psyche relies entirely on its ability to maintain a differentiated boundary between the internal self and the external, instinctual ecosystem. In lycanthropy, this boundary suffers a total collapse.

    • The Failure of the Persona: The human face—the ultimate psychological site of social mediation, recognition, and individual consciousness—is violently overwritten by the theriomorphic mask.
    • Somatic Treason: The physical body ceases to be a reliable container for the rational ego. The flesh itself rebels, stretching and mutating to accommodate the unmediated breakthrough of primitive survival drives.
    • The Internal Dehumanization: This physical distortion mirrors the internal mechanic. The ego actively strips away its own humanity, performing a deliberate cognitive flattening that reduces complex moral consciousness to a singular, predatory focus.
    • The Descent into Affect: When the lycanthrope transitions, speech is stripped away and replaced by the roar, bark, or howl

    This boundary crisis is not merely internal; it is literalized in the geography the werewolf inhabits. The lycanthrope is defined by its absolute inability to belong to any structured space.

    [VILLAGE / CIVITAS] ───> [BORDERLAND / OUTLAW] ───> [ THE WILD FOREST ]
    (Conscious Ego Space) (Homo Sacer / Wolf's Head) (Deep Unconscious)

    The werewolf operates almost exclusively in twilight, dawn, or the dead of night the precise moment when solar consciousness sets and the shadows of the personal and collective unconscious lengthen.It is trapped perpetually in a painful, shifting borderland—the edge of the woods, the graveyard, the crossroads, or the ruined homestead. Under old Germanic and Roman law, an individual expelled from the community for an unspeakable crime was declared wargus or vargr—a wolf. To the state, they wore a “wolf’s head” (caput lupinum); they could be hunted and killed by anyone without legal penalty and became outcast hunted down like witches in the medieval age, just usually werewolves wered burned alive.


    4. Post-Possession Trauma(return of guilt): The Fragile Boundaries of the 21st Century

    The Tragedy of Post-Possession Deflation: The true horror of the werewolf is that the inflation is cyclically crushed by deflation. When the frenzy subsides, the ego returns to find its world physically or morally destroyed. The human side cannot handle the animal’s guilt, and the animal side cannot be sustained in civil society. The ego is violently brought back into proportion, left to gaze upon the literal or symbolic carnage born from its failure to integrate, rather than succumb to, the darkness within

    While ancient laws and medieval traditions went to extreme lengths to enforce, police, and ritualize these boundaries, the twentieth and twenty-first centuries have exposed a terrifying development: the modern ego-boundary is far more fragile and less enforced than ever before.

    • The Digital Wilderness: In the hyper-connected modern landscape, the clear line between civilized space and the primal wild has blurred. The internet and digital media act as a borderless twilight zone where the “village” and the “forest” collide.
    • The Normalized Lowering of the Mental Level: Where ancient societies used highly restricted, sacred rituals to channel collective rage, modern technological structures systematically encourage an ongoing, unregulated abaissement du niveau mental. Anonymous digital spaces act as modern “wolf-pelts,” allowing users to instantly shed their individual moral personas and adopt predatory, pack-like identities.
    • The Invisible Pack: The globalized crises of the 21st century—driven by hyper-anxiety, echo chambers, and systemic distress—demonstrate that modern civilization does not require a physical forest to release the beast. The boundary between rational civic discourse and raw, predatory tribalism has worn razor-thin. The “wolf’s head” is no longer an exiled outcast pushed to the physical margins of society; the unchecked impulses of the collective shadow now operate directly from the center of the modern cultural apparatus

    The werewolf does not simply encounter the instinctual beast—he believes himself to be the beast. His personal suffering and repressed rage are suddenly granted a tragic grandeur, elevated to a universal, mythic scale where ordinary moral boundaries seem entirely irrelevant.

    The ultimate failure of the werewolf experience is the failed individuation. In a true process of individuation, the conscious ego learns to communicate with and integrate the unconscious instincts. The werewolf, conversely, undergoes a bifurcated, fractured existence. The human and the beast remain completely distinct and warring entities, leaving the host trapped in a cycle of either agonizing repression or completely dissociated, destructive frenzy.

    Twentieth and twenty-first-century leans heavily into the visceral horror and inevitability of this transformation. Groundbreaking films like An American Werewolf in London and The Howling utilize the physical agony of the morphological shift to emphasize the trauma of the human condition. Cinematic interpretations continue to frame the lycanthrope as an out-of-control curse rather than an integrated state, reinforcing the core argument that the subject is forever punished by a split identity they can never fully reconcile

    …. To be continued

    6. THE ARCHAEOASTRONOMICAL DIMENSION OF THE WOLF MYTH


    PART SIX — THE ARCHAEOASTRONOMICAL DIMENSION OF THE WOLF MYTH

    Function : Explore celestial, calendrical, and directional codings of wolf symbolism across archaic cultures.

    Subchapters:

    1. Wolf-Star Associations in Eurasian Traditions
    2. Lunar Cycles, Nocturnal Hunting, and Mythic Time
    3. Solstitial Guardians and Directional Animals
    4. Sirius, Canid Symbolism, and Ritual Orientation
    5. Cosmological Wolves in Indo-European and Steppe Material
    6. Celestial Order and Terrestrial Predation

    Core Argument: the wolf is not only terrestrial predator but also cosmological marker of liminal time and orientation.


    PART SEVEN — THE WOLF IN MYTHS, RELIGIONS, AND CULTURES

    Function: Comparative civilizational survey demonstrating the extraordinary persistence of wolf motifs.

    Subchapters:

    1. Rome — Lupa and the Birth of the State
    2. Turkic and Mongolic Ancestor Wolves
    3. Norse Fenrir and Eschatological Devouring
    4. Greek, Persian, and Indo-Iranian Wolf Material
    5. Native American Wolf Teachers and Clan Spirits
    6. Christian Demonization and Medieval Inversion
    7. The Global Continuity of the Wolf Symbol

    Core Argument: despite cultural divergence, the same symbolic tensions recur with notable consistency.


    PART EIGHT — THE WOLF AS MIRROR OF MODERN MAN

    Function Bring the entire symbolic investigation into contemporary psychological and civilizational diagnosis.

    Subchapters:

    1. The Modern Myths of the Wolf
    2. Alienation, Masculinity, and Exile
    3. Leadership, Discipline, and Pack Longing
    4. Bureaucratic Civilization versus Predatory Instinct
    5. Digital Tribalism and New Collective Howls
    6. Why the Wolf Returns in Late Modernity
    7. The Wolf as Mirror of the Disowned Human Animal

    Core Argument: modern fascination with the wolf reflects a crisis of instinct, belonging, and psychic sovereignty.

    PRIMARY SOURCE APPARATUS TO BE USED

    Jungian Core Texts

    • CW 8 — On the Nature of the Psyche
    • CW 9/I — The Archetypes and the Collective Unconscious
    • CW 10 — Civilization in Transition (especially Wotan)
    • CW 11 — Psychology and Religion
    • CW 14 — Mysterium Coniunctionis (for transformation motifs)
    • Atom and Archetype: The Pauli/Jung Letters, 1932-1958 is a collection of correspondence between physicist Wolfgang Pauli and C. G Jung
    • CW 18 — THE SYMBOLIC LIFE MISCELLANEOUS WRITINGS
    • McGuire, William (ed.) – C. G. Jung Speaking (Princeton, 1993) (for transformation motifs)
    • Synchronicity: An Acausal Connecting Principle UK, Edition 1985
    • Four Archetypes Mother Rebirth Spirit UK, Edition 1971

    Jungian Secondary

    • Jolande Jacobi Die Psychologie von C. G. Jung. Olten: Walter Verlag, 1971
    • Der Mensch und seine Symbole. By Carl Gustav Jung, Marie-Louise von Franz, Joseph L. Henderson, Aniela Jaffé, and Jolande Jacobi. Olten Walter Verlag AG,1968
    • Aniela Jaffe Die Einheitswirklichkeit und das Schöpferische Erich Neumann und C-G. Jung

    Wolf Ethology

    • Of Wolves and Men, Barry Lopez 1978
    • European wolf recolonization studies ­ WWF Deutschland, Berlin
    • The International Wolf Center – science-based education
    • Farley Mowat Never Cry Wolf (1963) classic memoir of the Canadian naturalist
    • For visual de-demonization: Jim Brandenburg ‘White Wolf’, 1990 and ‘Bruder Wolf 1994

    Mythological/Comparative Sources

    • Prose Edda / Poetic Edda
    • Histora Mundi Band 2 Frühe Hochkulturen
    • Histora Mundi Band 4 Römische Weltgeschichte und Christentum
    • Roman foundation myth sources
    • Mythologyof the American Nations
    • Turkic Asena materials
    • The Druids
    • Die Kelten
    • Indo-European canine symbolism
    • Egyptian funerary religion (Wepwawet)
    • Medieval werewolf trials and folklore, “Mac Tíre” (Son of the Earth)
    • The Ossory Werewolves: The Helpful Shape-Shifters
  • Following the traces of Esclarmonde de Foix

    Following the traces of Esclarmonde de Foix

    Momorial of the site where over 200 Cathars were burned alive, having refused to renounce their faith.
    Memorial of the site where over 200 Cathars were burned alive, having refused to renounce their faith.

    I  just came back again from the haunted and magic Languedoc-Roussillon, where I followed the footsteps of the Esclarmonde de Foix and the heretic Cathars. This essay will focus on Esclarmonde de Foix. Cathars, Catharism and its connection to the holy grail seen through the eyes of Otto Rahn, a shady self proclaimed archaeologist, who had been driven into suicide by the Nazis:

    • Where did the Cathars come from and what were their beliefs?
    • Was Otto Rahn (“Crusade Against the Grail”), a kind of Indiana Jones, killed for failing to find the Holy Grail in the Cathar land?
    • In her mystic and symbolic importance, was Esclarmonde de Foix (1151 to 1215), not only a “Cathar Bona Femna” (Good Woman), but also a “Ketzerpäpstin” (heretic counter pope)?

    In Languedoc-Roussillon Cathar castles, Templar Abbeys and Châteaus inspire powerful myths, major mysteries, complex religious history, symbols of psychological relevance and – also significant pseudo-history. There are lots of stories about the Crusades and the mysteries of Sacred France connected to it. Or, as in the case the holy Grail, downright fabrications and conspiracy theories. So my journey became a transformational journey visiting places with magic and mysticism in addition to hiking, camping and photographing. I choose as base camp a wonderful Bed&Breakfast in sight of the last Cathar stronghold Montségur and close to Foix. As always, please be aware that this is an essay on my impressions and their reflections on history, culture and psychology, not a scholarly work. Readers of my articles know, that I have an soft spot for intuitive, but holistic interpretation of historical schisms, heretics and cross cultural transmission of myths and knowledge. Catharism holds all those secrets, and more, the egnima of Catharism can be felt still in southern France.

    My encounter with a French writer

    Chalet in France
    Chalet in France

    We stayed in sight of Montségur’s castle, in the hamlet of Mijanes, which is situated 650 m above sea level in a clearing at the end of a small road. The house is an old stone farmhouse, beautifully restored in order to preserve the built’s authenticity. At street-level, the old hay barn completely open to the south, gave the opportunity to develop a large community room with separate entrance and fireplace. Very bright, it opens onto a gallery with large sliding doors. Two hectares of meadows surround the house with lots of room for sheep, chicken and a dog called Hector. After a few tries, he got along with our dog. Around, the forest offers beautiful walks and the lack of light pollution nice astronomical pictures and nice sights of the sunset over Montsegur.

    The house has “only” room for two guests, its wall of the rooms’ corridor is fully dressed with a bark and natural pigment wallpaper from New Caledonia. The other room was occupied by a French couple, a writer and a retired teacher, who we met during breakfast. The writer happened to be Jose Dupre, who wrote about the German anthropologist Rudolf Steiner, Catharism and Déodat Roché, with whom he maintained a close relation and friendly collaboration during nearly 10 years. Not only a writer, but an expert in his field. Jose Dupre saw interestingly Déodat Roché as a bon homme, a modern Cathari Parfaite or perfect.

    JoseDupre

    Roché’s career was an interesting one, from Martinism – esoteric Christianity, concerned with the fall of the first man – and the Gnostic Church he promoted his own understanding of perennial religion while remaining an active and influential Mason leader for a small formal group of disciples. Via the work of Rudolf Steiner, “Christianity as Mystical Fact” in 1921, the then 43 years old Déodat Roché discovered a modern “Manichean spiritual stream, and received the advice to meditate on the main stages of the life of Jesus Christ from the representation of John’s Gospel. This looked for Roché like a living link with the meditative tradition, which had been maintained by the Cathars.

    He became well known through his writings, which were – especially in the 1960s and 1970s – a major source for the renewal of interest in Catharism, marketed into

    otto-rahn-faux-cathare-et-vrai-nazi
    French view of Otto Rahn

    The Holy Blood and the Holy Grail (1982) and thence into The Da Vinci Code (2003). He was a Gnostic, who lived like a contemporary Carthar lifestyle according his friend Jose Dupre – “Un cathare au 20e siècle”.

    During a conversation, I naively showed to Jose Dupre a vintage copy of Otto Rahns book which started an interesting if not agitated discussion. Otto Rahn is not forgotten in France, but highly disputed if not despised, and his views are of Chatharism and Esclarmonde considered as pure speculations. Jose Dupre told me some details of Déodat Roché, who died in 1978 at the age of 101 years He was a philosopher and seeker who sought contact with people of very different spiritual orientation like Otto Rahn, Simone Weil, but never to lost sight of Christian-Gnostic Manichaeism. Even his appearance – slim, ascetic and benevolent facial features – reminiscent of a figure of early Christianity, such as Origenes, whose writings are more interesting than many “esoteric” contemporaries.

     

    The heretic papessa Esclarmonde de Foix

    Esclarmonde 001

    Esclarmonde was identified from the German mystics Otto Rahnas a historical precedent of the protector of the Grail “Repanse de Schoye” of Eschenbach’s “Parzival”, which included the Grail in the mountain of Munsalvaesche (Montségur), to protect him from the armies of Lucifer.

    The historical Esclarmonde (” Light of the World ” in Occitan) was born around 1150 as daughter of Roger Bernard I, Count of Foix and who fathered also another Esclarmonde (The Bastard). Esclarmonde and her brother, Raymond-Roger grew up in the Cheateau de Foix at the foothills of the Pyrenees mountain range at the center of the triangle of Carcassonne-Toulouse-Andorra. She married Seigneur de l’Isle-Jourdain. Their six children’s children included Bertrand, Baron de Launac who later inherited the County of Foix. She was widowed in October 1200, and from this time turned openly to the Cathar Church.

    In 1204 she became a Parfaite, a member of the Cathar Elect by the Consolamentum from the hands of the Cathar Bishop Guilhabert de Castres. She would become almost a female pope of the Cathar faith, combining temporal power and transcendental authority. She moved to Pamiers and later decided to fortify the Castle at Montségur against likely assaults by the French Catholic Crusaders. Otto Rahn claims that Montségur was the famous the castle of the Gral’s legend. In 1207 she organized the Colloquy of Pamiers, the last public debate between the Cathars and the Roman Catholic Church, whose representatives were led by Dominic Guzman (later Saint Dominic). It was at this debate that Esclarmonde, an educated Occitan, famously spoke up. The of the Roman Church lost in these intellectual and theological debates as often. At one point, being reminded of the cruelty of the Church by Esclarmonde Dominic admonished her: “go to your spinning madam”. It is not proper for a woman to speak in a debate of this sort”. The following year, 1208, despairing of success through intellectual and spiritual means, Pope Innocent III would launch the Albigensian Crusade.

    05282015 Montsegur008
    Montsegur

    Certainly the Cathar and Esclarmonde challenged the central power structure of the Roman Popes. The popes of that period were very powerful and interfered quite broadly in the affairs of secular monarchies. But it was also a church that was troubled by corruption and lack of clerical celibacy and moral decency.

    Because she refused to submit to the Roman Church, the pope put a price on her head; even so, she managed to evade not only the crusaders and the papal legates but also a series of bounty hunters. There was evidence that she was in the area around Dun until 1212, but the Chateau de Foix, Esclarmonde’s brother’s estate, from was 1214 to 1218 in the hands of the papal legate, who turned it over to the feared and hated Simon de Montfort.

    When Raymond-Roger went to Rome to try to retrieve his lands in 1215 at the Lateran Council, the pope reproached him about his sister’s activities. By then she had become the symbol of the resistance against the crusaders’ occupation and the papal inquisitors, as she encouraging the resistance fighters, providing them useful information, and refortifying castles. She became so cunningly, that in time the Crusaders were to call her La Renarde de Foix (the Fox of Foix); the Occitans called her La Grande Esclarmonde (Esclarmonde the Great), and her frequent appearances all over the land gave the people hope and inspiration. In 1218, Raymond-Roger did eventually win back his castle, not through any justice or intervention of the pope, but rather by force of arms. Rumors tell, that for more than 30 years, Esclarmonde lived as a fugitive on the run, sleeping sometimes in caves and keeping a hair’s breadth ahead of the inquisitors and bounty hunters. There is one mention of her in 1232. But it was only a brief appearance, and then she vanished once more.
    Her death is said to be 1215, but no-one knows the exact time or place of Esclarmonde’s death— she was rumored to have died in one of the caves where she took shelter—but her memory lives on. Jules Massenet wrote his opera Esclarmonde about her life 1889. In 1911 in Foix, a committee tried to erect a statue to her memory, but the bishop of Pamiers, Jean-Marie Vidal, did all in his power to have the project stopped. Esclarmonde, for she remains “one of the strongest symbols of the Occitan woman’s attachment to religious freedom” and an inspiring role model for courage and strength against tyranny and despotism everywhere. Esclarmonde of Foix has become something of a role model, after her name – almost forgotten for seven hundred years – but made known again by Otto Rahn in the twentieth century.

    Otto Rahn the Indiana Jones, who worked for the Nazis

    Rahn Otto. Source http://otto-rahn.com
    Rahn Otto. Source http://otto-rahn.com

    Very little is certain in the short life of Otto Rahn. But one of the few things one can with any confidence say about him is that Rahn, small and weasel-faced, with a hesitant, sly smile and oily hair, was the inspiration for Harrison Ford’s most famous role, Indiana Jones.  Like Jones, Rahn was an archaeologist, like him, he fell foul of the Nazis and like him he was obsessed with finding the Holy Grail – the cup reputedly used to catch Christ’s blood when he was crucified.  Rahn was a dreamer, who entered into a terrible Faustian pact: impressed with his first book “Kreuzug gegen den Gral” (Crusade Against the Grail), Heinrich Himmler committed every resource imaginable to realize his dream and a formidable salary. There has been just one catch: in return, he had to find something that – if it ever existed – had not been seen for almost 2,000 years, which he write must be buried in southern France.  He didn’t, so Rahn’s obsession ended up costing him his life.

    Rahn was born in 1904 in Michelstadt (Germany) and made Abitur (German university entrance qualification) in Giessen 1922. Through one of his religion teacher, he became fascinated by the history of the Cathars. At an early age became fascinated with the Holy Grail and the famous German archaeologist, Heinrich Schliemann.  Schliemann had found what he believed to be the ruins of Troy on the western coast of Turkey. Rahn used later the 13th-century epic Parsifal as his guide to finding the Holy Grail. He started studying 1922 law, but switched and completed his university studies in literature and philology 1928.

    Research trips

    During his stays in Geneva and Paris 1928 he researched medieval scripts. In Paris he met an esoteric circle of literati and scholar like the Toulouse poet Magre, who both believed that the manuscript of the mysterious Bogomil Bishop Nicetas the Château de Monségur was preserved. It was thought to be hidden during the Albigensian Crusade as part of the legendary Cathar treasure in the underground cave of Ornolaca in the south of France, Languedoc. Through Magre,  Rahn met the spiritualist Countess Miryanne Pujol-Murat and became her protege. She claimed to be a descendant of Countess Esclarmonde de Foix and a member of a Gnostic Church.

    Grail quest with Antonin Gadal

    From 1929 Rahn undertook as part of his study,  travels in southern French Languedoc, where he researched among other things caves, and the ruins of Montsegur. In 1930 he undertook a journey to the valley of the Ariege. In France, he investigated the medieval heretic movement, especially the Cathars and Albigensians. On his first explorations he befriended Déodat Roché,  a follower of Rudolf Steiner, and the local historian Antonin Gadal.  Gadal developed an intense friendship Rahn, and become his mentor and patron, and both worked extensively in the following three years together. From late autumn 1931, Rahn settled in the small spa town of Ornolac-Ussat-les-Bains, in which Antonin Gadal lived, with whom he remained friends over the coming turmoil and difficult years until his untimely death.  From 1930-1932 Rahn explored from his home the southern French Pyrenees together with Antonin Gadal.

    The more Rahn, a serious scholar read Eschenbachs Parsifal, the more he became convinced that the Cathars, the medieval Christian sect, held the secret to the Grail’s whereabouts. In 1244, shortly before the Cathars were massacred by a Catholic crusade, three Cathar knights had apparently slipped over the wall of Montsegur Castle in the Languedoc area of France. With them, together with the Bogomil manuscripts, was a cup reputed to be the Holy Grail.

    Rahn arrived at Montsegur in the summer of 1931. He didn’t find the Grail, but he did find a complex of caves nearby that the Cathars had used as a kind of subterranean cathedral. If he’d been of a less optimistic bent, he might have shrugged his narrow shoulders and gone home. Rahn, however, wasn’t the going-home type. Certainly he was on the right track, he wrote a book called Crusade Against the Grail in which he described his quest.

    Otto Rahn and the Nazis

    It was because of this book, that Rahn met his Mephistopheles Heinrich Himmler, the head of Hitler’s SS. Not only had Himmler read Crusade Against the Grail; he loved it.  All Rahn had to do was find the Holy Grail.  Everything but a Nazi he seems to have been blithely unaware with what  what he was letting himself in for.  A few weeks later a close friend (Rahn was gay) ran into him wearing the black uniform of an SS Sturmbannführer and asked him what on earth he was doing. ‘A man has to eat,’ Rahn replied sheepishly. ‘What was I supposed to do? Turn Himmler down?’

    He wrote another book, with the none too catchy title of Lucifer’s Court: A Heretic’s Journey in Search of the Light Bringers, which detailed his further efforts to find the Grail. The book had one open anti-Semitic passage, which was not from him. By now it must have dawned on Rahn that he was dealt with extremely nasty folks.

    Otto Rahn’s mysterious death

    wilder-kaiser
    wilder-kaiser

    What gives Rahn’s dilemma peculiar piquancy, is that there’s evidence to suggest that he was Jewish himself – although it’s not clear if he was aware of it and gay. Bravely, if naively, Rahn began to move in anti-Nazi circles. As naive as it was brave, he applied to Himmler to resign from the SS – an organization you could only resigned from feet-first. And so he did. There are stories that Rahn had links with British Intelligence.  He ended up dead like Faust. One evening in March 1939, he climbed up a snow-covered slope in the Tyrol mountains and lay down to die. He is believed to have swallowed poison, although no cause of death was ever given. The following day Rahn’s body was found, frozen solid. He was 34.

    Nigel Graddon, author of a new biography of Rahn, “Otto Rahn and the Quest for the Holy Grail: the Amazing Life of the Real Indiana Jones”, believes that Himmler’s disenchantment with Rahn was a result of his failure to find the Grail.

    The Cathar heresy

    IMG_9937-Stake

    The Cathar heresy was a major challenge to the Roman Catholic Church. The Cathars rejected the Roman Catholic church structure and considered themselves the only true Christians. The Thirteenth century was at a high point of their power and influence. Unless in other countries, the itinerant preachers in southern France received extensive support of the local nobles.

    The Cathars rejected the old testament of the Bible. They called themselves “veri christiani” (true Christians) and defended of a dualistic world view, which contained Marcionites elements. Catharism promoted values of equality, neighbourliness and charity, and turned its back on the pomp, hierarchy and worldly wealth of the Catholic church. It did not have a founder or leader, nor did it take root in one place. It may have originated in the Middle East i.e. Persia, and spread to Europe via Constantinople, the Balkans and Italy. It inherited elements of Sufism, Gnosticism and Zoroastrianism, fused with the mentioned dualist perspective: a universe of Good versus Evil; Light versus Darkness;  a Good God of the spiritual world and an Evil God of the material world. By the eleventh century, there were Cathar believers all over Europe, including England. But one of the places, in which the Cathar church really flourished, and the place with which the word Cathar is now strongly associated, is southern France.

    Among several books on Albigensians another name for Catharism, that of Jacques Madaule is free of sectarianism, although noticeably not without sympathy for the phenomenon. It claims to adhere to the results of scientific research and the French writer I met, was worried that the speculation by the Otto Rahn damages their credibility.
    The riddle that gives us this first great medieval movement against the Roman Church, has so many aspects.  The central questions are:

    • How was it possible for an early Christian movement from far remote to propagate beliefs and partly hostile moods and practices in the superior Languedoc, home of the Troubadours and an advanced cultural refinement?
    • Why was their doctrine preferably found among the nobility of the country and their followers?
    • Why did Rome react so harshly under Innocent III against this doctrine and practice of nonviolence?
    • Why did the Inquisition decades after the defeat of the Albigensian army still searched for the “good people”?
    • How do we understand the proven fact, that quite many representatives of the Southern French aristocracy and Bishops were Roman Catholics, but were also persecuted and repressed?

    When one considers that there have been in northern Italy and on the Rhine Cathars and that Northern Italy temporarily offered even refuge to the persecuted, the matter is even more mysterious. To equate the Cathars with early Protestants is wrong. Those Heretics were Gnostics. Their dualist teachings, their tolerance, their mild life practice their gentility were the flower of a different culture or time. The denial of the incarnation of Christ meant in the Middle Ages the negation of all spiritual and worldly social fabric created by the councils of the forth century.

    The Chathars and the Templars

    The Templars have never taken part in the fight against the Cathars which raged around during half a century in Europe. They even accepted them into their order. There are hints that the Templars possessed original manuscripts of the apostle Johannes, from Marcion origins (old christian heresy). In the original country of the Cathars, the Southern French province of Languedoc, two-thirds of the population were exterminated in this western “crusade”. Repeated requests, to act, had been strictly rejected by the Templars. They had very good reasons. The Cathars based some of their writings of Marcion, which Templars had found in Jerusalem. In the most popular publications about the Templars, one can read nothing about it. So the Templar’s order in ecclesiastical regard was not homogeneous Christian anymore. Some of the Templar’s secrets living up to the present day. The Cathars most probably handed over sanctums and valuable texts to the Templars.

    What the knights thought at that time and felt, we are not able to imagine. The knighthood kept wisely that knowledge under strict secrecy. Later, Hugo of the Champagne procured some first Cathars writings, contents to which the accounts of the Eschaimin texts fitted. The sign of the Marcionites Gnostics was the red Thorn cross – exactly as later that of the Cathars. After the legend the mother Christ had tinkered from four thorns of the crown of thorns a small cross. This thorn cross became later the origin of all knight’s crosses. Till then the Templars had a simple Roman Cross in use. From now on it became the Red thorn cross on White.

    The Myth of the Holy grail

    IMG_9936

    Myths may be divided into three classes: those that are connected with the quest for certain power symbols, of which the Grail is only one, those that deal with the quest of the hero in a Jungian sense; and third, those that deal with the nature and history of the symbols.
    These wordily stories were interpreted in the light and spirit of medieval Christianity and mysticism, but in essence were contradictive to the Cathar dualistic rejection of the real world.

    The Holy Grail is generally considered to be the cup from which Christ drank at the Last Supper and the one used by Joseph of Arimathea to catch his blood as he hung on the cross.
    Guyot, a Provençal poet who flourished in the middle of the twelfth century, is said to be the originator of the story. Much ink had been spilled around the possible Eastern origin of the Grail legend based on an Arabic book by an astrologer, Flegitanis found in Toledo, Spain, which contained the Grail story. “Flegitanis” sounds certainly not like an Arabian proper name, but more like the Persian felekedânêh (“astrology”). Some believed the legend originated in the mind of Guyot himself, but there is, however, there is some reason to believe that the story might have been brought from the East by the Knights Templar.

    In earlier sources and in some later ones, the grail is something very different. Chrétien, for example, speaks of “un graal,” a grail or platter and thus not a unique item. Wolfram von Eschenbach’s Parzival presents the Grail as a stone which provides sustenance and prevents anyone who beholds it from dying within the week.
    Parzival is a medieval German romance written by the poet Wolfram von Eschenbach in Middle High German. The poem, commonly dated to the first quarter of the 13th century, centers on the Arthurian hero Parzival (Percival in English) and his long quest for the Holy Grail.

    As for the Grail, that too lives on, with claimants and contenders continuing to turn up in the most unlikely places. As one said at the time, ‘The Grail is like Everest: you climb it because it’s there.’ Or not there, of course.

    The Chathars and the Holy Grail through Otto Rahns Eyes

    IMG_9940

    Rahn’s studies and his extensive research in the French archives of Montsegur (Eastern Pyrenees), it eventually led him to believe that he had found the mysterious Grail, that for the first time, was mentioned by the Provencal poets of the 12th century Guyot, the inventor of the Holy Grail. So proclaimed Rahn that in the history of the Cathars so meaningful Montsegur Castle with the Castle of the Grail Montsalvatge (Mont Salva sealed) from Wolfram von Eschenbach epic Parzival is identical. Otto Rahn had put forward the theory, that the Cathars were the guardians of the Grail, which he described as a stone of light. He claimed also that Pope Innocent III. had initiated Albigensian war, actually as a crusade against the Grail. Those theses originate mainly from Antonin Gadal, a teacher, who researched after his retirement after the historical heritage of the Cathars and gained a reputation as a Neukatharer-expert. He was interested in the French history and the Cathar heresy and explored it also climbing into many caves. Gadals paleontological studies of the caves in the valley of the Ariege and his extensive research in the southern French Languedoc finally made both believe, that he had come to the mysterious Cathar treasure. They likened it to the Grail, which the inventor of the Grail legend, a Provencal poet of the 12th century Guyot , mentioned. Gadal infected Otto Rahn in his assumption that the Cathar treasure is hidden in the caves of Sabarthes and encouraged the research of the Middle Ages Montsegur Castle, which he likened to the Grail Montsalvatge (Mont Salva sealed) from Wolfram von Eschenbach epic Parzival held.

    The Albigensian Crusade and Inquisition

    The 11th century was the century of monks and knights, but also of a second wave of religious disputes like in the first two centuries, the century of heretics. While waves of Crusaders were fighting in Palestine, the common people of Europe were experiencing a crisis of faith. They could not find God in the churches, with their corrupt clergy.

    In a bizarre parallel to the fourth century, Rome tried to quell the heresy by a string of councils and sent out priests, but that did not help. Since Catharism represented a clear and present danger to Catholicism, Innocent III sent a call for another holy war March 1208, summoning all Christian nations to launch a Crusade against a country of fellow-Christians. The Pope’s appeal came four years after the sacking of Constantinople by a Crusaders’ army, already the fourth against the Saracens a much harder enemy, than initially thought. The Albigensian Crusade can clearly be described as the first act of genocide in Europe. Starting with the sack of Béziers, historians estimate that the persecution of the Cathars in Languedoc caused half a million deaths. In cultural terms, the suppression of the Cathar heresy and the consolidation of French power in Occitania led to a complete strangling of Catharism in mediaeval Europe.

    The temporal enemy was Raymond VI, Count of Toulouse, a cousin of the King of France, a feudal sovereign whose authority extended over the regions of Agenais, Quercy, Rouergue, Albigeois, Comminges and Carcassès, not to mention the County of Foix. In the owner of all the territories where the langue d’oc was spoken.

    The nobility was weakened on the battlefields of Palestine, during the various local campaigns they had to conduct proving futile. The Crusades itself were gradually appeared to be a dead end.

    What was new type of Crusade? The aristocracy of this period was as cosmopolitan as before the first World War. Italian and Spanish poets composed in the langue d’oc, and German Minnesinger took lessons from the Troubadours. Against a methodical system of oppression was established from West Rome. The circumstances which led Innocent III were of some justification for the Pope’s appeal. Every single district throughout the Count’s countries was a hotbed of heresy; and on 14th January 1208 Brother Peter of Castelnau, the Papal Legate, had been assassinated at Saint-Gilles — which was a capital crime. It did, however, justified a declaration of war, since the Church was not, in theory, a temporal power, but intervening in the life of an Emperor still a valid option.

    But when the Pope pronounced his excommunication against the County of Toulouse, he knew that was not the case. Raymond VI’s mistake was that of ruling a country where the spiritual authority of the Church was in decline. The murder of Peter of Castelnau, has been said ‘was worse than a crime: it was a mistake’, most likely not of the Count himself, who just declined to take part in the league of Southern barons, to hunt down heretics. The Papacy had no armies in its pay and could not force the French King to launch a Crusade, and in the event failed to persuade him, but could attract a ragged and greedy team of Rome’s mercenaries. The propaganda drive was so successful that the King of France found himself forced to change his stand. It was a large army, which made a considerable impression and devastated the country in what would be called today an act of ethnic cleansing or genocide. Except, that not only heretics were killed, but also Catholics and Jews, as evident in the Massacre at Béziers. “Caedite eos. Novit enim Dominus qui sunt eius. (“Kill them all, God will know His own)” was a phrase allegedly spoken by Papal legate and Cistercian abbot Arnaud Amalric prior to the first major military action of the Albigensian Crusade.

    The Fall of Montségur and termination of Catharsis

    The last stand of the Cathars took place at Montsegur 1241, literally the safe or ‘secure’ mountain. The siege lasted more than two years and there were battles and skirmishes fought every day.

    According to Magre, many of the great heroes of chivalry fought and died there. “Men such as Lantar, Belissen and Caraman”, and the beautiful Esclarmonde d’Alion, also known as “Esclarmonde the Bastard”, sword mistress of the south. Through two winters the defenders of Montsegur held out against the Pope, against the Spanish inquisition, the Teutonic knights, the kings of France and last but not least Simon de Montfort – effectively against the world.

    The castle fell to treachery just before the spring equinox in the second year of the siege, when shepherds from the neighboring village of Camon showed the Teutonic knights, who were accustomed to the icy Alpine conditions, the secret path up the sheer side of the mountain by which the defenders smuggled in their supplies and on March 16th, the last of the Albigensians, some 225 surviving men, women and children were dragged down the mountain in chains to be burned on the Camp de Cremat.

    The castle’s history as, above all, a symbol of resistance made it impossible for the conquering orthodoxy to Christianize or take in the Holy Roman faith as they did at Montserrat and countless other pagan sites such as Montserrat, Lourdes or Fatima.

    It is surprising that the outside world has thus far avoided the subject matter of a clear Catholic genocide. When the ‘Cathars’ do surface in films, they are usually portrayed in the inquisitions terms as fanatics or devil worshippers. Otto Rahn’s positive account, Crusade Against the Grail, was the first to be published outside France, and translated in the English. Despite the title, surprisingly little reference to the Grail itself is made in Otto’s opus. Besides, as before mentioned, nobody seems to know what a Grail is, theories range from the sacred bloodline or ‘Sangraal’ described in Baigent, Lincoln and Leigh’s fanciful bestseller The Holy Blood and the Holy Grail, Bran’s cauldron, the lost Gospel of Saint John, the Book of Nicetas, a graven tablet or a ‘hard, dark stone’, symbolic of Christ’s suffering according to Wolfram von Eschenbach’s Parsifal or the Indian Lapis as Otto Rahn suggested.

    Conclusion

    In what was then the largest French provincial newspaper, the Dépêche de Toulouse printed 1933 a lead editorial that tore a veil in front of the secret history of Occitan South.
    A foreigner, even German, who had until then encountered arrogant silent rejection, suddenly showed that the bloody tragedy of the crusade against the Albigensian Church had not disappeared from the awareness of citizens of Southern France nor from the world.

    What was the reason that the repressed and buried layers suddenly came to light? It was a speculative, scientifically immature book of a completely unknown young German named Otto Rahn, who wrote boldly, almost provocative “The Crusade against the Grail, the tragedy of the Cathars”. He took his life under strange circumstances in 1939, alone in the snowy mountains of the Wilder Kaiser, after he had maneuvered through an unexplained cooperation in entanglement and danger with Heinrich Himmler, head of the SS. How is it possible, that an unknown German usurped the historical past of Muret and Montségur?

    Otto Rahn was from the Marburg area, in which long ago, a judge, Konrad from Marburg had been assigned as an inquisitor to stamp out an heretic offshoot of Catharism, until his assassination.

    Rahn had presented prehistoric evidence of the caves of the Pyrenees area, that ancient Persian religions, Gnosticism and Manichaeism of post-Constantinian period had been entrained earlier than historical sources claimed, the heretic church known as Albigensians spread over later over the entire Languedoc, the county of Toulouse across to Beziers, Montpellier, Narbonne and to Catalonia and Ax. The boldest of Rahn’s thesis was, that the Grail legend was nothing more than mythologizing the Cathar belief of their heretical Sacrament and the famous and infamous Mountain Montségur in the lonely Pyrenees, the historical archetype of Montsalwatsch in the great poems of Chrétien de Troyes and the 13th-century work Parzival by Wolfram von Eschenbach and The Ring opera’s of Richard Wagner.
    It was understandable raising eyebrows in those years, that a German took the French a centerpiece of history and turned it into something like an anti-Roman gnostic anti-Pope myth.
    Now the French historical research Catharism has of course been more repressed than neglected. Jacobinism and Enlightenment as the official doctrine had no room for medieval religious wars and so-called Crusades. Meanwhile the situation has changed thoroughly. In the Tarn valley underground places of worship were discovered which suggested strange astral symbolism. Montségur, especially the burial ground (champs cremats), where the last fighting faithfuls have been burnt in 1244, was investigated and buried ceremonial objects found.
    Of course, we it is known, that there is something like a heretic movement against Rome in French South has formed; science also knows, that originally domestic Bogumiles in Bulgaria represent the link from the Christian centuries to Catharism; we know of the crusade against Albigensian by Pope Innocent III and that the “secular sword” of Anglo-Norman baron Simon yon Montfort and the subsequent Inquisition by the Dominican Order and its founder Dominic de Guzman have eradicated literally Albigensian sect. Nevertheless, there is a certain fuzziness.

    The reasons are diverse. In fact, the prosecution has produced a lot of documents, but in particular those relating to doctrine and worship, destroyed. The heretics had been driven back together with their cult in the Pyrenees caves. However, a number of important documents have found in the recent past. Ironically, scholarly Dominicans are significantly involved in these discoveries and important chronicles were found in the Vatican.
    What we do not know, comes from the fact that the Catharism continues, and in a sense the old heretic church remains to this day. Only in 1950 the Cahiers d’Etudes cathares were founded. The writer I met, called his late professor a typical “perfait”. Actually, there may be men out there, who up to the present day, form an Episcopate of the “Pure”.

    Indeed the original meaning of the word Cathari, came from the Greek katharos, “pure”). The Cathari professed a neo-Manichaean dualism—that there are two principles, one good and the other evil, and that the material world is evil. Embarrassingly often the medieval Catharism is seen as the frontrunner of Anthroposophy, Rosicrucianism, occult directions or New Age movement. Certain analogies must be stated, like the historical the historical and current anti-Roman movement particularly in Germany.

    In any case, this land is full of myths and beauty. You find further information about heretics in Southern France here:

    Sources

    • Otto Rahn  Kreuzzug gegen den Gral. Die Tragödie des Katharismus Gebundene Ausgabe – November 1955
    • The Cathars, France  MSM 2006
    • Christiana Reemts, Origenes: Eine Einführung in Leben und Denken Broschiert – Dezember 2003
    • Hans-Jürgen Lange, Otto Rahn und die Suche nach dem Gral Taschenbuch – 1999
    • The Other God: Dualist Religions from Antiquity to the Cathar Heresy (Yale Nota Bene),  Stoyanov, Yuri
    • The Cathars: The Rise and Fall of the Great Heresy by  Sean Martin
    • The Knights Templar: The History and Myths of the Legendary Military Order by Sean Martin
    • Gnosticism and Early Christianity by R. M. Grant
    • Jesus Wars Harper, 2010 by Phillip Jenkins
    • C.G. Jung,  Aion Untersuchungen zur Symbolgeschichte
    • The Rise of Christianity: How the Obscure, Marginal Jesus Movement Became the Dominant Religious Force in the Western World in a Few Centuries by Rodney Stark
    • The Lost History of Christianity: The Thousand-Year Golden Age of the Church in the Middle East, Africa, and Asia–and How It Died by Philip Jenkins
    • Historia Mundi Volume IV, Lehnen Verlag,  Die Kirche zur Zeit der Apostel und Märtyrer
    • The Cults of the Roman Empire, Robert Turcan
    • Les sites templiers, Jea Luc Barbiere
    • Montsegur Le trace du Chateau
    • Bernard Hamilton: The Albigensian Crusade. Historical Association, London, 1974.
    • Milan Loos: Dualist Heresy in the Middle Ages. Academia M.Nijhoff, Prague, 1974.
    • Renè Nelli: Èncritures cathares: La Cêne secretè.etc. Denøel , Paris, 1959.

      Renè Nelli: La philosophie du Catharisme. Payot, Paris, 1978.

      Zoe Oldenbourg: Massacre at Montsegur. New York, 1961 (Kindle)

    Only listed (as my French is not sufficient) the works of José Dupré:

    • José Dupré, Un cathare au 20e siècle : Déodat Roché, 1877-1978 : Sa vie – Son oeuvre – Sa pensée 23. August
    • José Dupré, Catharisme et chretiente (relie) 6. Oktober 2005
    •  José Dupré, Les études cathares sous le ciel : Astrologie – Biographies – Philosophie 27. Juni 2002
    •  José Dupré, Rudolf Steiner : L’anthroposophie et la liberté

      13. Januar 2005

     

    Internet Ressoures

    http://otto-rahn.com/
    http://www.newadvent.org/cathen/01267e.htm
    http://www.chemins-cathares.eu
    http://www.catharisme.net/les5esclarmonde.htm
    http://opera.stanford.edu/Massenet/
    http://www.terres-cathares.com/spip.php?article24

    Cathar Texts and Rituals

    http://www.cathar.info/cathar_legacy.htm

    http://gnosis.org/library/cathtx.htm

     

    Photos:

     

  • Dante’s Divine Comedy – symbolism and archetypes

    Dante’s Divine Comedy – symbolism and archetypes

    Dante is not just any poet. With his epic poem “Commedia”, in English “Divine Comedy” he created an Italian cultural Monument, a journey through Hell, Purgatory and Paradise full of symbols, archetypes, historical and allegorical references. The article wants to revisit the work of Poet Dante Alighieri from a Jungian view in the light of 2015.

    Synopsis

    Dante’s Commedia was written from 1307 to 1321 and is the most famous Otherworld journey of world literature. Accompanied by Virgil, the poet passes through the Gates of Hell to the icy center of the earth, and from there to the paradise flying high with his beloved Beatrice. On the way, he meets almost six hundred celebrities from politics, literature and mythology for their salvation, repent of their sins, who tell the poet of their life. It was a longitudinal study of the Western World at that time.

    See above a short powerpoint as an introduction if you are in the visuals or not sure to where this article will lead: Dante in a hurry.

    Is Dante meaningful today?

    My answer is yes. Yes, period. Not only, because i every time you go in a museum, you will find pictures representations of Dane’s allegories and poems. Like Dante sensed a big transition. our world seemingly falls apart.  We all know, that transcendental illiterates try to create a paradise on earth, but achieved hell. Jihadists have created hell on earth to get into their paradise.

    Dantes Inferno Lust - bosch garden
    Dantes Inferno Lust

    Could it be, that one or more of Dante’s circles is as subversive today as it was then?  As a reader of my blog might expect, I am interested in Dante’s reflection in art and society and last but not least of his concept of evil, since the 34th song of his journey inspects Lucifer himself.

    •  Literal and historical: around 600 real people mentioned pointing out the disconnect between medieval and classical practice
    •  Allegorical: archetypal representative of Dante’s belief system and values
    • Moral: makes points about morality where the big questions in the Divine Comedy are:
      • What is man?
      • Why does he act as he does?
      • What is Good and what is Evil?
      • When it so often looks like “The Good loses,” why should anyone be good?

    Warning – reading Dante might be harmful

    True and False - Right or wrong - good or evil - black or white
    True and False – Right or wrong – good or evil – black or white

    The great works of world literature, Antigone, Hamlet, Faust, torture not only students’ hearts but all hide an eternal sting. This warning upfront, it is not to harmless to engage with Dante. Next to the Bible is the ‘Divine Comedy’ the most commented book in World literature. The phenomenon is even more amazing, because Dante is the most difficult, least accessible poet of world literature. Dante combines the whole scholarly tradition of the Latin Middle Ages and asks of his readers to have this knowledge or debark, before the ship leaves the safe shore:

    O voi che siete in piccioletta barca,
    desiderosi d’ascoltar, seguìti
    dietro al mio legno che cantando varca
    tornate a riveder li vostri liti:
    non vi mettete in pelago; chè forse
    perdendo me, rimarreste smarriti.

    The human rights organization “Gherush92” has claimed some chants of “Commedia” are full of racist, anti-Semitic and Islamophobic stereotypes and by the way, I add not even equal opportunity – fewer women suffer in hell.

    For the contemporary reader it is, however, not only the scholarly high sea of political correctness, in which they could get  lost. Further difficulties are added: spatial, temporal, and formal ones.

    Spatial context

    We must see the world through the eyes of Dante. The world view of Dante in the first two decades of the 14th century, his image of the earth and the structure of the three kingdoms   corresponds to the Ptolemaic system, unchallenged until Copernicus three hundred years later. This makes up the basis of Dante’s astronomy, described by his prose ‘Convivio’

    Dante’s heavenly scheme

    Comedy's geography
    Comedy’s geography

    Claudius Ptolemy concluded in the middle of the second century AD in Alexandria his main work, the ‘Megale syntaxis (‘ Big assortment ‘), his world-view: The stationary center of the universe is the spherical earth, of which only one half
    occupied with the vertex Jerusalem, the other is covered by ocean.  Down into the sea, now obviously no longer Ptolemy, but Dante, as an exact antithesis to Jerusalem, is the mountain of purification, the scene of the second part of the ‘Comedy’: the ‘Purgatorio’.  More closely tied to Ptolemaic ideas are the spatial relationships his understanding of space and stage. Albert Ritter sketched the Comedy’s geography from Dante’s Cantos:
    Hell’s entrance is near Florence with the circles descending to Earth’s centre; sketch 5 reflects Canto 34’s inversion as Dante passes down, and thereby up to Mount Purgatory’s shores in the southern hemisphere, where he passes to the first sphere of heaven at the top.

    Paradiso

    Dantes Divine Comedy - Paradiso
    Dantes Divine Comedy – Paradiso

    Around the earth revolve in outward increasing speed nine concentrically enclosing transparent hollow spheres. Seven blessed spheres with the earth as center and five planets known in his time have attached the heavenly bodies: Moon, Mercury, Venus, Sun, Mars, Jupiter and Saturn.  The ninth circle are the fixed stars, identical with what “le stelle” at Dante’s.  Beyond those nine celestial spheres is the seat of the supreme deity, the empyrean, “cielo di fiamma o vero luminoso or “the light and flame sky – itself immobile – like the earth.

    This heavenly scheme is matched by Dante’s topography of the ‘Purgatorio’ and ‘Inferno’.

    Purgatorio

    Purgatorio
    Dante’s Divind Commedy Purgatorio

    The Purgatorio rises on the apex of the uninhabited area covered by the ocean opposite to Jerusalem. It is the location of the passion and death of Jesus Christ, and also divided into nine districts. At the bottom of the beach belt land, the souls that are shipped to death first wait on a ledge and into a ravine for the entry in the actual Purgatorio, located on the ring terrace The Prayer and Purification passage leads through seven by rock walls separated ring terraces. On the top is the  abandoned earthly paradise.

    Inferno

    Inferno
    Dante’s Divine Comedy Inferno

    Likewise, the Inferno is precisely located  in the Ptolemaic system of Dante. Hell corresponds to the conical Purgatory at its negative hollow image. It is located in the interior of the inhabited hemisphere. Lucifer has bored with the insubordinate angels after his fall into the earth to its center. Thus, the funnel-shaped narrowing again be divided into nine circles Hellmouth has emerged. Where did the displaced Earth’s mass go? In this creation model, it was reused as material for the Purgatory and therefore the mountain’s height  matches the hell crater’s depth.

    Temporal context

    Poets write  for eternity, but within a Zeitgeist. Dante had his contemporary readers in mind, to achieve certain political effects. Much of this vision of the afterlife is therefore based on the period of history and culture he lived in. Naturally, as in any art, this requires explanation, if the  context is not there anymore nowadays. Like his topographic structure, are the conditions in Dante’s temporal structures coherent whole. Its center is natural is located in Rome.  As a matter of fact, in a trinity of  Rome. The Classical Rome of Augustus, the New Byzantine Rome and the Rome of the Holy Roman Empire – the papal Rome. The history of the latter began on Christmas in the year 800 with the coronation of Karl (Karl the Great) to the Roman emperor, executed by the pope Leo III.  Around 1160 the official denomination Imperium Romanum changed  into Sacrum Imperium and 1254 the empire was named Sacrum Imperium Romanum and became in the 15th century the Holy Roman Empire of German Nation. The title of the supreme monarch was initially “king”. The emperor’s honor could only be achieved only by the coronation of the pope.

    Historical context

    As an ambassador of his native city of Florence, Dante came 1301 AD to Rome. The contradiction between idea and reality on court of Pope Boniface VIII traumatized him.  Jerusalem, taken 1099,  was lost 1187, but the Crusaders had relocated their dwindling Kingdom of Jerusalem to Cyprus around 1300 but the Mamluks besieged and captured the last Templer fort Ruad in 1302. Constantinople would hold only 150 years more.  Dante’s central idea is of unity and  continuity of Roman and to him this is world history under the sign of the eagle. In the sixth canto  ‘Paradiso’ the Eastern Roman Emperor Justinian (527-565) describes the trajectory of the eagle (the Roman character)  together with history lessons. As the author of the corpus juris civilis,  on which the Napoleon code and the whole  Western legal system is based.
    Justinian is the representative of the Roman Empire. The eagle will start with Troy westward to Lazio. Under Augustus, the conquest consolidated in the golden Aion. Constantine, who moved his residence 326 moved to Constantinople against the natural and divinely ordained east-west direction and through the donation of the Papal States, repealed the division of sacred and secular rule. The Imperium Romanum was for Dante the epitome of everything that he wanted to see realized in history. Not the Sacrum but the center of the Civitas Dei, with its dual objective: eternal blessedness of the man through the exercise of the theological virtues (faith, hope and love) – under the leadership of church; earthly well-being through the use of intellectual and moral faculties – under the leadership of a worldly State with Plato’s virtues (Prudence, Justice,  Courage, Temperance).

    More problematic is the difficulty in understanding the political references: What can we do with them now? They include all a closed world view: Catholic of the Middle Ages. That is why one meets a lot of Popes and even Mohammed in Dante’s hell. To him, a natural state order has its historical origin in the classical Roman Empire. To me this the first glimpse into the area of enlightenment, to invoke a secular (one might say pagan) legitimation of power again.

    Northern Italy’s political struggle

    Conclave_Vatican_yesterdayIn Northern Italy’s political struggle between Guelphs and Ghibellines, Dante was part of the Guelphs, who in general favored the Papacy over the Holy Roman Emperor.
    Dante wrote in his political credo in ‘De Monarchia’ about the basic  relationship between empire and papacy  (Imperium and Sacerdotium), or secular and religious rule. Only in the harmonious coexistence of the two powers Dante saw a guarantee for a just and peaceful world order in which the salvation of humanity can be accomplished. Florence’s Guelphs split into factions around 1300: the White Guelphs, who opposed secular rule by Pope Boniface VIII and who wished to preserve Florence’s independence, and the Black Guelphs, who favored the Pope’s control of Florence.
    Dante was among the White Guelphs who were exiled in 1302 by the Lord-Mayor Cante de’ Gabrielli di Gubbio, after troops under Charles of Valois entered the city, at the request of Boniface and in alliance with the Blacks.
    The Pope said if he had returned he would be burned at the stake.

    Form of poetry

    We encounter now the third hurdle, with which the reader is confronted reading Dante: the formal aspects of the ‘Divine Comedy’. Three elements are highlighted here:

    •     the language,
    •     the symbolism
    •     and the symbolism.

    Dante has decided, his main work in the so-called vernacular: in Italian and that was all but self-evident at that time.
    The Italian cannot be seperated from the ‘Divina Commedia’. However, its rhythmic form, the tercet, does not occur in Italian poetry.

    Sacred numbers

    Here you find Dante’s sacred numbers:

    • 3: trinity
    • 9: 3X3
    • 33: multiple of 3
    • 10: considered number of perfection
    • 100: 10 X 10 absolute perfection

    Living systems are recursive systems
    Living systems are recursive systems

    Three verses are together, of which the first and third rhyme, while the second rhyme will be picked up in the next Tercet. So the terza rima form an elaborate chain. Three 3 cantiche, each formed of 33 cantos, adding up to 99, which with the addition of the first introductory canto, adds up to 100. The Poem is written in Teresa Rima: 3 line stanzas with a rhyme scheme aba, bcb, cdc, ded etc, so each rhyme is used 3 times.

    The big Munich Romanist Wilhelm Ritter von Hertz, whose translation of the ‘Purgatorio’ and the ‘Paradiso’ I use, dominates the iambic rhythm, rhyme and the trisection. The three rhymes belong to the center of Dante’s symbolism ultimately, together with the Trinitarian concept of God. The symbolism of numbers plays in the ‘Divine Comedy’ a very important role just as with C.G. Jung. Each of the three main parts of the work, called cantiche , consisting of thirty-three songs, canti, which indicate the years of the life of Christ. An additional song of the introduction is to increase the total number of canti to hundred. The hundred is ten times the number ten, which, according to the View in Dante’s was a symbol of perfection. The Inferno is divided into nine circles and the court; in the ‘Purgatorio’ there are pre-Purgatorio and the earthly Paradise on the top of nine circles; the nine heavens are completed by the Divine Office: the empyrean – again to number ten. The three-rhyme has not only aesthetic, but symbolic, one might almost say metaphysical significance.
    The whole work is almost saturated with symbolism. Here are more difficulties for the contemporary Dante reader. Without reading scholarly commentary, the symbols remain a very superficial affair. For example, refer the three wild animals in the first canto of the Inferno to the main vices: Sensuality (Panther), Pride (Lion), Greed (wolf). Whether something is right or left, to Sun and Star is never random. In the architecture of the poem, there are numerous, but not obvious correspondences. For example, the sixth Song of the ‘Paradiso’, in which, as mentioned, the Roman eagle represents the continuity of world history has an inner relationship to both the sixth canto of the Inferno and the ‘Purgatorio’ – pointing to the different factions in Florence.

    The 9 circles of inferno in a hurry

    First Circle (Limbo) – The virtuous Pagans

    Luke Warm. Neither sinned nor believed in Christ.
    Luke Warm. Neither sinned nor believed in Christ.

    Here reside the unbaptized and the virtuous pagans, who, though not sinful, did not accept Christ.

    Heaven does not claim them, Hell does not want them. They are not punished in an active sense, but rather grieve only because of their separation from God, without hope of reconciliation. Without baptism (“the portal of the faith that you embrace”) they lacked the hope for something greater than rational minds can conceive. Limbo includes green fields and a castle, the dwelling place of the wisest men of antiquity.

    Second Circle – The Lustful

    Lust Blown about in darkness.
    Lust Blown about in darkness.

    Those overcome by lust, are punished by violent storm in this circle. Blown about in darkness.  Dante condemns these “carnal malefactors” for letting their appetites sway their reason. They are the first ones to be truly punished in Hell. These souls are blown about to and fro by the terrible winds of a violent storm, without hope of rest. This symbolizes the power of lust to drive one  needlessly and aimlessly.

    Third Circle – The Gluttonous

    gluttony
    gluttony

    Gluttons are forced to lie in the mud under continual cold rain and hail. Deprived of individuality. Each is alone, cold, and miserable. Cerberus guards the gluttons, forced to lie in a vile slush produced by ceaseless foul, icy rain (Virgil obtains safe passage past the monster by filling its three mouths with mud).  The gluttons lie here sightless and heedless of their neighbours, symbolising the cold, selfish, and empty sensuality of their lives. Just as lust has revealed its true nature in the winds of the previous circle, here the slush reveals the true nature of sensuality – which includes not only overindulgence in food and drink, but also other kinds of addiction.

    Forth Circle – The Hoarders & Wasters

    Dante's greedy
    Dante’s greedy

    Hoarders and Wasters push as two groups a great weight against the heavy weight of the other group. Dependency toward material goods deviated from the appropriate means. They include the avaricious or miserly (including many “clergymen, and popes and cardinals”), now bankers ans politicians who hoarded possessions, and the prodigal, who squandered them. The two groups are guarded by Plutus, the Greek god of wealth (who uses the cryptic phrase Papé Satàn, papé Satàn aleppe). The two groups joust, using as weapons great weights which they push with their chests

    Fifth Circle  – The Wrathful

    Wrathful and Sullen
    Wrathful and Sullen

    In a swamp-like water of the river Styx, the wrathful fight each other on the surface. The sullen lie gurgling beneath the water, withdrawn “into a black sulkiness which can find no joy in God or man or the universe.” Phlegyas reluctantly transports Dante and Virgil across the Styx in his skiff.The lower parts of Hell are contained within the walls of the city of Dis, which is itself surrounded by the Stygian marsh. Punished within Dis are active (rather than passive) sins. The walls of Dis are guarded by fallen angels.  Oh well, fallenangel.

    Sixth Circle –  The Heretics

    Heretics are in tomb.
    Heretics are in tomb.

    Heretics are trapped in flaming tombs of the City of Dis. Heretics, such as Epicurians (who say “the soul dies with the body”) are trapped in flaming tombs. Pausing for a moment before the steep descent to the foul-smelling seventh circle, Virgil explains the geography and rationale of Lower Hell, in which violent and malicious sins are punished. In this explanation, he refers to the Nicomachean Ethics and the Physics of Aristotle. In particular, he asserts that there are only two legitimate sources of wealth: natural resources (“nature”) and human activity (“art”). Violence, to be punished in the next circle, is therefore an offence against both.

    Seventh Circle – The Violent

    The seventh circle houses the violent. Its entry is guarded by the Minotaur, and it is divided into three rings:

    Outer ring

    Violent
    Violent

    Violent against people and property,  are immersed in Phlegethon, a river of boiling blood and fire, to a level commensurate with their sins: Alexander the Great is immersed up to his eyebrows. The Centaurs, commanded by Chiron, patrol the ring, firing arrows into those trying to escape.

    Middle ring

    In this ring are the suicides, who are transformed into gnarled thorny bushes and trees, excluded from resurrection. Here are the suicides (the violent against self), who are transformed into gnarled thorny bushes and trees, which are fed on by the Harpies. Unique among the dead, the suicides will not be bodily resurrected after the final judgement, having given their bodies away through suicide. Instead they will maintain their bushy form, with their own corpses hanging from the limbs. The trees are a metaphor for the state of mind in which suicide is committed. The other residents of this ring are the profligates, who destroyed their lives by destroying the means by which life is sustained (i.e. money and property). They are perpetually chased by ferocious dogs through the thorny undergrowth.

    Inner ring

    The violent against God (blasphemers), the violent against nature (sodomites), and the violent against art (usurers), all suffer in a desert of flaming sand with fiery flakes raining from the sky. The blasphemers lie on the sand, the usurers sit, and the sodomites wander about in groups

    Eighth Circle (Malebolge) – The Fraudulent

    Fraudulent
    Fraudulent

    The fraudulent—those guilty of deliberate, knowing evil—are located in a circle named Malebolge (“Evil Pockets”), divided into ten Bolgie, or ditches of stone. The circle named Malebolge (“Evil Pockets”), is divided into ten  ditches of stone, with bridges spanning the ditches:

    Bolgia 1 (Canto XVIII):

    Panderers and seducers walk in separate lines in opposite directions, whipped by demons.

    Bolgia 2 (Canto XVIII:

    Flatterers are steeped in human excrement. )

    Bolgia 3 (Canto XIX):

    Those who committed simony are placed head-first in holes in the rock, with flames burning on the soles of their feet. One of them, Pope Nicholas III, denounces as simonists two of his successors, Pope Boniface VIII and Pope Clement V.

    Bolgia 4 (Canto XX):

    Sorcerers and false prophets have their heads twisted around on their bodies backward, so they can only see what is behind them and not into the future.

    Bolgia 5 (Cantos XXI through XXIII):

    Corrupt politicians (barrators) are immersed in a lake of boiling pitch, guarded by devils, the Malebranche (“Evil Claws”).

    Bolgia 6 (Canto XXIII):

    Hypocrites listlessly walking along wearing gold-gilded lead cloaks.

    Bolgia 7 (Cantos XXIV and XXV):

    Thieves, guarded by the centaur (as Dante describes him) Cacus, are pursued and bitten by snakes, which make them undergo various ugly transformations.

    Bolgia 8 (Cantos XXVI and XXVII):

    Fraudulent advisors are encased in individual flames. Dante

    Bolgia 9 (Cantos XXIX and XXX):

    A sword-wielding demon hacks at the sowers of discord. As they make their rounds the wounds heal, only to have the demon tear apart their bodies again. Muhammad tells Dante to warn the schismatic and heretic Fra Dolcino. (Cantos XXVIII and XXIX).

    Bolgia 10:

    Groups of various sorts of falsifiers (alchemists, counterfeiters, perjurers, and impersonators) are afflicted with different types of diseases.

    Ninth Circle (Cocytus) – The Treacherous (Canto 34).

    Frozen in a sheet of ice with only their face exposed to show the pain. Degree of depth based on degree of betrayal

    SatanCenter
    SatanCenterb

    Satan is trapped in the frozen central zone in the Ninth Circle of Hell, Inferno. The Ninth Circle is ringed by classical and Biblical giants. Each group of traitors is encased in ice to a different depth, ranging from only the waist down to complete The circle is divided into four concentric zones.

    Zone 1: Caïna (Canto XXXII)

    Named after Cain, is home to traitors to their kindred. The souls here are immersed in the ice up to their necks.

    Zone 2: Antenora  (Cantos XXXII and XXXIII)

    Traitors to political entities, such as party, city, or country, are located here. The souls here are immersed at almost the same level as those in Caïna, except they are unable to bend their necks.

    Zone 3: Ptolomæa (Canto XXXIII):

    Traitors to their guests are punished here. The souls here are immersed so much that only half of their faces are visible. As they cry, their tears freeze and seal their eyes shut- they are denied even the comfort of tears.

    Zone 4: Judecca

    Named for Judas the Iscariot, Biblical betrayer of Christ, is for traitors to their lords and benefactors. All of the sinners punished within are completely encapsulated in ice, distorted to all conceivable positions.

    Center of Ninth an all circle:  Perverted Trinity (Canto XXXIV)

    Condemned to the very center of hell for committing the ultimate sin (treachery against God) is Satan, represented as a giant, terrifying beast. He is waist deep in ice, and beats his six wings as if trying to escape, but the icy wind that emanates only further ensures his imprisonment. He is chewing on Brutus and Cassius, who were involved in the assassination of Julius Caesar, and Judas Iscariot. What is seen here is a perverted trinity. Satan is impotent, ignorant, and evil while God can be attributed as the opposite: all powerful, all knowing, and good.

     Conclusion

    The Question is:  Are we seven hundred years after the birth of the ‘Divina Commedia’ able to understand Dante’s  world and relate to Dante’s symbolism. My answer is defintely. Not only because Dante’s Inferno is now an action-adventure video game . The story is based on Inferno, the first canticle of Dante Alighieri’s Divine Comedy, and shares many similarities with the poem.

    Sources

    lDivine Comedy.” Wikipedia.   http://en.wikipedia.org/wiki/The_Divine_Comedy

    lThe World of Dante. Institute for Advanced Technologies in the Humanities http://www.worldofdante.org/

    lDante’s Divine Comedy I-III Translated by Mark Musa

    lDante’s Die göttliche Kommödie I-III Translated by Willhelm G. Hertz

  • Sufism and female archetypes

    Sufism and female archetypes

    Love and Self
    Love and Self

    Some say Sufism, or Tasawwuf as it is known in the Muslim world, is Islamic mysticism; others say it is the primordial mystical tradition, much older than Islam, using Islam as a structural frame as Gnostics usually did. In this article, we will use Jungian concepts, Sufi poetry, and myths to explore the relationship of female Archetypes and  the Sufi path. Although the leaders of tariqas and participants in public dhikrs are (almost) always men, there have been some well-known Sufi women adepts, e.g. Rābiʿah al-Baṣrī, and many others, less well-known. Women participate considerably in popular Sufism, especially in visits to the tombs of walis, mulids.

    Perhaps Sufism is best defined as an universal path to union with God through self reflection – individuation. In Jungian psychology there are many concepts that illumine the relationship between soul and Absolute, human and God: the ego as the center of consciousness and the Self as a path to god; the individuation process whereby the ego increasingly realizes its source and dependence upon the Self; the alchemical conjunction of ego and Self.

    Sufis understand themselves as the only heir of a spiritual heritage, which had been split in many religions and sects.  Like Tao, Sufi is eternal, and uses  words like “drunkenness” or “grape” or “heart” … As Rumi puts it: Before garden, vine or grape were in the world Our soul was drunken with immortal wine. 

    I also found, to my astonishment, Sufism is addressing the greats belonging to a variety of cultures: Rumi, Shakespeare, Goethe and other influential thinkers and poets.  Goethe’s West-östlicher Divan, or West-East Divan, is a work with deep roots his knowledge of and love for Sufism. I regret to say, that Sufis even caught up with C.G. Jung, and the concept of individuation. C.G. Jung was aware, that any spiritual aware religion – for example Sufism and Catholicism – inherently resembles a psychoanalytic healing.

    Boundaries of Sufism

    Sufism in a hurry

    Well, in any case lets define the boundaries first,  but be aware that my understanding of Sufism is deeply influenced by Idries Shah and the interpretation of it by C.G. Jung. This article is not an attempt to feminize Islam, but to explore Sufism from this particular point of view.

    See above a slide show with some basic concepts of Sufism. You may press buttons to change slides manually or switch to full screen.

    •  Sufism is a dimension of Islam rather than a sect of Islam. Its mysticism and monastic order are hosted by Islam, but originating and reaching beyond Islam. The abstinence from pleasure, wealth, and prestige sought by most Sufi Masters, and their retiring from others to worship alone has of course a striking similarity to Christian monks. Sufi orders (Tariqas) can be found in Sunni, Shia and non-Islamic (or hardly Islamic) groups. Like the Christian monks Sufis were influential in spreading their belief, particularly to the furthest outpost world in Africa, India and the Far East.
    • Doris Lessing, stated once: “I found Sufism as taught by Idries Shah, which claims to be the reintroduction of an ancient teaching, suitable for this time and this place.” Arthur J. Deikman, a professor of psychiatry, expressed the view that Western psychotherapists could benefit from the perspective provided by Sufism”.
    • Sufis are emphatic, that knowledge should be learned from teachers and not exclusively from books. They view deceiving and fanatic fundamentalists seeing Sufis as haram and deceiving scholars as evil spirits, no wonder that these attempts to destroy Sufi heritage.
    • Tariqas can trace their teachers back through the generation. Modelling themselves on their teachers, students hope that they too will glean something of the Prophetic character. Although Sufis are relatively few in number they have shaped thought and history. Through the centuries Sufis contributed hugely to  literature for example Rumi, Omar Khayyám and Al-Ghazali’s is quoted by Western philosophers, writers and theologians.
    • This new voice of the Abrahamic tradition attempted to reestablish the recognition of the Unity of Being. It tried to address the imbalances that had arisen by the three religions of the books, advising respect and honor for the feminine as well as for the graciousness and harmony of nature.
    • From the early days onward, women have played an important role in the development of Sufism, which is classically claimed to have begun with the Prophet Muhammad, but Sufisms’s roots are most likely older. Within some Sufi circles, women were integrated with men in ceremonies; in other orders, women gathered in their own circles of remembrance and worshiped apart from men. Some women devoted themselves ascetic, apart from society, others chose the role of benefactress and fostered circles of worship and study. Many of the great masters had female teachers, students, and spiritual friends who greatly influenced their thought and being.  The Sufi Master Ibn Arabi (see below), tells of time he spent with one elderly woman mystic, Fatimah of Cordova:  “I served as a disciple one of the lovers of God, a gnostic, a lady of Seville called Fatimah bint Ibn al-Muthanna of Cordova. I served her for several years, she being over ninety-five years of age… “

    Panentheism

    panteistic god
    panteistic god

    Given the diversity of schools and the diversity of religious and philosophical ideas of their masters, it is very difficult to pin down the Sufi thoughts define. By some scholars Sufism is considered a perfect pantheism in the search for knowledge and reunion with the Divine. I prefer, therefore, not necessarily to speak of any religious doctrine in Sufism, as the Sufi belief system exceeds them Sufism is free because of its mindset of every religious limit. Rather, it seems to me an attitude, an enlightened philosophy of the individual search for God.  Ibn al-‘Arabi (Ibn’ Arabi) (se also below)  is the most rigorous Sufi panentheism. Many theologians were scandalized by the apparently blasphemous expressions that occur in his writings, and taxed him with holding heretical doctrines, e.g., the incarnation of God in man (ulúl) and the identification of man with God (ittiád). Centuries passed, but controversies continue. To Ibn al-‘Arab everything, that exists is a part of and a manifestation of the Oneness of God. Humans are part of God. To him the idea of a separate self is the result of ignorance. Ibn al-‘Arabi was born in Spain, in AD 1165. At the age of twenty he was initiated into Sufism. From the 1190s he engaged in three decades of travels as a wandering scholar, poet and mystic, visiting the Maghreb, Egypt, Arabia, Syria and Asia Minor and finally settled in Damascus. Ibn’ Arabi ascribes the source of his inspirations to an angel, which, in Jungian terms, is an archetypal inhabitant of the unconscious. Angels are particularly regarded as the messengers or intermediaries between God and the human world. With respect to the psyche, as intermediaries and messengers, angels are the very permeability of the division between the two zones of the psyche. Unconscious content, which cannot be directly apprehended by the conscious, is translated into terms the conscious can comprehend: language. Intermediaries between conscious and unconscious are necessary because, as Jung points out, [. . .] “psychic contents cannot be observed in their unconscious state, and moreover the psyche cannot know itself. The conscious can know the unconscious only so far as it has become conscious “( C. G. Jung). Insofar as God is beyond the categories of human thought and beyond language and concept, He is unknowable, unutterable. Commensurately, the Sufi experience of God is referred to as knowledge of the heart. The Sufi calls “knowledge” his own experience – in all areas of the senses and in the experience of own transcendence.  Important is the strength and the ability to leave the social frames of that limitation, religion to which we belong; then, suddenly, the consciousness understands the true core of any religion.  Any religion.

    Sufi literature

    We owe a lot Friedrich Rückert (1788-1866) , who was a German poet, translator, and one of the founders of the German Oriental Studies. Like Heine and Goethe was Friedrich Rückert a German Sufi ethics. As a translator of poetry Rückert devoted himself to the transmission of countless Sufi verses in the German language poets. 1818, the same year, as Goethe drew up a WestEastern Divan,  the eloquent young poet came to Vienna and began studying oriental languages. With its dual talent, poetic and philological“, Rückert translated Arabic and Persian poetry, notably the Sufi mysticism, amazingly accurate.

    Ibn ‘Arabî – Sufism and heresy

    templars
    templars

    Ibn `Arabî (1165-1240) has been one of the most influential Sufi authors, who deeply influenced the west. He wrote in Persian and Arabic clearly not only for the purposefully for a global readership of all beliefs, but was quite at odds with scholarly interpretations of religious thoughts.  Through Spain and Sicily, and in part by the Templars Cristian and Sufi  thoughts interrelated. The Sufis in the East, like the Christian mystics in the West were attracted the refreshing, deep old knowledge of the Oriental world. None of them apparently did not fear the danger of heresy, and many of them led a double life, so to speak: on the one hand, they lived as devout Christians or Muslims, on the other hand they thought as Sufi scholars.
    In the 12th century the master Suhrawardi lived in Aleppo. He wrote the work “The knowledge of enlightenmentand was murdered by order of the orthodox Scholars. They publicly burned his writing, but some copies have survived: Suhrawardi
    refers to the Sufi tradition as identical with the esoteric teachings of the old Egyptians, the Greeks and the Persians. Later the English scholar Roger Bacon, who spread this knowledge in Europe. Bacon confirmed in his writings that the Sufi ideas came from the ancient Egyptian era and later inherited Pythagoras, Zoroaster and Socrates thoughts.The Sufis have always called The Lovers”.

    sufism
    sufism

    But behind the concept of Love hides rather the pursuit of truth, for the knowledge. In his book The Sufis” Idries Shah gives a brief history of the great masters Ibn `Arabî  and Sufi. Idries Shah finds many parallels between Francis and the Dervishes: the clothing with hood and wide sleeves, the exchange of secular dresses with a cowl and the Franciscan idea of the “holy prayer” and Francistypical Welcome: Pace a voi “Peace be with you” which is an Arabic greeting

    Idries Shah suggests, based on the Spanish Priest Asin Palacios, that Dante had drawn on Ibn ‘Arabi’s writings for his Divine Comedy. That has to be interpreted differently not as a de-christianizing of Dante, as the central theme of comedy” is the Trinity, that very concept, which distinguishes Christianity from Islam. Not only this poem as such has a Trinitarian form, but also the process, by which the pilgrim Dante (and with it the reader) through purgatory ascends to heaven, “proves” the Trinity. Through the process of self-perfection of the pilgrim Dante, who gradually realizes the divine laws of the universe, he reached the entrance to the world of science, to paradise. The Earthly Paradise turns out at the end of the book about Purgatory as a chimera, and as a polemical contrast, the real paradise unfolds as a process, by which the individual understands the divine laws, as a science. Dante’s poem seems a proof of Jun’s individuation and the Sufi paths though. Both relate to the Christian idea of the imago viva Dei.

    In the 13th century, the Scuola siciliana“, the Sicilian literary movement was established at the court of the Hohenstaufen. Frederick II of Hohenstaufen, a pupil of the Templars, founded this institution. The German Emperor Friederich II (Frederick) spoke and wrote Arabic perfectly, and the soldiers of his bodyguard were all Arabs. Sicily, then in charge of the Knights Templars was the center of the Arab sciences. The German Emperor was a close friend of the Sultan of Egypt, al-Kamil, the very same Sultan, who had also received the St. Francis of Assisi.

    Rumi – Sufism and individuation

    In his book The Sufis” Idries Shah gives a unique history of the great master Rumi. This is a typical example of Sufi central theme – love – therefore I would like to quote it here:

    „Ein Mann kam zur Tür der Geliebten und klopfte. Eine Stimme fragte: – Wer ist da? –
    -Ich bin es -, antwortete er.
    Da sagte die Stimme: -Hier ist nicht genug Platz für mich und dich.- Und die Tür blieb geschlossen.
    Nach einem Jahr der Einsamkeit unt Entbehrung kam der Mann wieder und klopfte.
    Von drinnen fragte die Stimme: – Wer ist da?-
    – Du bist es -, sagte der Mann. Und die Tür wurde geöffnet.“
    (Jalauddin Rumi)

    The  connection between the Troubadour movement and Sufis had been established long ago. The term “Troubadour”, the “Finder” can be originally derived from an Arabic root rbb”, as this certain Sufi community, whose members are the slaves of love”, played viola. And from the Arabic word for “Viola” came the European Troubadour”. The Sufis have always called The Lovers”. But behind the concept of Love hides rather the pursuit of truth and knowledge.

    How is it that a thirteenth-century Sufi master, like  Rumi should become the darling of the West and Amazon Kindle books, in times with interest in neither poetry nor spiritual discipline?  His works include a massive collection of lyric poems (ghazels and rubaiyat) as well as the six-volume Mathnawi, a collection of rhymed couplets that weaves together a rich fabric of stories, humor, and spiritual teaching. In our Western literary tradition and empty churches we have lost this union of the sensual and the spiritual. Our own cultural history has discarded: religion and literature. The Sufis, especially, were neither puritanical nor sensual indulgent. In Rumi we have a model of the potential harmony between the physical and the spiritual, the animus and the anima, the Ego and the Self, the human and the Divine.  Two examples from Essential Rumi by Coleman Barks

    When I am with you, we stay up all night,
    When you’re not here, I can’t get to sleep.
    Praise God for these two insomnias!
    And the difference between them.

    And an excerpt …

    Could this be our real master?

    The lover is forever like a drunkard whose secrets spill out,forever mad, frenzied, and in love.
    To be self-conscious is to worry about everything, but once drunk, what will be will be.
     
    If you desire the self, get out of the self.
    Leave the shallow stream behind and flow into the river deep and wide.
    Don’t be an ox pulling the wheel of the plow, turn with the stars that wheel above you.

    Sufism and psychology

    Source: Khalil Andani’s Concept of Tawhid in the Isma’ili & Sufi Thought
    Source: Khalil Andani’s Concept of Tawhid in the Isma’ili & Sufi Thought

    In Arabic, the words for ‘eye, ‘fountain’, and ‘self or identity (Self or Ego)’ all emerge from the same root.The specialty of having the same consonance for different words has given poets many opportunities for connections and word play, and Ibn ‘Arabi made masterly use of it.Gardens of paradise are beautiful metaphors for the heart; its center being this spring, which waters and vivifies all in the garden. Spreading out from this centre, according to this cosmological diagram (from Miguel Asin Palacios’ 1931 book on Ibn ‘Arabi  – El Islam cristianizado)  he compares the Ibn ‘Arabi’s vision of paradise to that of Dante: Self and Ego arr central concepts.

    Every discipline – temporal or spriritual –  in the world has among its practitioners, those who engage the faith beyond the common boundaries of doctrine and dogma, seeking an unmediated relationship with reality and selfrealization. Sufism, as can be discerned from the writings of Ibn’ Arabi and Jelaluddin Rumi, can be discussed in the terms offered by C.G. Jung in his theories of the structures and functions of the human psyche. In Jung’s terms, Sufism can be seen as an example of how a healthy, integrated psyche might function, and what a living mythology might look like. Sufism as a psychological system has postulated the discoveries of Freud or C.G.Jung centuries before: the Sufi sheikh Ghasali wrote down the sexual knowledge of Freud around 1200 AD and C. G. Jung’s findings on psychological archetypes and the collective unconscious were formulated by the Sufi Master Ibn Arabi. C.G. Jung might have known that  therefore and wrote: „What we hold for a specifically western invention, namely the psychoanalysis and those of her outgoing suggestions, it is a beginner’s attempt in comparison to that what is old-skilled art in the east.“  He meant the Far East, but also the Middle East as he was well aware of the findings of the Nag Hammadi library (famous for the “fifth” Gospel of Thomas favored by the Sufis). C. G. Jung has shown a pronounced and informed interest in Gnosticism an Middle Eastern knowledge.  Sufism emphasises on the knowledge of transcendence arrived at by way of interior, intuitive means as Jung’s individuation. The importance of the Nag Hammadi library, discovered in upper Egypt in 1945, was pointed out by C.G. Jung. His Book “Antwort auf Hiob” (Answer to Job) is a downright  answer to the Bible´, but in accordance of Sufism’s answer to rigid religions.  In the light of such recognitions, one may ask: “Is Sufism a religion or a psychology?” The answer is that it may very-well be both, just like Jung’s thought may be interpreted religiously. One of the aeonial beings who bears the name Sophia (“Wisdom”), referred to by C.G. Jung many times,  is of great importance to the Gnostic world view and resembles closely the story of the human psyche that loses its connection with the collective unconscious and needs to be rescued by the Self. Analogies of this sort exist in great profusion.

    Sufism and syncretic Gnosticism

    Myth of the Baphomet derived from its usage in Provence the centre of the Cathar Church in France,
    Myth of the Baphomet derived from its usage in Provence the centre of the Cathar Church in France,

    We do not know for sure, why has Sufism so much common with Gnosticism. The reason is maybe, that both of these systems implanted their mystical ways, in the prophetic religion (Judaism,Christianity or Islam,) or in a deeper sense how to individually unite with God. We can also admit that the Gnostic Christianity could have influenced the early stage of Islam, particularly Arianism.

    The Sufi and also Gnostic view on the created world is sometimes very negative.“The world is a dunghill, and a gathering place of dogs; and meaner than a dog is that person who does not stay away from it.”  Sufi could not participate in secular affairs and he must know, that world is a merely an illusion. Even Jesus (highly considered by Sufis) said in the Gnostic Gospel of Thomas: “Whoever has cometo understand the world has found (only) a corpse, and whoever has found a corpse is superior to the world.”  We can clearly say that Gnostics and Sufis are not interested in the world or they despise it. Not only, the world is seen in the negative light, but also the work of the heavens and the time. According to the Gnostics, the mundane world is influenced and ruled by the lower heavens – seven spheres with one planetary ruler( archon).
    Gnosticism From ancient Oriental religion? Zoroastrian, Mesopotamian, Indian? From heterodox Judaism? Apocalyptic, mystical? From heterodox Christianity? From late Hellenistic philosophy? Neoplatonism?
    Gnosticism
    From ancient Oriental religion?
    Zoroastrian, Mesopotamian, Indian?
    From heterodox Judaism?
    Apocalyptic, mystical?
    From heterodox Christianity?
    From late Hellenistic philosophy?
    Neoplatonism?

    While Sufi teachings have been influenced by various religions, their practices also bear close similarities to those of Hinduism and other mystical religions of the East. The Sufi orders are led by shaikhs, who play the same role as Hindu gurus.  Most Sufi orders still consider the five pillars of Islam to be essential, and practice them piously, however, they go far beyond this, aiming to spiritual awakening. Central to all of these practices are ritual “invocations of the Divine Name,” also known as dhikr, which can be done either silently or in a chant. Here similarities with Hindu mantras are unmistakable.  The evidence of Sufi borrowings from other Eastern religions such as Hinduism and Zoroastrianism is certain. The similarities in teachings and ritual are overwhelming. It is no surprise then that the goals of Sufism reflect their pantheism and monism.  Of course it is one of the characteristics of living traditions that they are ultimately oral. The spark that kindles the enlightenment is rarely captured on paper: it shifts its emphasis and context with the times and the individual. In matters of the heart and soul, it is the experience of love or of the Self that resonates – not dogmas or theories. This aspect of Sufism is the hardest to convey: In Sufism, great importance is given to the complete human being, the one who is considered activated. It is through the guidance of such a human being that the inner process unfolds. Any particular beliefs in dogmas dissolve as the complete one assists the seeker to fall fully into his or her relationship with God and to recognize the importance of that essential experience.

    The socially approved knowledge of argumentation is not valid  – unless we have found it out ourself. The Sufi calls all things meaningless, if they are old or new, big or small, important or insignificant, because all things are separated in reality forms one and not. All things („the evident“) are merely bridges to the true reality. Rituals, symbols are representatives, are to reflexion of an internal truth they can be exterior dead and stereotyped; but they show that who can see a way to the internal truth. There is no external sign (like the Christians Cross or the Crescent of Islam) from which one could say this symbolises the Sufi being. Sufis use the most different symbols, quite knowingly that these are just represented phenomena.

    Sufism and female archetypes

    Fatimah – the primordial woman

    Fatimah Zehra wife of Ali
    Fatimah Zehra wife of Ali

    Fatimah, beloved daughter of the Prophet Muhammad, is the most prominent female in the Islamic tradition. Islam is aniconic. In other words, images, effigies, or idols her are not allowed, although verbal depiction is elaborate. She is regarded as a  primordial woman, a symbol of divine womanhood giving her many holy names. Shias revere the person of Fatimah, mother of the line of inspired imams who embodied the divine truth for their generation. She was the wife of the fourth Caliph, wife of Ali, mother of Hasan and Hussein and defended Ali’s cause, fiercely opposed the election of Abu Bakr. Fatimah is often associated with Sophia, the divine wisdom, which gives birth to all knowledge of God. She has thus become another symbolic equivalent of the Great Mother. When Fatimah,  enters the throne all 124,000 Prophets stand in respect. Around the world men and women of Islam and Sufism look to Fatimah for comfort and inspiration. Because of her special beingness of personality and beyond, Fatimah is considered by many Muslims as divine in origin and several variations of a major hadith describe how she was conceived on the night of Mi’raj (ascension).

    I heard the Apostle of Allah say, ‘I am a tree, Fatimah is its trunk and Ali is its pollen. Hassan and Hussein are its fruits, and our followers are its leaves. The roots of the tree are in the Garden of Eden, and its trunk, fruits and leaves are in Paradise.’ – Sacred tradition of Islam on the authority of ‘Abdu ‘r-Rahman ibn ‘Awf’

    Fatimah tul Zehra (Fatimah the Radiant, Fatimah the Brightest Star, Fatimah-Star of Venus, Fatimah-The Evening Star), the daughter of the Prophet, is the secret in Sufism. She is the Hujjat of ‘Ali. In other words, she establishes the esoteric sense of his knowledge and guides those who attain to it. Through her perfume, we breathe paradise. Though she was his daughter, the Prophet Muhammad called her Um Abi’ha (mother of her father). While Fatimah Zehra was Muhammad’s daughter, the Rasulallah (Prophet of God – Muhammad) understood that his gnosis was bestowed upon him from the Divine Feminine.

    In his allegorical book Herrman Hesse’s  “The Journey to the East” searches for a mystical woman named Fatima. Given that this is the author of Siddhartha, one might suppose that the league represents a group of individuals in search of eastern mysticism. The book has clear spiritual overtones.

    Sophia – Sufism’s goddess of wisdom

    At the very core of Sufism there is a vision of the gnostic Sophia. The philosopher Muid ad-Din ibn al-Arabi (1165-1240) saw a young girl in Mecca surrounded by light and realised that, for him, she was an incarnation of the divine Sophia. She is part of many mystical and religious currents and mentioned often by the psychoanalyst C.G. Jung.

    • Torah/Old Testament: Sophia is the Greek word for wisdom which is a “she” who personifies integrity, honesty, clear perception, the power by which kings and princes rule, and the creative power present with Yahweh at creation. (see also C. G. Jung’s Answer to Job about the “anamnesis of Sophia” referring to the recollection of God of Wisdom.)
    • Ancient Wisdom Goddesses: Isis as the “Black One.”
    • Iranian Sufism: Sophia is Perfect Nature, the object of ecstatic ideation, which was described in an 11th century text as “the philosopher’s angel.” (Cf. H. Corbin, Man of Light in Iranian Sufism.)
    • Gnosticism: Two Sophias, higher and lower: Ogdoad and Sophia Achamoth, the generative wisdom of the world. (Cf. also “The Thunder Perfect Mind” in Nag Hammadi Library.)
    • Alchemy: Sapientia (Latin for Sophia, Wisdom). Moon, tree, ogdoad, alchemical salt. (Cf. Jung’s writings on alchemy.)
    • Christian Black Madonnas in churches throughout Europe: may represent Sophia (often likened to Mary Magdalene) in exile, blackened by association with either the sun, solar principle, or the earth, as in alchemy, black earth.
    • Western mystical /philosophical/ humanistic tradition: Dante, Boethius, Johann Wolfgang von Goethe, Rudolph Steiner . . .
    • Nietzsche: “Supposing truth is a woman . . .” (Beyond Good and Evil)
    • Jungian psychology:  anima development in male psychology; individuation concept.
    Sophia__Wisdom
    Sophia__Wisdom

    Sophia (Greek for “wisdom”) comes from Hellenistic philosophy (Platonism) and is important in Gnosticism, Orthodox Christianity and Christian mysticism. Sophia is honored as a goddess of wisdom by Gnostics, as well as by some Neopagan, New Age, and feminist-inspired Goddess spirituality groups. In Orthodox and Roman Catholic Christianity, Hagia Sophia (Holy Wisdom), is an expression of understanding for the second person of the Holy Trinity  as seen in the Book of Proverbs 9:1, but not a goddess.

    The earliest Gnostic forms of Sophia emphasized her power and influence on earth and in the human psyche.  In the ancient text of Hypostasis of the Archons, found at Nag Hammadi, it is written that Sophia preexisted and gave birth to the male godhead. She chastises his arrogance when he says there is no other god before him. She claims her spiritual authority. She says “you are wrong, Samuel” (meaning Lord of the blind) and stretches forth her finger to send light into matter. She then follows the light down into the region of “Chaos.”

    This power of Sophia within the earth realm was seen in early visions:  “I am nature, the universal mother, mistress of all the elements, primordial child of time, sovereign of all things spiritual, queen of the dead, queen of the immortals, My nod governs the shining heights of heaven, the wholesome sea breezes, the lamentable silences of the world below. I know the cycles of growth and decay.”  

    Black_Madonna_of_Einsiedeln
    Black_Madonna_of_Einsiedeln

    Certainly Sophia has been derived by the Great Mother(s) from whom all life arises and is sustained. The Great Mother was worshipped from 25,000 to 5,000 BC. Themes of the intertwining of nature and spirit, and the paradox of life and death are everywhere in images of the Great Feminine.  Muid ad-Din ibn al-Arabi  believed that women were the most potent icons of the sacred, because they inspired a love in men, which must ultimately be directed to God, the only true object of love. Ibn al-Arabi argued that humans have a duty to create theophanies for themselves, by means of the creative imagination that pierces the imperfect exterior of mundane reality and glimpses the divine within.

    The faculty of imagination is commonly associated with the Divine Feminine. The Sufi poetry teaches the feminine qualities of joy, love, tenderness and self sacrifice on a path of true knowledge derived from the spiritual heart. The spiritual rebirth of the individual is not unlike the trial and tribulation of physical childbirth, according to the Sufis. They take the principle of divine love and use it to facilitate the process of alchemical transformation from mundane human to spiritual being. Sophia is the mystical companion, which belongs to no race or religion exclusivly: ‘My place is the placeless, my trace is the traceless. ‘Tis neither body, nor soul, for I belong to the Soul of the Beloved.’40 Certainly, the Divine Feminine is so marginalized in Islam, that one might be forgiven for believing it to be totally absent.Both Mary and Fatimah are reverenced within esoteric Islam, for they are both mothers of the Logos, the Word. Fatimah inherits the role of Spenta Armaiti, within Shi’ism, for she is the mother of a lineage of imams. She is seen as symbolic of the ‘supracelestial earth.’  She is considered to be the source of the imam’s wisdom because she is lawh mahfuz or ‘the hidden tablet; upon which God has written.’  One of her titles in Ismaeli Shi’ism is Fatimah Fatir, or Fatimah the Creator, which recalls the Sophia Ergane of Proverbs.The nature of both the Black Goddess and Sophia are brought out in Islam. The exoteric fulminations about women, so similar to those found in Christianity and Judaism are, of course, negative polarizations of the devouring Goddess, yet this exists side by side with the positive image of the Ka’ba, Islam’s Black Madonna, preserves the veiled tradition of Sufism.

    The Peacock Angel and Sufi’s Iblis

    PeacockAngel
    PeacockAngel

    Considered a mystery by Orientalists, the Cult of the Snake and Peacock in Iraq was founded on the teaching of a Sufi Sheikh, Adi, son of Musafir, in the twelfth century, although they date their origin back 6,000 years or more.The Yezidi faith is syncretic and combines elements of Judaism, Christianity, Sufism, Manichaeism and the Persian Zoroastrianism faith in parallel and selectively.
    In Arabic, ‘Peacock’ also stands for ‘adornment’; while ‘Snake’ has the same letter-form as ‘organism’ and ‘life’. Hence the symbolism of the cryptic Peacock Angel Cult—the Yezidis—is a way of indicating ‘The Interior and the External’, traditional Sufi formula. The Cult has adherents in the West, but was largely unknown,  before CNN put the spotlight on them, because of their recent persecution (together with the Christians).

    In the Gnostic tradition (in which both Yezidi and Sufism have some roots), the Peacock Angel is analogous to the first son of the Goddess Sophia, who in the process of creating and governing the universe divided herself into seven rays or “sons.” Her seven sons were coeval with and governed one of the seven colors, tones, planets, etc. The  peacock was the first form of the Supreme God and one of the Seven Great Angels, named Tawsi Melek or Melek Tawus (the Ildabaoth of the Gnostic’s).

    Aroused snake by the entrance to a Yezidee-temple. It is blackened by soot.
    Aroused snake by the entrance to a Yezidee-temple. It is blackened by soot.

    However the Angel’ other name — Shaytan — means “devil” not only in Arabic, even in German Scheitan means Satan. Therefore Yezidi, have often seen as Devil worshippers, also through the manifestation the Peacock Angel as as a snake. This is analogous with the gnostic understanding of the Serpent on the Tree in the Garden of Eden –  interpreted in Christianity as Satan. Furthermore, because to the connection to the Sufi Iblis tradition, some equate the Peacock Angel with their own unredeemed evil spirit Satan. Iblis is a supernatural being — either a fallen angel or a diabolical fiery creature known as a jinn. In his disobedience against God and his role as tempter of mankind, again resembling the rebellious Satan in the Christian tradition. In fact, they are more remnant of pre Christian religion: the peacock angel being the mysterious Phoenix. The picture above shows an aroused snake by the entrance to a Yezidee-temple. It is blackened by soot. Yezidees (today almost a million believers) think, that in the last judgement the devil will be reconciled with God, and even play an important role in the final judgement of man.

    Mary – Sufism’s divine mother

    Holy Mary
    Mary – Divine Mother                       Maria-Hilf-Kirche. Murnau was the chosen residence of the famous painters – Blaue Reiter

    Mary, mother of Christ, is regarded as the most marvelous of all women, a high adept and living example of the pure and holy life. Later commentaries describe Mary as an intervening force between God and humanity. When Muhammad retook Mecca, he removed many frescoes and images from Kaaba, that he considered inauspicious but he specifically left on the walls a fresco of the Virgin Mary and her child.
    In one of the most powerful Hadiths ( prophetic sayings of Muhammad) it is reported that Muhammad said, “Paradise is at the feet of the Mother”. Muhammad was escorted by the archangel Gabriel (a masculine force) but the vehicle upon which he rode was the Buraq, a white horse with wings and the face of a woman, clearly suggesting a symbol Goddess or Divine Mother.

    A Sufi Ode to the Divine Mother

    On the face of the earth there is no one more beautiful than You
    Wherever I go I wear your image in my heart
    Whenever I fall in a despondent mood I remember your image
    And my spirit rises a thousand fold
    Your advent is the blossom time of the Universe
    O Mother you have showered your choicest blessings upon me
    Also remember me on the Day of Judgement
    I don’t know if I will go to heaven or hell
    But wherever I go, please always abide in me.

    While Sophia has noteworthy archetypal qualities, she lacks in some of the most virtuous aspects. Within the areas they lack in virtue and morality, the Virgin Mary, who is from Christian religions, make up for them. The Virgin Mary is the mother of Jesus, the Son of God. Mary is not the wife of God though. She was chosen by God to give birth to Jesus. “And behold, you will conceive in your womb and bring forth a Son, and shall call His name Jesus” (Luke 1:31). Mary represents everything good in the world. She has never been touched and is clean and pure. The Virgin Mary represents the woman that man wants. “She will conceive…a Son”. Mary is the subservient to man. She is not represented with any symbols, excepts for her pureness. She does not have any mystical powers, except for her conception of child without sex. The Virgin Mary is represented as a woman that has been graciously touched by God himself, and gives birth to the Messiah, Jesus Christ. Yet she is still a “handmaid of the lord”(Luke 1:38). The church, the creator of this story, was apparently concerned with the idolization of the Virgin Mary and wrote:

    God came down from heaven, the Word clothed Himself with flesh from a holy Virgin, not, assuredly, that the Virgin should be adored, nor to make her God, nor that we should offer sacrifice to her name, nor that, now after so many generations, women should once again be appointed priests…Let no one adore Mary. (Epiphanius 49)

    Here we can see man coming into the monotheism, where Christian belief is today. The Virgin Mary does represent a mother archetype, although it is not as prevalent as Demeter and Isis. Mary’s character is more housed, in a way that can be controlled and can be put into guidelines. Just as times before, man wants what he can not have. In Mary’s case, the forever virgin.
    Man needs to realize that men and women are different, and each has wonderful traits. Though many of these archetypes are brought on by the unconscious mind, which is the portion of one’s psyche which is outside of awareness, those thoughts should be left at the realization that they are thoughts. These goddess or mother archetypes are brought into our societies to teach man and woman the values in each other. To restore balance in one’s lives. Demeter, she helped to explain strange occurrences in Greece as well as reveal the importance of woman’s traits to give life. Isis, she kept the Egyptian nation strong and united during her reign by being everything at once. Mary, she has had mercy brought into the Christian beliefs against the sometimes stern male God. All three characters are important throughout history, and have managed to keep their legends alive.

    Conclusion

    The West is, as Herrman Hesses wrote 1920 in “The Longing of Our Time for a Worldview”.  We, in the West, “understand” Sufism, like the group of blind men (or men in the dark) who touch an elephant to learn what it is like. Each one feels a different part, but only one part, such as the side or the tusk. They then compare notes and learn that they are in complete disagreement. Some see Sufism as Neo-platonic, some connected with Manicheanism, some see Sufism as heretic Christianity and others as Persian sect (the latter three all may be interpreted as Gnosticism).  To me, Idries Shah’s presentation of Sufism as a form of timeless wisdom, that predated Islam makes sense. Sufis are connected with sacred sex and the movement of troubadours; quite a few important Sufi scholars were women. Sufism has often called the concept and denomination to love. Clearly the role of the Divine Feminine,  its principle has been described and explored at length in the tradition of Sufism. Sufism emphasizes passionate, mystical and individual adoration of God. Many Sufis (and other mystics in other religions) seek a spiritual union between themselves and the divine principle not unlike that between a child (the Sufi) and his mother (God) or a bride (Sufi) and the husband (God).

    Bibliography

    • Idries Shah The Sufis 1964, Translated 1980 „Die Sufis“, Diederich’s Gelbe Reihe
    • West-östlicher Divan. In: Project Gutenberg.
    • Philip Jenkins  Baylor University, History of Christianity: The Thousand-Year Golden Age of the Church in the Middle East, Africa, and Asia — and How It Died
    • “The Other God”.  Yuri Soyanov, Yale University Press, 2000
    • neo-sufism-the-case-of-idries-shah-reprint
    • Women and Sufism, by Camille Adams Helminski
    • Ibn ‘Arabi, SELECTED POEMS
    • KABIR HELMINSKI, THE POCKET RUMI 2011 Shambhala Publication
    • Mystische Dimensionen des Islam, Annemarie Simmel 3rd Edition, Munich 1995
    • CW9(i) = Jung, C.G. The Collected Works of C.G. Jung, Vol.9, Part I, The Archetypes of the Collective Unconscious  Zürich 1951, Rascher
    • CW9(ii) = Jung, C.G. The Collected Works of C.G. Jung, Vol.9, Part II, Aion Zürich 1951, Rascher
    • Jacobi, J. The Psychology of C.G. Jung.  Zürich 1961
    • Jung, C.G. Memories, Dreams, Reflections, London: Harper Collins, 1995, PG213.
    • The Yezidis http://www.yeziditruth.org/

    Appendix

    I encountered this fairly good paper and Hesses essay after I finished my article, which also investigated the fact that spiritual Sufi training is very similar to the process of Individuation.

    Spiritual Sufi Training is a Process of Individuation Leading Into the Infinite

    This paper was presented to the VIII International Conference of the International Transpersonal Association at Davos, Switzerland, Sept 1st, 1983, by Irina Tweedie

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