Category: Philosophy

  • Jungian Archetype of the wolf – gods and godnesses, warriors and mothers, demons and outlaws, evil and uebermensch

    Jungian Archetype of the wolf – gods and godnesses, warriors and mothers, demons and outlaws, evil and uebermensch

    It became clear during my research of Jungian Archetype of the wolf, that in mythology, religion, in legends and fairy tales the wolf has played an outstanding ambiguous, dualist and multidimensional role. The wolf archetype is so  central,  that how the wolf is viewed, indicates the mindset of the human,  secular or spiritual organisations of the society we live in.

    In a few weeks, there is Whitsun, and I will make one of my occasional trips to the monastery. Writing this article was a preparation to the theme and will be updated afterwards The rock monastery St. George is a development center of the Benedictine  order in the Austrian Inn valley. From the monastery to the St. George mountain (Karwendel) on foot takes approximately one  hour. The religious exercise will be lead by a Benedictine monk, who happens to have formal psychoanalytic credentials and introduced the theme “The archetype of the wolf” for what to my understanding is a spiritual hiking weekend.

    st_georgenberg_stift_fiecht

    But there is much  more. Joland Jacobi, a close assicate of C.G. Jung mentiones the archetype of the wolf a few times in her book “Complex, Archetypes, Symbol in the Psychology of C.G. Jung”, Bollingen Series Princton University Press, 1957. Joland Jacobi writes, “being devoured or swallowed is also a widespread archetypal motif… the wolf that devours the kid”….  [page 155, 181,185].  C:G: Jung writes numerious times about Wotan, who was eaten at Ragnarok  by the giant wolf Fenrir and then avenged by his son Vidar e.g. “Four Archetypes Mother, Rebirth, Spirit, Trickster”, Routledge and Paul, 1957.  In the the same book, C-G. Jung writes about the wolves about the German fairytale, in which the wolf gives the hero a magic gift of his hairs (page 109) .

    Historical encounter between man and wolf

    You may refer my recent article “The Wolf as an Jungian Archetype Vessel” which argues that the wolf is one of the most persistent and structurally overdetermined animal-symbols in human civilization because the historical encounter between man and wolf unfolded simultaneously on three inseparable levels: biological rivalry, social mirroring, and archetypal projection. The wolf therefore persists not merely as zoological memory nor merely as mythological ornament, but as a privileged symbolic convergence point through which deep psycho-biological structures become visible in religion, myth, dream, political imagination, and collective anxiety. In his book Of Wolves and Men, Barry Lopez argues from a naturalist view similarly that traditional hunting cultures suggest deep behavioral analogies achieved through a respectful, reciprocal relationship. These societies and wolves viewed the hunt as a sacred covenant requiring humility, dignity in the ‘conversation of death’ and hunting skills. Barry Lopez shares a Nunamiut elder’s insight that a old man and an old wolf possess identical knowledge of the land and hunting: “After a pause the old man looks up and says: The same. They know the same.“

    The wolf reminded men to their domestication and their inner struggle with it. The wolf became also an image of remaining wild and sexuality, in a Jungian sense became men’s Shadow of undesired and unwanted. Those of us with Western background, do often not realize the depths and subtle (subtile) differences and similarity of Pagan German or Norse,  Eastern or Native American stories. Especially wolf stories examine reincarnation, spiritual energy, gift exchange, the vitality of the body, and the spirit of the soul. In the old worldview everything is in flux and begins, balances out from, and ends with polarities akin to yin and yang. Even the gods are subject to this, undergo transformation, and often pay for what they gain with a corresponding loss. For indigenous people – including the indigenous Celts and Germanic – religion as such did not exist. Native views of spirituality wed it to time and place, land and sea and sky. Our forebears lived side by side with the wolves in an inspirited world, and that world abides, as do its instinctive, but sacred dimensions:

    Axe-time, sword-time, shields are sundered,

    Wind-time, wolf-time, ere the world falls;

    Nor ever shall men each other spare….

    Now do I see the earth anew

    Rise all green from the waves again…

    Myth wolf – gods, goddesses, demons and outlaws

    Wolves make quick decisions, often need to trust their own instincts and  make firm emotional attachments. They teach us to do the same, to trust our instincts and intuitions, and have control over our own lives.  At some point in psychological development, most people struggle with the transformation of spiritual and physical aspects of their being. In many stories, the wolf was described as wild, tearing, biting, grim and bloodthirsty. The image of the wolf has been used to represent all those aspects.  From where does the primeval fear and awe of the wolf originate?

    Jungian Archetype of the wolf
    The Dark Wolf Outlaw

    Demons: In the Edda, the ancient Icelandic sagas, the wolf was a symbol for demonic powers: Odin, the God of war and death was accompanied by two wolves. The mythical wolf  Fenrir, a son of the fire god Loki and the giant Angrboda was stronger than gods. In Indian mythology, the wolf is described as demonic. Furthermore, the wolf is portrayed as thievish, deceptive and false. In India, the demons were named after the wolf. In Christianity the wolf was even equated with the devil: Jesus Christ advised against false prophets dressed in sheep’s clothing which in fact were wolves. Numerous myths from Eastern Europe, Russia and Scandinavia tell about the creation of the wolf by the devil. During the creation of the wolf, the devil relied on the help of God and it was God’s will that the wolf kills sheep and goats.

    Gods: Many different cultures worshiped the wolf. For the Egyptians the wolf symbolized the god of the empire of the dead. For the Romans the wolf was the symbol for Mars, the God of war. The combination of the wolf with war was not meant to be negative but, instead, correlated it to the glorious death of a warrior or emperor. Furthermore, the fighting heroes were compared with furious wolves.

    Positive Male power: The combination of the wolf with war was not meant to be negative but, instead, correlated it to the glorious death of a warrior or emperor. Furthermore, the fighting heroes were compared with furious wolves. The wolf is also worshiped as the protector of human beings. The wolf was either seen as a fierce guardian or caring provider. The wolf is very often also associated with war and strength. In both German and Norse mythology, wolf was a symbol of chaos, destruction and death. Wolves are seen as teachers of hard, but necessary lessons. The wolf is also a symbol of guardianship, ritual, loyalty, and spirit.

    Positive female power: Many different cultures worshiped the nurturing she-wolf as symbol of fertility.. The most famous myth is Romulus and Remus, the founders of the city of Rome, who were abandoned as small children. A wolf found them and raised them as her own cubs. In other contexts, the wolf also was honored as a  symbol of motherly sacrifice and fertility. The frequent connection between goddess figures and totemic wolves may be taken as another indication of the great role of wolves in primitive matriarchal societies and shamanic religions.

    Fenir

    Negative untamed power: People from many cultures and traditions have interpreted the wolf as representing the untamed (unconscious). The word wolf is widely common in the Indo-European roots of language and often not only stands for the animal, but describes in the old Germanic languages the bandit, murderer, slayer, defied criminal, evil ghost or supernatural beast.

    The Wolf in the wild

    The basic social unit of wolf populations is the pack. Packs usually consist of between five and eight members, up  thirty wolves or more  depending of the size of the prey being hunted.  Wolves generally establish territories ranging from forty to more than four hundred square miles in some cases. They define their ranges with scent markings and such vocalizations as growls, barks, and the legendary howl and will defend this area against intruders. A wolf pack is typically a family unit, consisting of the adult pair, their cubs and yearlings – two generations offspring. Wolf packs rarely accept unfamiliar adult wolves, often chasing or killing intruders to protect their territory. However, they are unique in their natural willingness to adopt unrelated orphaned pups. Members of the pack form strong social bonds that promote internal cohesion. Order is maintained by a dominance hierarchy. The alpha couple, more often the male sometimes the she-wolf depending on prey and situation, initiate pack activity and lead the group on hunts. During a hunt, they will guide the pack’s movements and assume control at critical moments. Communication is especially important for wolves, where coordinating, cooperating, and reinforcing bonds and status are necessary. Within a family of wolves, communication helps maintain social stability and solidarity. Communication among wolves is particularly complex and use a range of vocalizations to “talk”, body language and scent. The “wolf” talk conducted by the  dominate male keeps the family pack together and working as a group. Research at wolves in captivity are not transferable in the wild, because here wolves of different origin or family groups were locked together.

    Wolf family the-alpha-wolf-couplef-amily-the-yearling-missing
    Wolf family the-alpha-wolf-couplef-amily-the-yearling-missing

    Wolves and humans were always fellow hunters, rivals, and sometimes enemies, perhaps because they were so similar to humans in many ways as mentioned before. Wolves have a strong social nature and are, like humans  organized as a family tribe.  In any case, through gestures and body movement, they communicate their feelings. Wolves like to howl as a pack for several reasons. It may be to encourage their closeness, to celebrate a successful hunt, and to tell other packs to keep away. The dispersed wolf, a younger male or female, is usually in search of his own territory and a mate. He will skirt the territories of others, but rarely howl. Leaving the pack allows for the sexually mature young wolves to begin the cycle of life by finding a mate, and starting their own family. This coined the misleading term ‘lone wolf’, they exist, but as exception.

    Until today, the wolf evokes fear. Yet the wolf is not dangerous monstrosity, but rather an intelligent carnivore with a distinct social behavior. Anybody who “owns” a good hunting dog, observes that good dogs, good leaders and good men in general share some attribute of a wolf. The life of a man and a wolf did not differ very much a few thousand years ago: Both were either successful hunters or perished – as simple as that. During those early years of mankind wolves were always competitors with humans for the same prey species. Yet the competition between them increased when men settled 10,000 years ago and began agriculture and cattle-raising. The farm animals  were for wolves easy prey, and many sheep or goats fell victim to  them. The wolf became the hateful animal, which threatened the livelihood or at least property of the man.  Even as backpacker I was more afraid of a wolf(s) pack than of a brown bear.

    Archetypal significance of the Wolf

    StrongMessagOfArchetypes
    Wolf Archetype: Dual Archetypes – conflicting messages

    No matter how polite, on the question how well advertising works, a marketer said once: One must know and find archetypal images and connect them with the products of the market. So the message becomes strong and the desired behavior tendency is more easily constructed. One finds few wolves in advertizing, since the archetypal significance of the wolf symbolizes evil as well as positive and spiritual aspects. As shown before, you do see the claimed by ideologies and religions.  The wolf  represents as noted before, and like the picture on the left an integration of opposites. It has always carried a sense of contradiction: a wild and fearful animal, that can represent death and evil; but at the same time a companion to the goddess Artemis and the norse god, Odin. Theis dual imago of the wolf is also represented by the contrast between its masculine and feminine nature. The masculine nature of the wolf is depicted by many cultures as the protector and warrior. The feminine nature is symbolized as the  she-wolf form nurturing the twins, Romulus and Remus, or in the Irish myth of Cormac, or Kaspar Hauser who were suckled by wolves. Interesting enough, Christianity enforced and broke this dualism in early Biblical sources presenting a contrast between the wolf symbolizing bloodshed and destruction versus the symbol of the wolf and the lamb lying down together representing peace and the coming Messianic rule. The middle ages also presented this contrast between the image of the wolf as devil, versus the wolf as an “emblem of Saint Francis of Assisi who tamed the wolf”.

    C.G. Jung’s basic archetypes and the Wolf

    BasicArchetypesWolf
    BasicArchetypesWolf

    Jung developed an understanding of archetypes as being “ancient or archaic images, that derive from the collective unconscious”. There are many different archetypes, and Jung has stated they are limitless, but they have basic  examples in very person  include the ‘persona’, the ‘shadow’, the ‘anima’, the ‘animus’,  and the Self.   Four more archetypes are prominently mentioned by C.G. Jung; ‘great mother’, the ‘trickster’, the archetype of transformation and  the ‘hero”.  It is interesting, that the wolf can represent them all.

    Jung proposed, that the archetype had a dual nature: it exists both in the psyche and in the world at large. He suggested also, that not only do the archetypal structures govern the behaviour of all living organisms, but that they were  controlling the behaviour of inorganic matter as well. The archetype was not merely a psychic entity, but more fundamentally, a bridge to matter in gnostic entities in occult tradition are known as aeons. The Germanic Wotan (Norse Odin) is such an aeon described by Jung (who was very much drawn to Gnosis).

    In another Jung’s theory about Wotan, invoked in the Germans by Hitler’s disposition as a “seer”  drew a lot of political and academic fire. Interesting here is also, that Hitler, who was inseparable of Blondi, his wolf-hound chose a name for himself – Wolf. In Egyptian mythology a god, Upuaut was the scout, going out to clear routes for the army to proceed forward. One old inscription found  mentioned Upuaut “opens the way” to king Sekhemkhet’s victory. Over time, the connection to war, and thus to death, led to Upuaut also being seen as one who opened the ways to, and through, Duat, for the spirits of the dead.

    But back to my interpretation the basic sub-archetypes of the wolf:

    • The nurturing and protective wolf appearing as the great she-wolf who nursed Romulus and Remus (Mother, Anima).
    • The male wolf  initiated by society forces the young adult in becoming a good hunter (Warrior,Animus).
    • The guard  conducting souls through the gates, which had to be passed as in Egyptian mythology (Shadow).
    • The wolf in sheep’s clothing who attempts to hide its instinctive and wild self by developing a persona of meekness and innocence (Persona).
    • The howling wolf who has a voice to communicate with others and is reclaimed inner voice of the soul (Ego)
    • The wolf and lamb lying together, which represents inner peace  (Self).
    • The wolf who has accepted his (or her) role in life (Ego after individuation).

    C.G. Jung wrote little about  wolves as archetype directly but wrote extensively about fairy tales and myths in which the wolf often plays a major role. Four archetypes “per se”  are prominently mentioned by C.G. Jung; ‘great mother’, the ‘trickster’ , the archetype of rebirth (transformation) and  spirit, the wolf can represent them all and more. Many references to wolves and werewolves can be found in Jung’s Collected Works and separate publications.

    The Romolus myth is mentioned by Henderson in ” Der Mensch und seine Symbole, C.G. Jung, Jaffe  Olten 1968, as the fourth stage of the hero myth. In Bly’s  Iron John the wolf is represented by the wild man, the hunter and warrior.

    C.G. Jung’s archetypes of transformation and the Wolf

    The werewolf  as  bloodthirsty creature, once person, once wolf has been sold gladly by the  film industry in  “American Werewolf” or the classic silent movie Mr. Cecil and Hyde. During the Middle Ages, the belief was widely accepted, that men would transform into werewolves. The werewolf, a creature from the devil, obsessed, half human and half animal, roamed the streets at night and, “drank the still warm blood, gorged the bowels from its innocent victims during orgies of satanic cruelty”. The belief in werewolves already existed in the ancient world, but during the Middle Ages this belief grew to be much stronger. Mostly women and children became victims of werewolves, which, in reality were men, that felt and acted like wolves while under the influence of drugs and rituals. It was believed, that with the help of the Malleus Maleficarum (the hammer of the witches) in 1489, one could not only recognize witches, but also werewolves, which resulted in countless men being burned to death on bonfires as so-called werewolves. To contemporaries, it was clear, that one would turn into a werewolf through an evil spell or as a punishment for a serious sin.

    Wolf archetypes and pagan myths (Edda)

    edda

    There was even a  a monstrous wolf who was a major threat to the gods who appears in both the ‘Poetic (or Elder) Edda’ and the ‘Prose Edda’ written down in Iceland during the 13th from earlier traditional sources, reaching into the Viking Age. The name Fenrir means “from the swamp.” Also known as the Fenriswolf, he was the offspring of the trickster fire god Loki. In Norse mythology, Loki is a god or jötunn/Jætt or both. Some of the jötnar (a mythological of giants and giantesses) have hideous appearances – claws, fangs, and deformed features. Fenrir’s sister was the goddess Hel and his brother the evil serpent Jormungand.  The Vikings believed, that during Ragnarok, the battle that would take place at the end of the world. According to the myths, the evil Loki himself gave birth to Fenrir, after eating the heart of a giantess, the witch Angerbotha. After his birth, the gods received prophecies of disaster, but the gods could not kill Fenrir because it would have defiled their sanctuary. But they sought some way to tie up the beast, who grew noticeably larger each day. They attempted to restrain him, but after failed attempts they became even more afraid of the wolf’s power. Odin sent Skirnir, Frey’s messenger, down into the world of the dwarfs and had them fashion a magic restraint called Gleipnir, smooth and soft, like a silken ribbon. They called the wolf, showed him the silky band, and challenged him to test his strength again. Fenrir was suspicious because of the thinness of the band. The gods agreed to free him if he could not break out of the fetter himself. But Fenrir asked that, someone puts their hand into his mouth as a pledge, that the gods were acting in good faith. None of the gods was willing to take such a risk, knowing full well the deceit, but then Tyr stepped forward and put his right hand into the wolf’s mouth, making the sacrifice that would keep the gods safe. Fenrir was bound with Gleipnir, and he tried with all his might, but could not snap it. The gods laughed to see the wolf’s distress–except for Tyr, of course, his hand got bitten of at the wrist.   Fenrir continued to howl horribly, but would remain until Ragnarok, when the gods and the giants would fight to the death. By the time of Ragnarok, the wolf would have grown so large, that when he opened his mouth, his lower jaw would be against the Earth and his upper jaw would scrape heaven. Flames would burn from his eyes and nostrils. At Ragnarok, the wolf would break loose and join the giants and other monsters in all-out war with the gods. Fenrir would kill Odin by swallowing him. Odin’s son Vidar would then come forward avenging Odin and, killing the beast at last.

    Wolf archetypes – and the Egyptian Lord of the Necropolis

    wepwawet
    wepwawet

    In late Egyptian mythology, Wepwawet (also rendered Upuaut) was originally a war deity.  Wepwawet was called the son of Isis, and was one of several Egyptian deities to take the form of a canine, today identified as a wolf. Egyptologists now believe, that he was more likely associated with the jackal, though he is often depicted with a gray or white head. Wepwawet originally was seen as a wolf deity, thus the Greek name of Lycopolis, meaning city of wolves. Over time, the connection to war, and thus to death, led to Wepwawet also being seen as one who guarded the spirits of the dead. In later Egyptian art, Wepwawet was depicted as a wolf or a jackal, or as a man with the head of a wolf or a jackal.Reflecting his lupine origins, he was depicted dressed as a soldier, as well as carrying other military equipment – a mace and a bow.  With the rise of the solar cult, particularly during the 12th Dynasty, Osiris was limited to the underworld and the local god and Wepwawet  gained the titles, “Lord of Abydos” and Lord of the Necropolis”.  The god is well established in New Kingdom funerary texts such as the Book of Going Forth by Day, Book of the Dead, and the Amduat (Book of That Which Is in the Underworld). Wepwawet was also thought of as the messenger and champion of royalty  who accompanied the king while hunting as “the one with the sharp arrow who is more powerful than the gods.” Wepwawet  is not to be confused with Anubis.

    The story of Isis and Osiris is one of Egypt’s most ancient myths and base of the concept of death (and resurrection) which is so central to their religion.  Osiris, Isis, Seth and Nepthys and the elder Horus  were siblings born of Geb, the sky god, and Nut, the earth goddess, had five children. Osiris became king of Egypt, and he married his sister Isis. Seth was married loveless to Nepthys and always jealous of his oldest brother Osiris. On a feast of gods, he tricked Osiris into  a coffin and drowned him. To prevent Isis from bringing Osiris back to live he cut him into pieces and distributed them throughout Egypt. Isis, who had great magical powers, decided, to collect the pieces of her husband’s body and re-assembling them. Once she completed this task, she breathed the breath of life into his body and resurrected him.  Isis became pregnant soon after gave birth to the younger Horus, the hawk-god. The cult of Isis spread with Alexander the Great throughout Greece and became in Rome through Caligula a state religion. The image of Isis nursing the younger Horus found it way into Christianity, like the judgment after death and the hell and in Iris’ deed maybe even resurrection.

    While over the time all of the many gods only “survived” as incarnations of Re, who became the most powerful, almost panteistic sun god, Osiris was able to descend into the underworld, where he became the only lord of that domain. Here the first time in history the concept of the judgement after death was introduced. There were 42 sins, you could by guilt of. Ages ago, before the birth of Younger Horus, Wepwawet’d situated himself as the god of war, aiding his followers before, during, and even after a battle. But under these new circumstances Wepwawet petitioned Osiris these days for a new role.  The wolf-headed god was then assigned as guide to the dead leading the deceased through the Underworld (hence his name). Not long after Wepwawet appointed as guide did Osiris’ ability to communicate outside of the underworld began to wane. Wepwawet stepped in again and offered his help as a messenger (like the Greek Hermes and the Roman mercury). Some say Wepwawet’s still a scavenger at heart like his animal totem, groping for whatever task isn’t taken or is even partly available.

    Here a list of the most important and mentioned gods:

    • GEB: the earth-god; husband of Nut; member of the ennead of Heliopolis; represented as a man.
    • NUT: the sky-goddess, wife of Geb, the earth-god; represented as a woman, her naked body curved to form the arch of heaven.
    • HORUS: the falcon-deity, originally the sky-god, identified with the king during his lifetime; also regarded as the son of Osiris and Isis, for the former of whom he became the avenger; cult-centers in many places, e.g. Behdet in the Delta, Hierakonpolis and Edfu in Upper Egypt. See also, Haroeris, Harpocrates, Harsiesis, Re-Harakhty.
    • ISIS: the divine mother, wife of Osiris and mother of Horus; one of the four ‘protector’-goddesses, guarding coffins and Canopic jars; sister of Nephthys with whom she acted as a divine mourner for the dead; in the Late Period Philae was her principal cult-centre. I have written about Isis imported to Roman culture in “Isis, Mithras and Jesus”: Clash of male and female Archetypes in classical Rome.
    • SETH (SET, SUTEKH): the god of storms and violence; identified with many animals, including the pig, ass, okapi, and hippopotamus; represented as an animal of unidentified type; brother of Osiris and his murderer; the rival of Horus; equated by the Greeks with Typhon.
    • WEPWAWET (UPUAUT): the wolf god of Asyut in Middle Egypt; a god of the necropolis and an avenger of Osiris. Wepwawet (Upuaut, Wep-wawet, and Ophois) was an ancient canine god whose worship originated in Upper Egypt. He was one of the earliest of the gods to be worshipped at Abydos, possibly predating (and absorbing) that of Khentyamentiu (another god of the Abydos necropolis). Not to be mistaken  with Anubis, there is very little information about the family of Wepwawet, or parents, if he had any at all. He is sometimes the son of Set, or of Anubis.  Most of the time he is said to be a son of Isis, which may further relate him to Anubis. Or he could be another foster-son adopted by Isis.
    • ANUBIS: protector and son of Osiris and Nephthys.  As Osiris grew in popularity (absorbing both Khentyamentiu and Wepwawet) Anubis took on Wepwawet’s funerary role. During the New Kingdom his standard even preceded that of Osiris and the “procession of Wepwawet” initiated the mysteries of Osiris as a god of the dead.
    • NEPHTHYS is the river goddess and daughter of Nut.
    • AMUT, Ammut, or Ammit or Ahemait, is the crocodile goddess known as the “Devourer of the Dead”  assists Anubis with carrying out the Judgements
    • AMON- RE (RA), Amun-Ra and Akmun-Rah: the sun-god of Heliopolis; head of the great ennead, supreme judge; often linked with other gods aspiring to universality, e.g. Amen-Re, Sobk-Re; represented as falcon-headed. Re  is the god of the Sun and king of the gods until Osiris took over his throne.
    • OSIRIS (ASAR): the god of the underworld, identified as the dead king; also a god of the inundation and vegetation; represented as a mummified king; principal cult-center, Abydos.
    • ATON or ATEN is the new god of the sun, an incarnation of Re. It was a monotheistic supernova god in a cultural revolution lasting only on reign. I have written about Aton and Echnaton here.

    ATON was the (monotheistic / pantheistic) religious revolution during the period of Echnaton which wanted to suppress Amon, Osiris and Re (or assimilate him). Not only Amon was dismissed (whom all the kings of the New Empire had worshipped at Thebes), but all the other gods had gone.  Re became a spirit who returned life to each person after every incarnation and a new state religion, Aton (was Re) offered his mercy to all beings of every nation and color. There is a famous engraving of hands reaching to the sun representing an invitation of men towards the sky. Aton, the father of all the gods, also embodied them in his being, and became the one who could purify human beings, when they asked his aid to take them out of the darkness of their material life.

    Wolf archetypes and Christianity

    Wolf-in-sheeps-clothing

    Early Christianity on the European continent employed the wolf, too, but instead of a symbol of nurturing or supernatural transition, the wolf became associated with evil and damnation as the agrarian way of life grew. The Bible describes Jesus as the shepherd protecting his herd of sheep from the wolf (The Bible, John 10:12). This would imply an intrinsic belief of the wolf as a symbol of sin and prurient influence. In Isaiah verse 11:16 of the old testament states “The wolf also shall dwell with the lamb.” This phrase is thought of as a metaphor of coming together of both the upper and lower under the Christian god (Religion 431), a stark contrast in comparison to the previous example and a throwback to an earlier time when the wolf represented more positive ideas. Another very prevalent notion in both the old and new testaments of the Christian Bible, is the wolf a tool of Satan and his henchmen. Wolves in this context are thought of as ravening or stealing away the souls of men.

    There was an interesting sermon in St. Ottilien recently, talking about sheep. The Pater, a son of a veterinary, said he liked sheep, but to him they are dumb. When a wolf comes to them they cuddle together, neither fighting nor running away they when they get killed.  They are powerless victims. He  referred to the German philosopher Nietzsche, who divided us into masters and slaves, in those that are prey (sheep) and those that are predators (wolves). Nietzsche wrote psychologically and physically, this divides our  human species.  The master types live by strength, creativity, independence, assertiveness, and related traits. They respect power, courage, boldness, risk-taking, even recklessness. It is natural for them to follow their own path no matter what, to rebel against social pressure and conformity. The slave types live in conformity. They tend to passivity, dependence, meekness. It is natural for them to stick together for a sense of security, just as herd animals do. (Beyond Good and Evil 264).

    The Pater reminded also to the claim the God is dead – but countered it with the resurrection of Jesus. Now, Nietzsche says, what we take to be moral depends on our biological nature—and different biological natures dictate different moral codes:

    What will seem good to you as a sheep? Being able to graze peacefully, sticking close together with others just like you, being part of the herd and not straying off. What will seem bad to you? Well, wolves will seem bad, and anything wolf-like, predatory, aggressive. But what if you are a wolf? Then strength, viciousness, and contempt for the sheep will come naturally to you and seem good. There is nothing the wolves and the sheep can agree on morally—their natures are different, as are their needs and goals, as is what feels good to them. The same point holds for humans. The divide between strong and weak, assertive and timid, runs straight through the human species. Moral codes, Nietzsche is here suggesting, are part of a biological type’s life strategy of survival, and the more we look at the history of morality evolutionarily and biologically, the more we are struck by the diversity of circumstances and how dramatically beliefs about values have changed across time. (Beyond Good and Evil 199).

    This is precisely our key problem culturally, the pater argued. This world  shows, that we once prized excellence and power and looked down upon the humble and the lowly. Now the meek, the common man, the kindly neighbor are the “good guys” while the aggressive, the powerful, the strong, the proud are “evil.”

    Jesus was warning the disciples in Matthew 10:16 when He says they are being, “sent out as sheep among wolves.”  The image and idea here is intense, but so is being a Christ follower in a world where those who follow Christ continually are facing some level of persecution. Jesus knew this and instead of telling the disciples follow me it will be easy; He let them know it will be just as dangerous, as it is for the sheep among wolves. This is the same for those who follow Christ today. As a Christ follower, a Christian, you already have the way out through salvation in Jesus through His death on the cross and resurrection by choosing it. Christians have the cure, but Jesus tells us, that while we are on this earth, those who follow Him will have difficulties bc this is not heaven this is earth where some people chose to say no to Christ and others believe and chose to follow Jesus and to those Jesus says, “Look, I am sending you out as sheep among wolves. Be as weary as snakes and harmless as doves.” Matthew 10:16

    Wolf archetypes and postmodern ideologies

    The ruling archetype does not stay the same forever, as is evident from the temporal limitations, that have been set to the hoped-for reign of peace, and the irreversible Europe.The archetype of the just, fatherly, benevolent ruler and the nursing mother had been shattered over the whole of northern Europe, as the present fate of the Christian churches bears witness.
    Even the Catholic Church can no longer afford trials of strength. Nihilistic Gods have attacked Christianity on a broad front. In communism, he is called equality and science, in national-socialism, he is called leader, and in capitalism he is called globalism.

    The wolf, seen as today’s financial predator, is naturally preying upon domesticated animals easily transforms into the metaphor of Satan seducing the innocents, drawing them away from their true nature into a state where they are compelled to acting against themselves and nature. This is perhaps the most frequent religious wolf related thought, which influenced Christianity and popular European culture. The sad fact though, is the image of the wolf in this context has little relation to anything based on reality and only serves not to enlighten thinking regarding this animal and its role in our world.

    Wolf archetypes and masculinism

    TheWolvesAnitWhatTheyUsedtoBe
    TheWolvesAintWhatTheyUsedtoBe – masculinism

    Masculinism refers to advocacy of the rights or needs of men and the adherence to or promotion of opinions, values, regarded as typical of men. One of the  most prominent men’s rights advocates, was Warren Farrell. Wolves are very good archetypes  to define masculism and men. The wolf today still represents our “instinctive nature that is wild and natural” and suggests a wild and natural creature within every human, who is filled with good instincts, passionate creativity, and ageless knowing. This warrior within is seen as an archetype, that carries images, ideas, and unique behaviors for humankind. The gifts of wolfish nature come to man at birth, but society, in many instances, will attempt to civilize them into rigid roles, which will destroy the inner treasure and muffle the deep, messages of the soul. As a result, boys become trapped, over-domesticated, uncreative, and have fearful feelings. On a sociological level, societies become confused from kindergarten to the voting booth and bring Father or Mother figures against their interest in power, tangled and confused in narcistic gender issues. For men to find their soul, they will need to face their instinctive wild self so that they can become free, creative, and leading again. Of course the same can be true for females in unhealthy warrior culture, like German women who were  hysterical Hitler believers  or those today who proudly sacrifice their sons  as suicide bombers.

    Wolf archetypes and feminism

    WolfFeminism
    The Wolves ain’t what they used to be – feminism

    The wolf is also a strong female archetype. They have insticts too. Interesting enough typical Feminist ideology  divide  Masculists in a) in male feminists who promote “gender equality”,  a term which of course is shifting sand,  and b) the others as form of misogyny promoting “male superiority or dominance” by being opposed to their definition of equality. Based on this “only dead Indians are good Indians logic”, wolves are very bad role models to define feminism, but still good ones to describe female archetypes.  And there are good examples too. In her book, Women Who run With The Wolves: Myths and Stories of the Wild Woman Archetype, Clarissa Pinkola Estes (1992) suggests, that healthy wolves and healthy women in particular share certain psychic characteristics: keen sensing, playful spirit, and a heightened capacity for devotion. Female wolves  and women by nature are relational, inquiring, and possess great endurance and strength. They are intuitive and concerned with their young, their mate and their pack and shamanic. There is the story of La Loba, the wolf woman. Her work was collecting bones of wolves and singing life into them. The story symbolizes the soul-voice. It conveys the truth of a woman’s healing power over anything, that is ailing or in need of restoration. Thus, the wolf is the representation of the Great Mother an archetype, which carries female images, ideas, and unique behaviors for humankind to help people to find their soul, and as warrior to help people to protect their survival.  You might remember the two articles, Four archetypes of the (fe)male. The wolf combines the duality of the Great Mother and Great Warrior. The wolf can thus be seen as a symbol on an intra-psychic level for a successful individuation. The spiritual Self consoles and integrates his Anima (or her Animus) and their shadow, which was created to adjust to collective norms . Individuation suggests a commitment to inner growth and development.

    Myth wolf – yesterday and today

    A short summary of wolf features prominently in a number of stories everywhere.

    Europe and Middle East:

    • Lycaon was the first king in Arcadia in Greece. He led a wicked life. The god Zeus came in disguise to a banquet at his palace and was disgusted to be served a child’s limbs. The god destroyed the palace and turned the king and his sons into wolves. Then he sent a flood to drown them all.
    •  The Egyptians had a wolf god, Wepwawet, whose name meant “he who opens the road.” He led kings in battle, and his image was carried through the streets of his town, Assiut, during a great annual feast. The wolf counted later also as God of the underworld . He was sort of demoted together with Osiris to the underworld.
    •  Early Biblical sources represented the wolf as destructive and associated with the evening (Jeremiah 5:6, and dishonest gain, bloodshed and destruction (Ezekiel 22:27, The Holy Bible). However, when the wolf and lamb were depicted lying down even though they were considered traditional enemies, together they represented peace and the coming Messianic rule (Isaiah 65:25 The Holy Bible).  Many saints tamed wolves, just as St. Francis of Assisi did.
    rome_shewolf_twins
    rome_shewolf_twins

    The founding of Rome – and thus, an entire empire – was based on the story of Romulus and Remus, orphaned twins who were raised by a she-wolf . The association of the wolf with the female was seen in the primitive Roman cult of Lupa or Feronia, which was inherited from Sabine matriarchy. It is based on best known Western myth  of Romulus and Remus: The wolf as a provider supposed to have nursed human infants. An ancient statue in the Lupercal grotto was later enhanced with images of the infants, Romulus and Remus were annually honored at the Lupercalia, the festival of the She-wolf, held every year in February, which was a multi-purpose event that celebrates the fertility of not only the livestock, but people as well. The “Jungle book” has a similar theme as the main character, “Mowgli”, is raised by wolves.The Romans thought it was lucky to see a wolf. The animal was sacred to Mars, god of war and protector of Rome. Julius Caesar’s victory over the Gauls at Sentinium, in 195 B.C., was attributed to a wolf, which was sent by Mars to frighten the enemy.The German Nibelungen legend tells how warriors used to eat roast wolf-meat to give themselves the courage of the wolf. Norse myths are all about valor, wolves have an important place, showing how they inspire fascination and fear in fighting men. When Wotan (Odin(, god of war and wisdom, sat on his throne at the palace of Valhalla, two great tame wolves lay at his feet,the symbol of his power and guarding the palace. The great wolves Geri and Freki, ate up the remains of the gods’ great feasts. In German fairy tales the big, bad wolf is referred to as being wild, tearing, snappish, grim and sanguinary. Grimm (German Romantic) even describes him as being the most evil creature of all animals in “The Wolf and the Seven Little Goats”.

    In the stories of the Ulster cycle, the Celtic goddess Morrighan is sometimes shown as a wolf. The connection with the wolf, along with the cow, suggests that in some areas, she may have been linked to fertility and land. Prior to her role as a warrior goddess, she was linked to sovereignty and kingship. In Scotland, the goddess known as Cailleach is often associated with wolf folklore. She is an old woman who brings destruction and winter with her, and rules the dark half of the year.

    Native America

    amorok

     The Inuit people of North America hold the great wolf Amarok in high regard. Amarok was a lone wolf, and did not travel with a pack. He was known for preying upon hunters foolish enough to go out at night. According to legend, Amarok came to the people when the caribou became so plentiful that the herd began to weaken and fall sick. Amarok came to prey upon the frail and ill caribou, thus allowing the herd to become healthy once more, so that man could hunt.
    There is a Lakota tale about a woman who was injured while traveling. She was found by a wolf pack, that took her in and nurtured her. During her time with them, she learned the ways of the wolves, and when she returned to her tribe, she used her newfound knowledge to help her people. In particular, she knew far before anyone else when a predator or enemy was approaching.
    A Cherokee tale tells the story of the dog and the wolf. Originally, Dog lived on the mountain, and Wolf lived beside the fire. When winter came, though, Dog got cold, so he came down and sent Wolf away from the fire. Wolf went to the mountains, and found that, he liked it there. Wolf prospered in the mountains, and formed a clan of his own, while Dog stayed by the fire with the people. Eventually, the people killed Wolf, but his brothers came down and took revenge.

    Asia

    Asian Wolves
    Asian Wolves

    The Turks and the fierce Mongols were enemies; but they both claimed to be descended from wolves. One young Turkish warrior, who alone survived after a Mongol raid, was rescued by a she-wolf and led by her to a secret earthly paradise in the mountains. They were married, and their children were led by a great grey wolf to the land which is now Turkey. The Mongol emperor Genghis Khan also claimed to be the son of a wolf. Besides Buddhism  and Nestorians, Mongols have held mainly Shamanic beliefs before they converted to Islam.

    In Turkey, the wolf is still held in high regard, and is seen in a similar light as to the Romans – the wolf Ashina Tuwu is the mother of the first of the great Khans. Also called Asena, she rescued an injured boy, nursed him back to health, and then bore him ten half-wolf half-human children.  Today the wolf is still seen as a symbol of sovereignty and leadership and used from the PKK (Kurdish Separation Movement)..

    The mountain people of Georgia, former part of the USSR, once thought, wolves had a society just like people. They were under the protection of a saint and were not thought of as wild animals. Hunters who killed a wolf wore mourning clothes as if they had killed a man.

    In ancient China, the Wolf is prominent in the Sky. The people believed, that eclipses of the sun were caused by a great sky-wolf eating up the sun. People beat drums and shot arrows at the sun to drive the animal away.  The Chinese saw the wolf also as a guardian of the heavenly palace. In Japan the wolf was admired for its ferocity, tenacity and swift attack. Also, they considered the wolf to be from heaven and to be venerated.

    Conclusion

    Myth is the foundation of life; it is the timeless pattern, the religious formula to which life shapes itself…Whereas in the life of mankind the mythical represents an early and primitive stage, in the life of an individual it represents a late and mature one. — Thomas Mann

    The wolf archetype may seen as great bridge between gods and evil,  male and female, patriarchy and matriarchy,  humans and Nietzsches “Uebermensch”. However, it has to be noted, that wolves live a traditional, wild archetype adjusted to nature. The wolf clearly represents the instincts, so the full and positive wolf  archetypes may be meaningless in today’s context. Or not?  Can be the wolf a weak warrior or a devouring mother, can the wolf sleep with the lambs? Prefer to a be lamb or a lone wolf?

    PRIMARY SOURCE APPARATUS TO BE USED

    Jungian Core Texts

    • CW 8 — On the Nature of the Psyche
    • CW 9/I — The Archetypes and the Collective Unconscious
    • CW 10 — Civilization in Transition (especially Wotan)
    • CW 11 — Psychology and Religion
    • CW 14 — Mysterium Coniunctionis (for transformation motifs)
    • Atom and Archetype: The Pauli/Jung Letters, 1932-1958 is a collection of correspondence between physicist Wolfgang Pauli and C. G Jung
    • CW 18 — THE SYMBOLIC LIFE MISCELLANEOUS WRITINGS
    • McGuire, William (ed.) – C. G. Jung Speaking (Princeton, 1993) (for transformation motifs)
    • Synchronicity: An Acausal Connecting Principle UK, Edition 1985
    • Four Archetypes Mother Rebirth Spirit Trickster UK, Edition 1971
    • C. G. Jung Archetypen (dtv, Bd. 11)
    • Jung, C. G., Jacobi, J. (1971 ): Mensch und Seele. Zitate von C. G. Jung aus dem Gesamtwerk 1905 bis 1961. Olten: Walter
    • Jung in Context A Reader

    Jungian Secondary

    • Jolande Jacobi Die Psychologie von C. G. Jung. Olten: Walter Verlag, 1971
    • Der Mensch und seine Symbole. By Carl Gustav Jung (Hg.) , Marie-Louise von Franz, Joseph L. Henderson, Aniela Jaffé, and Jolande Jacobi. Olten Walter Verlag AG,1968
    • Aniela Jaffe Die Einheitswirklichkeit und das Schöpferische Erich Neumann und C-G. Jung
    • Wes Nisker, 1990 Crazy Wisdom
    • Jolande Jacobi,  Complex, Archetypes, Symbol in the Psychology of C.G. Jung, Bollingen Series Princton University Press, 1957

    Wolf Ethology

    • Of Wolves and Men, Barry Lopez 1978 Paperback 2024
    • European wolf recolonization studies ­ WWF Deutschland, Berlin
    • The International Wolf Center – science-based education
    • Farley Mowat Never Cry Wolf (1963) classic memoir of the Canadian naturalist
    • For visual de-demonization: Jim Brandenburg ‘White Wolf’, 1990 and ‘Bruder Wolf 1994
    • Mech, L. E. (1991). The way of the wolf. Stillwater: Voyageur Press.

    Mythological/Comparative Sources

    • Prose Edda / Poetic Edda
    • Histora Mundi Band 2 Frühe Hochkulturen
    • Histora Mundi Band 4 Römische Weltgeschichte und Christentum
    • Roman foundation myth sources
    • Mythologyof the American Nations
    • Turkic Asena materials
    • The Druids
    • Die Kelten
    • Indo-European canine symbolism
    • Egyptian funerary religion (Wepwawet)
    • Medieval werewolf trials and folklore, “Mac Tíre” (Son of the Earth)
    • The Ossory Werewolves: The Helpful Shape-Shifters

    References Symbols (philosophy, history )

    • Richard Wagner, Ring des Nibelungen und seine Symbole, Donnington (Transl)
    • Spaziergänge durch Nietzsches Sils-Maria, Raabe 1994
    • Nietzsche und Faschismus, Taureck Reclam, 2000
    • Nietzsche Philosophie als Kunst, Friedrich DTV, 1999
    • NietzscheSchriften
      • Die fröhliche Wissenschaft.
      • Also sprach Zarathustra (1883–1885)
      • Jenseits von Gut und Böse
      • Zur Genealogie der Moral
      • Der Antichrist
    • Acient Egypt, Silverman
    • Geschichte des Morgenlandes im Altertum,  Berlin, Historischer Verlag Baumgärtel (ca. 1904)
    • Mythology Comte, 1988
    • Geschichte Ägyptens, Breasted 1954 (Translaion)
    • Neue Jerusalm Bibel, Herder 2011/The holy Bible. King James Translation. (1947). Cleveland: The World Publishing Company.BishopB

    References secondary

    • Alpha Status, Dominance, and Division of Labor in Wolf Packs
    • Wolves: Behavior, Ecology, and Conservation
    • The Wolf: The Ecology and Behavior of an Endangered Species
    • Politics of Aristotle asserts excellence varies with social role, including gender.
    • The Myth of Male Power: Why Men Are the Disposable Sex; Warren Farrell, Simon & Schuster, New York, 1993: ISBN 0-671-79349-7
    • The Liberated Man; Warren Farrell, Simon & Schuster, New York, 1993: ISBN 0-671-79349-7
    • Why Man are the way they are:  Warren Farrell, Simon & Schuster, New York, 1993: ISBN 0-671-79349-7
    • Fire in the Belly by Sam Keen(1991), Bantham
    • Iron John, Robert Bly (1992), Vintage Books
    • Sex Differences, Modern Biology and the Unisex Fallacy, Yves Christen
    • Raising a son by Don Elium and Jeanne Elum (1994);  Celetial Arts, Berceley
    • The War Against Boys: How Misguided Feminism Is Harming Our Young Men; Christina Hoff Sommers ISBN 0-684-84956-9
    • Estes, C. P. (1992). Women who run with the wolves: Myths and stories of the wild Woman archetype. New York: Ballantine Books.
    • Neumann, E. (1955). The great mother. New Jersey: Princeton University Press.
    • Towery, T. L. (1997). The wisdom of wolves: Nature’s way to organizational success. Franklin, TN.: Wessex House publishing.
    • K. Theweleit (1978) Männerphantasien Verlag Roter Stern I and II

    Links

  • FALLEN ANGELS FEAR – Sacred aesthetics of fractal recursion

    FALLEN ANGELS FEAR – Sacred aesthetics of fractal recursion

    TreeOf Live - Source Avatar
    TreeOf Live – Source Avatar
    FALLEN ANGELS FEAR
    Angels Fear – The Sacred Destroyed

    FALLEN ANGELS FEAR an obvious wordplay which crossed my mind after a blog reader pointed out that Bateson’s book  Angels Fear: Towards an Epistemology of the Sacred might be of relevance to me.  

    FALLEN ANGELS FEAR

    The title created immediately multiple associations and images,  so  I became curious and got the book.  Bateson presents from a anthropologist view concepts and topology of structure- determined recursion – in a nutshell – sacred aesthetics of fractal recursion.  

    Douglas Hofstadter articulated fractal recursions mathematically in his book Goedel, Escher, Bach: An Eternal Golden Braid , 1979. The Bateson’s (father and daughter) define ecology and aesthetics, combining them to ecological aesthetics viewed at every level from the cellular to the cultural to the religious from a communicative perspective.  Angels Fear is food for thought and relevant indeed, this  book is for anyone who feels that there is more to life than logic and science. Bateson’s main thesis is that aesthetics, beauty, and the spiritual are as valid as logic and science. It is an original synthesis of cybernetics, biology, anthropology (his daughter is anthropologist) but avoids New Age. The book resounds very well with my Jungian and spiritual side, although Jung has covered that area much broader and more coherent from empirical science as a physician.

    Like the psychoanalyst C. G. Jung,  Gregory Bateson never really says what the sacred actually is. To both, it is just beyond their scope, something which is beyond facile descriptions. The sacred ( to me the religious realm) is common intuitive knowledge in every human experience. The Ego (lets say mind) and  unconsciousness cannot meet  easily., hence  there is a necessary gap between the two – so Bateson is essentially saying that our attempts to explain our human experience is always and necessarily incomplete. And that there is a lot more to life and mind than meets consciousness and unconsciousness depersonified. That is true, but hardly new – in Bateson’s words:

    ‘But the bits and pieces of mind which appear before consciousness invariably give a false picture of mind as a whole. The systemic character of mind is never there depicted, because the sampling is governed by purpose.  We never see in consciousness that the mind is like an ecosystem – a self-corrective network of circuits. We only see arcs of these circuits. And the instinctive vulgarity of scientists consists precisely in mistaking these arcs for the larger truth, i.e., thinking that because what is seen by consciousness has one character, the total mind must have the same character.Freud’s personified ‘ego’, ‘id’, ‘super-ego’ are, in fact not, truly personified at all. Each of his components is constructed in the image of only consciousness (even though the component may be unconscious) and the ‘consciousness’ does not resemble a total person. The isolated consciousness is necessarily depersonified. The whole iceberg does not have those characteristics which could be guessed at from looking only at what is above water. I mean: the iceberg does – mind does not. Mind is not like an iceberg.”

    The way that humans have dealt with this feature of human existence were religions.

    ‘The point is that, even before modern technology, something had to be done about the innate split between consciousness and the rest of the mind, because the unaided consciousness would always wreck human relations. Because the unaided consciousness must always combine the wisdom of the dove with the harmlessness of the serpent. And I will tell you what they did in the old Stone Age to deal with that split. Religion is what they did. It’s that simple, and religion is whatever they could devise to beat into man the fact that most of him (and, analogously, most of his society and the ecosystem around him) was systemic in nature and imperceptible to his consciousness.  This included dreams and trances, intoxication, castration, rituals, human sacrifices, myths of all sorts, invocations of death, art, poetry, music and so on. And of course, they did not and could not really say or know clearly what it was they were doing or why. And, often, it did not work.” [Bateson]

    Oh yes, it did work. The rise of psychoanalytic  but also New Age quacks  clearly is attributed to the decline of religion in the West. After pseudo-religious totalitarian states collapsed, the former religions came back and vice versa. To fully live in our humanness we must ‘give away’  our Ego to  our Self but  resist the temptation futile attempts to describe or explain these experiences in a language of conscious .

    Self
    Self

    Here is what Wittgenstein says about this individuation (or religious) effort.

    “My whole tendency and I believe the tendency of all men who ever tried to write or talk Ethics or Religion was to run up against the boundaries of language. This running up against the walls of our cage is perfectly, absolutely hopeless. Ethics so far as it springs from the desire to say something about the ultimate meaning of life, the absolute good, the absolute valuable, can be no science. But it is a document of a tendency in the human mind which I personally cannot help respecting deeply and I would not for my life ridicule it. ” [1929]

    In this quote we can see that whatever we manage to concoct remains entirely our own subjective property (and thus a sense which never can proved), but that, on the other hand, we can and must transcend by making efforts to move beyond the ‘limits of language’, by bringing into question our given limits and by choosing  domains where our understandings break down. In the view of Bateson, the willingness to make this effort is a symptom of  the sacred . So far so good. Did not mathematics, art and nature always cross the boundary of language in the search of ascetics and perfection?

    Structure-determined recursion

    Escher - structure determined recursion
    Escher – structure determined recursion

    Angels Fear argues that the science of biology required an ecological aesthetic because biology, like any self-recursive communication system, must become aware of the disruption of its own relations with the unity of nature  to understand science’s limitation in a spiritual (if not even religious) realm.   In other words, biology becomes bad science,  by violation of ” Gods plan”, be it tho one known by  Christianity or Taoism and/or Zen Buddhism.  Christianity and Western cultures subsequently science  have a linear concept of time and structures.  C. G. Jung understood the true nature of time (linear, cyclical, and recursive), which generations have struggled to comprehend except ancient religions Taoists and Hindus knew.

    There are two processes of recursion, the one semantic and interpretative , the other structural.  Like C. G. Jung,  the Batesons conclude that the world of signals and signs  (or images and symbols) are an universal and collective aspect of living systems, neglected by hard (and I might add soft) science).  Goedel, Escher, Bach describes many instances of such recursion and self-reference, where symbols and archetypes speak about or refer back to themselves.  To describe such self-referencing objects, Hofstadter coins the term “strange loop”. To escape many of the logical contradictions brought about by these self-referencing objects, Hofstadter discusses Zen koans. He attempts to show readers how to perceive reality outside their own experience and embrace such paradoxical questions by rejecting the premise.

    Computer programs use functions (or methods in OOP) which can call other functions, and also themselves. When a function calls itself, it is called recursive. The nature of programming is itself recursive. Programming languages are defined by grammars which are recursive, which is why programming has infinite possibilities. On a higher level, the programmer is always seeking to abstract and generalize essential pieces, so that they can be re-used in different contexts instead of re-written. A programmer and nature  tries to repeat their processes by recursion),  always attempting to find the most elegant solution to the problem. Eventually the solution arrives at a “metastable place  and when in the future that model itself is transcended, the new model will be inside yet a higher meta-model (recursion), and so on. The higher up this pyramid of models, the more perfect the program seems. However, this pyramid has no end. This is why perfection is impossible – but beauty is the way and the way is the destination.

    Recursion is all around us. It is in our computers, in our cells, in the plants we eat, in our brain, in the land we walk on, in Goedel’s incompleteness theorem, in Escher’s art, and in Bach’s music.

    Mathematical aesthetics

    The Platonic Solids sacred-geometry
    The Platonic Solids
    sacred-geometry

    Kepler presents in Harmonices Mundi (The Harmony of the World, 1619) his findings about the concept of congruence with respect to diverse categories of the physical domain: regularities in three-dimensional geometry, the relationships among different species of magnitude, the principles of consonance in music, and the organization of the Solar System. Here we seek to highlight issues that provide a flavor of his thought:

    “On the regular figures, the harmonic proportions they create, their source, their classes, their order, and their distinction into knowability and representability.”

    This expanded his investigation of three-dimensional geometric shapes, notably of the semi-regular Archimedean Solids earlier, in the 1597 Mysterium Cosmographicum. Kepler proposed that a nested arrangement of the Platonic Solids determines the spacing between the planetary orbits of the known five planets.   As engineer, and having programmed  highly complex communication systems in a former live,  I did observe, that only aesthetic solutions are good solutions (and programs).  Well, programming was art then, before MS came into the picture.  Angels fears resound from a biological view Greek philosophy: ” beauty can’t be evil”.

    Indeed there are connections between mathematical aesthetics and spiritual receptiveness  (religiosity).  For example, I am having a hard time with my son and failed with daughter to show them how beautiful mathematic is. I am almost thinking it’s not my failure, but a systemic failure of a society which becomes intellectually flat and subsequently spiritual deaf (or vice versa). When I grew up, there was a book in our house that was called “The magic of numbers” – a brief history of numbers. Much later I read Hofstadter, with his unique synergy of  art, mathematics, music, philosophy, symbolic logic, computers, genetics, paradoxes, palindromes and Zen koans among many, many other things. Most of it is still over my head like some aspects  of structure- determined recursion. However this “nerd bible” is in a way like in religion and theology,  revealing or disclosing  some some form of truth or knowledge for (us) nerds:  differently stated by the  Austrian mathematician Kurt Goedel , the  Dutch artist M.C. Escher and  the Baroque composer Johann Sebastian Bach. It became a cult classic , while a later book,  I am a Strange Loop, goes to far darker side.

    Hofstadter was fascinated by visual and conceptual loops: feedback, self-reference, recursiveness, anything that curved back on itself in an unexpected way.  Goofing around with a video camera, Hofstadter pointed it straight at the TV screen to create an infinite receding tunnel of video feedback, some copy cat of it you might have seen in any modern art museum. Those themes–recursive loops and the physical origins of consciousness–get braided together in I Am a Strange Loop in unexpected ways.  Goedel demonstrated in 1931 that conventional mathematics, which we think of as a supremely logical and consistent system, is actually capable of making all sorts of strange, paradoxical, self-referential statements about itself. There are mathematical statements that, while true, can never be proved. How can something be both true and unprovable? This idea, loosely known as “incompleteness,” came as a logical bombshell to all mathematical philosophers (like Wittgenstein)  but in a way was inherent in Heisenberg’s famous uncertainty principle. It turns out that mathematics isn’t a neat straight line; it’s a loop, and so is life (if you are lucky enough to have kids).

    Now I do see here a connection with the human mind and the main thesis of Angles Fear. The brain, if seen  merely as a cluster of firing neurons (or like Freud of a linear,  determined machine), shouldn’t by rights be able to think–it shouldn’t be able to wake up, think, become aware of itself, and in doing so become an “I am” but it does. Just Plato observed in his famous cave example: reality is a strange, self-referential loop–it’s a mirage, but “a very peculiar kind of mirage … a mirage that perceived itself, and of course it didn’t believe that it was perceiving a mirage, but no matter–it still was a mirage.”

    Hofstadter and Bateson occupy a middle ground: it’s neither spiritual nor is it locked into the cold neurological materialism of cellular mechanics.  The same rings true with  C.G. Jung, a friend of the great physician Pauli, to whom the human mind (and reality) is a bright, shimmering, self-sustaining miracle of collective archetypical : vague, metaphorical, ambiguous, and always exceedingly beautiful object oriented programming (OOP).  Actually on a side remark, Jung’s very ambiguous description of archetypes (per se), symbols and images can be easily likened  to objects and abstract classes found in computer science. My father lives in me, a faint but real copy of his software running on my neural hardware. Hofstadter says. “If you believe that what makes for consciousness is some kind of abstract pattern, then it’s sort of self-evident fact that whatever pattern exists in my brain could exist in other physical structures in the world.

    Ecological aesthetics – fractal recursion

    tree-result
    tree-result
    Living systems are recursive systems

    Ever went hiking and looked closely to trees? Trees are beautiful and fractal. Trees played an important role in the movie Avatar and in Tolkien books. Fractals can be  generated by a program that  defines a recursive process, and the resulting tree is a recursive structure. Curiously, such recursive structures and processes are found everywhere in nature.  This program grows a simple tree (no sun, no other plants, no storm) recursively, by adding two branches to the end of the current branch until it bottoms out. Bottoming out happens when the tree has branched a certain number of times. The size of the two new branches relative to the current one is determined by the sizeFactor variable. The angle at which the two new branches will branch out relative to the current one is determined by the angleFactor variable. The height of the first tree is determined by trunkHeight, and the number of levels of recursion (the number of times the tree branches into new trees until it bottoms out) is determined by depth. Investigation of social and biological systems is not equivalent to investigation of physical systems, Bateson states, for all social and biological science is participant investigation, unlike the observer-oriented science of physical systems.  As the example shows, this is not always correct for social science and as Pauli and Heisenberg found out not even true in quantum physics.  Angels Fear proposes an ecological aesthetics within the unity of life, akin to the notion of the unity inherent in the sacred aspects of religion – and I would see also in what C.G. Jung coined as collective archetypes. That requires an epistemology, a set of procedures about how one might investigate the phenomenon of unity and derive from further understanding of holism, its order and its organization. Many regularities contribute to their own determination. In biology, Bateson argues that recursive regularities cannot be simply read-out or treated solely in an abstract context.  Again the psychoanalytic C.G. Jung and the quantum physics Pail would disagree. According to Angels Fear, another pattern  permits rather than to deny circularity at the point of re-entry. These processes ‘bootstrap’ circularity so that any ‘top’ is continuously re-cycled through a ‘bottom’ and thus all cycles in between are able to support themselves in their own circularities creating aesthetics.

    The beauty of a landscape or organism affects human emotions as well as ecological facts. Aesthetic preferences determine whether landscapes are viewed as beautiful, sustainable or threatened. Naturally these preferences are subjective and have changed through time and may reflect sociological context. However, while communication of ecological research may change public perception of nature, certain facts remain until today. A house on the hill not only looks good, but one does not get the feet wet, the air more healthy and you see whats coming. Beauty has always been recognized as a fundamental part of the human experience but, like truth and evilness, beauty is a complex term that resists simple definition (outside mathematics). Among the more persistent descriptions are terms like: a harmony of parts, unity in diversity,low complexity, high integration, recursive patterns and clarity—qualities readily observable in nature. The French scientist Henri Poincaré (1913:336) wrote: “…the scientist does not study nature because it is useful; he studies it because he delights in it, and he delights in it because it is beautiful. If nature were not beautiful it would not be worth knowing, and if nature were not worth knowing, life would not be worth living”.  Aesthetic preferences clearly have played an evolutionary role in the development and the persistence of our species. C.G. Jung discussed how collective cultural responses , partially via development of aesthetic symbols over time, may have led to the survival of ancestral hominids through a deeper understanding of ecological phenomena, nature and human mind.

    True and False - Right or wrong - good or evil - black or white
    True and False – Right or wrong – good or evil – black or white

    Seen from aesthetic epistemology, Kant’s definition of aesthetic judgment is exemplary of the subjective activity of judgment, the harmony of imagination and understanding. Unlike ordinary empirical judgment, aesthetic judgment phenomenologically reveals to us a synthesizing holistic activity.  Aesthetic judgment is in the center of Kant’s epistemological project in order to show that our minds are capable of getting at something outside of ourselves in the world. Furthermore it commits to the necessary relation between the aesthetic judgment’s beauty and the reflective judgment’s logical principle of nature’s purposiveness. The principle of nature’s purposiveness must be grounded in the principle of beauty because of empirical cognition. On can indeed characterize aesthetic judgment as a resistance to or interruption of cognition.

    Science has its own version of epistemology, but most of these lie in a scientific methodology and axioms. Western science rarely argues from a holistic view, and if so, it becomes like social sciences often soft and meaningless. Those aspects of the world that scientific method cannot determine through breaking or interfering the object – routinely taken care in the realm of synchronicity and spirituality, and remains unexamined. It has become too easy for modern science to continue to treat the biosphere and humans as it had treated any other mechanism since the sixteenth century. Ecology as a holistic phenomenon would be a very different sort of undertaking, not only in a switch of focus from the physical dimensions of ecological objects, but also in the methodological path it takes. Explanations derived from quantitative examination would have to be reconsidered or abandoned, as would the inferences of drawn from these correlations. The major investigation would be one of how parts fit into a holistic order, and vice versa, how holistic order is contained in the recursion. Such as investigation would also require to add some modesty in the rationality driving  modern science.  I do not argue that this epistemology of aesthetic holism incorporating needs to return to the mediaeval realm of superstition, nor did it mean uncritical acceptance of any New Age  spirituality or take over world-views of  major religions.  In fact, aesthetic preference may have affected our behaviors and our understanding of the natural world from ancient times to the present. Like  social scientists, ecologists and biologists rarely acknowledge the way  biases  can affect research, and these may be significant and therefore worth discussing.  It is important for scientists to recognize the inherent and subtle, yet powerful, persuasion of beauty as it shadows ecological research from conception through interpretation.

    Conclusion

    Athena_Perfection
    Athena_Perfection

    Mutual  acceptance of the idea that holism, unity and beauty are purposefully coincident with each other should be an integral part of any modern science deciphering Gods creation – particularly the human “imago dei”. Bateson’s argument in Angels Fear that when humans presume to ‘play God’ the consequences are grave, is sound. Also the presumption that humans can play God tempts fate in the same way that all acts of hubris do. Developmental biologist, a branch of biology that has generally been critical of the over-arching claims of the molecular biologists who have insisted for fifty years that they have discovered the blue-print of life just shows to him a wrong sense of the sacred.  When the book strays in the intuitive realm of modern physics or Jung’s psychoanalysis  (synchronicity and individuation) his claims are not backed by empiric science and a bit dusty (or too abstract or over my head).

    For the artist, the making of the perfect piece of art has always been a purification process of his soul. When he finished his work, he knew that gods and humans alike would feel pleasure when they see the sculpture.  Investigation nature, likewise ancient Greek´stated God was a geometer, and felt that aesthetically appealing objects were beautiful in and of themselves.  Plato felt that beautiful objects incorporated proportion, harmony, and unity. Similarly, in his Metaphysics, Aristotle found that the universal elements of beauty were order, symmetry, and definiteness. That was clearly revived in Renaissance art again and transferred to science (just think of the Astronomer Kepler) and on secular issues of human life. Medieval art focusses´highly on religious images and symbols. Post-modern aesthetics  often rebels against beauty in modernist art. This Anti-Aesthetic reaction has been described “kalliphobia” (after the Greek word for beauty kalos) which leads to an inner and outer wasteland.   Although ascetics is determined by cultural contexts, a common ascetic clearly is visible and sacred. I like to believe it is recursional.

    Gödel, Escher, Bach: An Eternal Golden Braid , Douglas R. Hofstadter

    Angels Fear: Towards An Epistemology Of The Sacred by Gregory Bateson and Mary Catherine Bateson ( 2004)

    Complex/Archetype/Symbol in the Psychology of C.G. Jung. J. Jacobi;

    Flying Saucers: A Modern Myth of Things Seen in the Sky. (From Vols. 10 and 18, Collected Works). C.G. Jung; R.F.C. Hull, trans.

    Four Archetypes: (From Vol. 9, Part 1 of the Collected Works of C. G. Jung)

    Psychology and the East: (From Vols. 10, 11, 13, 18 Collected Works). C.G. Jung;

    Psychology and the Occult: (From Vols. 1, 8, 18 Collected Works). C.G. Jung;

    Psychology and Western Religion: (From Vols. 11, 18 Collected Works). C.G. Jung;

     Jung, C. G., Pauli, W. (1952): Naturerklärung und Psyche. Zürich: Rascher (Download)

    C.G. Jung (1955) Synchronicity: An Acausal Connecting Principle

    Wolfgang Pauli und die moderne Physik. Virtuelle Ausstellung der ETH-Bibliothek

    W. Pauli, The Influence of Archetypal Ideas on the Scientific Theories of Kepler

    Kepler, Harmonices mundi, Harmony of the Worlds, 1619

  • A primatologist image of God: The Ultimate Chimp

    A primatologist image of God: The Ultimate Chimp

    A primatologist’s “Image of God” reimagines divinity through our closest evolutionary relatives, the Chimp (chimpanzee), which share ~ 98.4% of human DNA. By observing their capacity for culture, tool use, empathy, and social complexity, we are challenged to expand our understanding of the divine spark beyond purely human boundaries. Maybe it’s because I am an “unchurched”, humanist and cultural religious person, but today’s anti-religious tracts and rants do bore me.  However, a new book of  the primatologist Frans de Waal, raised hope for new insights: The Bonobo and the Atheist: In Search of Humanism Among the Primates. He made accidentally an interesting point – the reciprocal imago dei (God’s imago modeled after human) of today’s atheists (or spiritual deaf).

    I hold the opinion that God’s existence can’t be proved nor denied. God can only be experienced personally or by intuitive wisdom. Although I consider myself religious, I can only shrug my shoulder to fierce pro and con advocates. To me, religions have had a positive effect on morale and cohesion of society and intrinsic merits. Religion is formalized spirituality not an ideology, although some ideologies mutated in deadly and evil belief systems. Simply go with Kant’s categorical imperative:  How would a world look like, where everybody is… greedy, hedonistic, promiscuous and spiritual deaf? You say that would look like today’s globalized world? Bertolt Brecht concluded that 50 years ago: “Erst kommt das Fressen und dann die Moral”.

    Religions and the zoo

    According to Mr. de Waal it would look like a zoo. Doesn’t sound completely wrong to me either. Mr. de Waal has spent his career studying chimpanzees and bonobos, two of humanity’s closest living relatives. He draws on a lifetime of empirical research and claims his data provides plenty of evidence that religion is not necessary in order for animals to display something that looks strikingly like human morality. Consequently to him Gods imago is the “Great Chimp”.

    We all went in the zoo, right?  While I would admit, that apes look strikingly human, throwing excrement like – say politicians, those in power monopolizing sex and generally follow interaction pattern of large corporation, I am still surprised.  Is it my distorted view of moral or my different understanding of “Gods” image?  Now, that is exactly where we differ, Frans de Waal,  like the old Greeks, or Romans or Goths, proposes to model God after the worldly observation. Social science boldly constructs here not only the world, but also the heaven, and up there is the ultimate alfa male (chimp).  There is no place for the female Hindu goddess Kali, Confucius or pantheistic Taoism. Nevermind, lets look where this leads us to.

    7parvat-737408

    According to primatologist,  Chimps help in lab tests other chimps obtain food even though there is no benefit in doing so, or even refusing rewards themselves until their troop-mates get some. Examples also come from the wild: young chimps fetch water for oldsters who cannot manage themselves, for instance, or adopt orphaned youngsters from other families. Rhesus monkeys are recorded as tolerating handicapped  similar to human Down’s syndrome. Mr de Waal’s central aim is to attack the idea that morality makes human stand apart  “lower” animals. Thus, he concludes no religion is needed: No philosophy either. I doubt that. In Hinduism the goal of all mystical yearning is union of the individual soul with the universal soul. In the Adhyatma (‘spiritual’) Ramayana, a Sanskrit text dating from the fourteenth or fifteenth century, Sita represents the individual (jiva-atma), which has separated from the universal (param-atma) symbolized by Rama. In an almost  Jungian interpretation, Hanuman (the chimp) here is said to personify bhakti, which annihilates the ‘ahankara’ or ego (Ravana), and re-unites the two. That can be easily translated in the Jung context : The Death of the Ego as prerequisite to find God.

    Chimp Nature is our link with Creation.
    Nature is our link with Creation.

    In Hindu symbolism, a monkey signifies the human mind, which is ever restless and never still. This monkey-mind (consciousness) happens to be the only thing over which man has absolute control. We cannot control the world around us and cannot choose our life but we can choose the way we respond to it. Hanuman, when he was a child monkey, was tempted by the sun and he rushed towards it thinking it to be a delectable fruit. On his way however, he was distracted by the planet Rahu and changed his path. Thus Hanuman is the temperamental human intellect, which is unquiet and excitable. It is only by diverting it to the path of pure bhakti (devotion), that it can be made aware of its profound and silent essence. Hanuman is no ordinary monkey. While embarking on the search for Sita, the monkeys were confronted by the vast ocean lying between them and Lanka. They wondered how they would make their way across this mighty obstacle. Someone suggested that Hanuman jump and cross over the sea. But Hanuman was doubtful, “I cannot do that,” he said. At that moment, one of his companions reminded Hanuman of the awesome powers lying dormant within him. Instantly Hanuman regained memory of his divine strength and he successfully leaped across the ocean – the individuation. The monkey is us, specifically our conscious Ego , not God.

    Religion and philosophy

    Most people, the primatologist notes, accept that their bodies evolved from those of man’s predecessors, but the conceits of religion and philosophy make it much harder to accept that the same is true of human minds. I have indeed my difficulties, together with Descartes: I think – therefore I am.

    I agree, that human ethical codes arise from ancient social behaviours, but not exclusively. Different versions of this can be found in a variety of animals and variety of human tribes. Often it was ritualized in spiritual or religious conduct. For Mr. de Waal, religion is just a natural consequence of combining the built-in behaviours of an intelligent, sociable ape with strong dominance hierarchies and God’s image may very well be the ultimate, old, fat chimp with the red “bottom”. Mr de Waal’s sophisticated interpretation of religion seems to make it hard for him, however, to imagine that people can take religion allegorically and spiritually.

    I share his little patience for sometimes shallow, overly confident, assertive atheism of today, seeing it as tilting hopelessly against the strive for spirituality in human nature.  In other words, a crowd of crashing bores treating the gospel like a car manual. Called or uncalled, God is present, was written over C.G. Jung’s door. Religious experience plays an important role in Jungian psychology. Jung, a Christian maybe of more Gnostic virtue, believed that this experience is nothing but a product of the psyche, and consequently viewed other world religions as an expression of one psychic function that has its roots deep in the collective unconscious of mankind.  Jung and Mr. de Waal are strong empiricists, but to Jung religion and spirituality are based on complex archetypes not on low-level instincts.

    Religion and totalitarian systems

    The second thing to consider is Jung’s point of view toward religion in general, and his various attitudes with regards to fanatics and totalitarian ideologies and states: “Of course, it is not a spiritual religion in the sense in which we ordinarily use the term. But remember that in the early days of Christianity it was the church which made the claim to total power, both spiritual and temporal! Today the church no longer makes this claim, but the claim has been taken by the totalitarian states which demand not only temporal but spiritual power”.

    It is no coincidence that the three most religion-hating ideologies (Maoism, Stalinism and National-Socialism) killed also most humans known in history. Jung is speaking only about the USSR  and Nazi Germany (he died 1961) in a sense that those ideologies were not only secular and political, but also semi-religious.  Jung speaks about totalitarian belief systems not only demanding temporal obedience but spiritual as well and covering not only the spiritual aspects of the human condition but also mundane. If one looks to Jung’s quotes closely,  one can derive there are similar concepts between totalitarian religions and totalitarian systems. Thus, Mr de Waal has a wonderful convincing argument against himself.  Absolute religions always have striven for absolute secular power and vice versa, and both  versions exist and have power today. Deconstructional philosophy and tactics of social science is inherently inhuman. Thus, this sort of atheism is ironically also anti-humanism.  As the Tao Te Ching, written by Lao-tse  noted – this tactics are against the (divine) law:

    When people see some things as beautiful,
    other things become ugly.
    When people see some things as good,
    other things become bad.

    Manmade, constructed Gods  (even if just for the purpose of fighting religions) are more often than not – evil.

    Conclusion

    Very often  atheism employs a simple understanding of religions based on a personal god and ignores spirituality and pantheism. Mr de Waal’s shows  convincingly that social science has to catch up with 2000 years of philosophy. Humanism is not easily found in a zoo, nor can it be a substitute religion for humans need of spirituality.

    When human beings are deprived of any “image of god” (imago dei) they are reduced to numbers and seen as livestock (or primates) – result versus costs: anyone who is old, weak, sick, unwilling or just inconvenient would be starved to death or killed. It is Dante’s hell – the opposite from imago dei. Hitlers, Mao’s, Pol Pots, Stalin’s illusion of new societies, new men and totalitarian state religion crashed. Because it was not a spiritual religion, but an ideology and man-made cult utilizing instincts (and archetypes). Charley Chaplin pictured this funny in “The great Dictator”.

    Hitler’s, Stalin’s, Mao’s and Pol Pot’s approach had all in common that they wanted to form new people and themselves as supreme . Their leadership cult and the state consequently asked for religious obedience. If one looks closely we find, that the concepts of totalitarian religions and systems are similar. In their focus is hate, essentially hate against humanity and clearly defined external groups or simply against everybody, which in the last essence is self-hate. Nazi racism and evilness cannot by diluted by the historical observation of Stalin’s and Mao’s motivations which were often similar national or ethnic. The starving caused by their failed industrialization policies or flawed visions left  Stalin and Mao untouched by the death of double-digit millions  of humans.  Creating their imago as supreme semi-God, they fought a war against the nature, reason, tradition, spirituality and their own people, ultimately humanity: Can Hitler go to heaven? The evil presented in Mao, Stalin, Hitler, Pol Pot.

    It is sad, that humanist movements have become strongly aligned with secularism. Germans used the term humanism to refer to Italian Renaissance and classical learning. There is of course large benefit in learning from cultural, non-Christian sources. But solely centering philosophies and morality around human kind or primates, without attention to the divine is not sound practice. Humanism or human morality, spirituality or religion are all more than sharing a banana (within the tribe).

    Question: What imago (if so) you have of God?

  • St. Augustine – City of God  –  Love is the greatest power on Earth

    St. Augustine – City of God – Love is the greatest power on Earth

    In his book City of God, St. Augustine famously said, “without justice, what else is the state but a great band of robbers?”  This statement seems to be a favorite of Pope Benedict XVI Emeritus, and he has recruited it in warning lawmakers, particularly lawmakers in the Western nations with Christian heritage, of the way to which they are headed.

    Benedict XVI Emeritus referring to St. Augustine Source Welt

    Benedict XVI Emeritus referring to St. Augustine

    He referred to these words in his address to the German Parliament or Bundestag when he visited Germany September 2011.  Some years earlier, in his encyclical Deus caritas est, Pope Benedict XVI referred to those very same words.

    It is useful from time to time to recall these words of St. Augustine and the deep truth that they convey especially for the EU.  St. Augustine  relates the story about the pirate who had been seized and brought before Alexander the Great. The cheeky pirate asks Alexander what is the real difference between a pirate and an emperor apart from the scale of action: Justice being taken away, then, what are kingdoms but great robberies? For what are robberies themselves, but little kingdoms? . For when that king had asked the man what he meant by keeping hostile possession of the sea, he answered with bold pride, “What thou meanest by seizing the whole earth; but because I do it with a petty ship, I am called a robber, whilst thou who dost it with a great fleet art styled emperor.”

    The root cause is the loss of Love.

    Love is the greatest power on Earth

    • Obligation without love is irksome.
    • Education without love is inconsistent.
    • Justice  without love is harsh.
    • Friendliness without love is hypocritical.
    • Order without love makes petty.
    • Responsibility without love is reckless.
    • Wisdom without love is torn.
    • Knowledge without love is opinionated.
    • Truth without  love makes impatient.
    • Power without love is violent.
    • Possession without love is stingy.
    • Honor without love is arrogant.
    • Faith without love is fanatical.

    A life without love is meaningless.

    The death of the Church father Augustine of Hippo, 430 fell in a time of change, as is the ancient world came to the end. The “leaders” of the EU are certainly no match to Alexander the Great. But the book was written soon after Rome was sacked by the Visigoths in 410. This event left Romans in a deep state of shock.  This event in Cyprus – even if taken back – is a suicidal attempt of lawless and godless leaders and constitution which does not refer to god nor to freedom and prosperity. In relation to Hegel and C. G. Jung is worth noting in that pure efficiency thinking that methodically requires total abstraction leads to a negative between ignorance which wants to know nothing, and a rationalism which wants to believe anything. Agustine is worth reading.
    • Book 1 Augustine censures the pagans, who attributed the calamities of the world.
    • Book 2 k Augustine reviews the greatest, of all calamities— the corruption of manners, and the vices of the soul.
    • Book 3 As in reviews e proves external and bodily disasters caused by such calamities.
    • Book 4 There is one true God, the author of felicity, by whose power and judgment earthly kingdoms are founded and maintained.
    • Book 5 Here he proves that there is no contradiction between God’s prescience and our free will.
    • Book 6 . Of this theology Augustine adopts a division into three kinds, mythical, natural, and civil.
    • Book 7 In this book it is shown that eternal life is not obtained by the worship of Janus, Jupiter, Saturn, and the other “select gods” like the markets we offer today.
    • Book 8 Augustine discussed the Platonic system which is the nearest approximation to Christian truth.
    • Book 9 Augustine proves that to no demon, but to Christ alone, belongs the office of providing men with eternal blessedness.
    • Book 10 In this book Augustine teaches principle and way of the soul’s cleansing and deliverance.
    • Book 11 Here he discusses the creation of the world, as it is described in Holy Scripture in the beginning of the book of Genesis.
    • Book 12 Augustine discusses there in some a good, and in others an evil will? And, what is the reason of the blessedness of the good, and the misery of the evi
    • Book 13 In this book it is taught that death is a penalty, and had its origin in Adam’s sin.
    • Book 14 Augustine again treats of the sin of the first man.
    • Book 15-19 , Augustine explains the two cities, the earthly and the heavenly growth and progress in the four books which follow.
    • Book 20 Concerning the last judgment, and the declarations regarding it in the old and new testaments.
    • Book 21 Of the end reserved for the city of the devil, namely, the eternal punishment of the damned; and of the arguments which unbelief brings against it.
    • Book 22 This book treats of the end of the city of God.
  • C. G. Jung’s Red Book in a hurry – Narrative

    C. G. Jung’s Red Book in a hurry – Narrative

    Prelude

    The «Red Book» created between 1914 and 1930 can be described as a visual diary of dreams. Jung described this book – its language and emotions seem at times almost embarrassing – as important testimonies of his psychological and spiritual development. The psychoanalyst referred to his unfinished work as a !necessary but annoying ‘aesthetic elaboration”‘. This is the crux of the matter. The price is annoying and the ‘ Red Book ‘ combines beauty with an aura of art and mystery. I highly recommend it to anyone who is involved with C.G. Jung, because it is a key work in the history of spirituality. It is also beautiful. This article contains my notes to the Red Book in form of a narrative and how I understood it for myself. A brief narrative is attached as appendix.

    You will need not reconsider C.G. Jung after reading this book. However, the ‘ red book ‘ is more than a psychological art catalogue. Visions and fantasies are analyzed and gaudy documented. It is C. G. Jung’s handwritten and painted legacy. Jung says later: ‘ all my work, everything that I have mentally created comes from the initial imaginings and dream. ‘ Including the sentence ‘In us is the way, the truth and the life’ set heavily on modern Christianity of the Benedictine monk Anselm Grün but also of the Gnostics reminiscen. The book may come at the right time, a time in which Europe denies his roots.

    This book consists of three major parts:

    • An introduction by Sonu Shamdasani.
    • The actual ‘ red book ‘Liber Novus’ a scanned calligraphic text with Imaginatio­ns and reflections and pictures painted by him, which look  like a medieval illuminated manuscript.
    • The manuscripts of the Liber Novus (Liber Primus, Liber Secundus, and attachments) in normal print.

    Introduction

    The Red Book has been characterized according do the New York Times variously as a creative psychosis, a descent into the underworld, a plunge in insanity, a narcissistic self-deification, a transcendence experience, a midlife crisis and an inner disturbance foreseeing the upheaval of World War I and afterwards. Whatever the case, in 1913, Jung, who was then 38, got lost in troubling visions and heard inner voices. In that age successful and well married men are prone to midlife crises. In any case Carl Gustav Jung’s personal crisis between 1913 and 1918 was a complex, multi-layered breakdown. It was not caused by a single isolated event; rather, it was a perfect storm of professional isolation, marital tension, and profound psychological disorientation.

    1. The Breakup with Sigmund Freud (Professional Crisis)

    • The Context: Freud had groomed Jung to be his “crown prince” and the heir to psychoanalysis.
    • The Rift: By 1912, Jung published Transformations and Symbols of the Libido, directly challenging Freud’s dogma that all unconscious impulses are sexual.
    • The Fallout: Their formal split in 1913 left Jung completely isolated. He resigned from the International Psychoanalytic Association and his lectureship at the University of Zurich. He was blackballed by mainstream psychology, labeled a mystic, and cut off from his professional community.

    This harsh split with his mentor Freud, throw him into a period of profound uncertainty regarding his psychology and philosophy. In 1913 the relationship with Freud came to an end and 1914 Jung resigned as president of the International Psychoanalytic Association. In was in these intense years, however, that he created a complete different psychology than Freud’s cold machinery – one could rekindle spirituality. Jung sought to find a new conception of God that would be more psychologically whole. Wholeness is a key feature in Jung’s psychology, both in terms of each human integrating or assimilating lost and undeveloped potentials of the Self, but also in terms of seeking to understand God as combining both light and dark.

    2. The Premonitions of World War I (The Visions)

    • The Cataclysm: In October 1913, Jung experienced an overwhelming waking vision while traveling: he saw a monstrous flood covering Europe, turning completely to blood and filled with thousands of floating corpses. This terrifying vision recurred multiple times over the following months.
    • The Fear of Psychosis: Because he had no logical explanation for these apocalyptic images, Jung genuinely feared he was undergoing a psychotic break or “doing a schizophrenia”.
    • The Realization: When World War I broke out in August 1914, Jung experienced immense relief. He realized his mind had not broken down; rather, he had tapped into a collective, precognitive layer of the human psyche. This realization laid the groundwork for his theory of the Collective Unconscious.

    3. Personal and Domestic Tensions (The Private Crisis)

    • Domestic Strain: During this exact window, Jung’s personal life was highly volatile. His marriage to Emma Jung was severely strained.
    • The Affair: He began a profound, lifelong, and highly complex extramarital relationship with Toni Wolff, a former patient who became his intellectual collaborator and guide through his darkest unconscious explorations.

    Instead of medicating himself or repressing these terrifying voices and images, Jung made a radical choice: he chose to dive directly into them. He used a technique he called Active Imagination, forcing himself to consciously interact with the figures haunting his mind. The Red Book is the exact, raw laboratory notebook of that experiment. Henri Ellenberger later categorized this period as a “creative illness”—a temporary, functional psychological collapse from which an individual emerges with an entirely new, transformative worldview.

    Some private remarks

    The Red Book
    The Red Book

    Jung’s Red Book has to do with  Zürich – something previously hidden reveals itself, therefore a few words about my Zürich as a stranger,  if I may. The city is an excellent city for Jungian’s, pretty much for any minority; here they have found a certain quiet niche.  Zürich, for Jungian’s, is spiritually loaded. It’s a kind of Jerusalem, the place where C. G. Jung began. It is one of the last cities, where you can strike a meaningful conversation in bookstores, especially about C.G. Jung and Freud. It is the city of Max Frisch, my favorite writer, Thomas Mann, Einstein and Lenin lived there.

    In 2010 I saw the Red Book in the exhibition in Zürich and  wanted to own a copy of it. The original  was a nearly 100-year-old book, bound in red leather. The book is big and heavy and its spine is etched with gold letters that say “Liber Novus,” which is Latin for “New Book. The Book  is odd in regards to color already.  Red is an no-no color in Zürich Finance, which I learned the hard way presenting in a large Swiss bank once.  No Red Book of Mao, no red Letters in Powerpoint, no red Figures in Excel –  please.

    Shot from Urania observatory in the Lindenhof quarter of Zurich, Switzerland. The muse of astronomy in Greek mythology
    Shot from Urania observatory in the Lindenhof quarter of Zurich, Switzerland. The muse of astronomy in Greek mythology

    Zürich is, despite the beautiful landscape around it, is neither pretty nor impressive, but one of Europe’s more purposeful cities. Lots of money and many hookers, neatly and orderly lined up  like the SBB trains which glide in and out on a flawless schedule. Fondue restaurants full of tourists and chocolatiers full of Swiss.

    Tough natives ride their bicycles  up the hill,  pedaling suicidal over the Hart fly over. In summer, white-steam ships puff around Lake Zürich; in winter, the mountains glitter on the horizon in direction of the “Pnüsli coast”. This is where I lived six+ years, working in Zürich and all over Switzerland. Zürich has  really good theaters, operas and small art movie cinemas but its Zwingli flavor gets boring after 6 months. Not an easy city, but after 2 years a Swiss father/men group  – of straight middle class men – took me under its wing. I am still grateful to them, since I learned how the city ticks, and made my peace with it. During lunch hour year-round, young business men stride the Bahnhofstrasse in their power suits and  rich, well-kept women go shopping. It’s not a fantastic tourist destination either nor a good place to hide money anymore.  However, a book was hidden for almost fifty years in a bank vault in Switzerland. Is long-awaited publication in October, 2009 was a signal event for Jungian’s.  Jung’s entire corpus, is as enigmatic as profound and Jungian’s, a species of thinkers who subscribe to the theories of Carl Jung, by definition get enthused anytime something previously hidden reveals itself. That is what C. G. Jung is all about,  right?

    The Drama

    Nachdenken und Rede sind nun wohl zwar dasselbe, nur dass das Gespräch, welches in der Seele mit sich selbst ohne Laut vor sich geht, bei uns den Namen Nachdenken erhielt? PLATON

    Jung, who was at that point, when  he “wrote” the Red Book,  an outwardly successful and ambitious man with a young family, a thriving private practice and a big, elegant house on the shores of Lake Zürich, felt his own psyche deteriorated in a life-altering crisis. For about six years, Jung worked to prevent his conscious mind from blocking out what his unconscious mind wanted to show him with actually induced hallucinations — what he called “active imaginations.” “In order to grasp the fantasies which were stirring in me ‘underground,’ ” Jung wrote at the end of his life in his book “

    C.G. Jung Active Imagination
    C.G. Jung Active Imagination

    “I knew that I had to let myself plummet down into them.” Writing in German, he filled 205 oversize pages with elaborate calligraphy and with richly hued, staggeringly detailed paintings. It was not a dispassionate, academic essays on psychiatry, nor a straightforward diary. Instead, the book was a kind of  Gnostic theater play, driven by the idea that a person might move beneficially between the poles of the rational and irrational, the light and the dark, the conscious and the unconscious — that provided the core for his later work and for what analytical psychology would become. The book tells the story of facing his own demons as they emerged from the Shadow.  He worked on his red book — and he called it just that, the Red Book — on and off for about 16 years, long after his personal crisis had passed, but he never managed to finish it.  The structure sounds like a severe midlife crisis of  a psychiatrist: Man encounters midlife and loses his soul. Man goes looking for soul. After much  hardship and adventure — genius and madness,  possession and obsession taking place entirely in his head — he finds his soul again.  It was in such states that a  drama played itself out; Jung would have lengthy dialogues with the imaginal beings that spontaneously presented themselves. For Jung this was not play acting, since he took these presences as real and allowed himself to experience real emotions ranging from bliss and surprise to nausea, disgust, guilt and shame. The experiences were so intense that Jung said that at times he had to grip the table with both hands to steady himself as he endured the experiences brought on by the unconscious. For this reason he called this period of self-exploration a “confrontation with the unconscious.”

    The Cast

    Active Imagination, a dialogue with mystical or invented figures like Salome (Anima)  and Elijah (Father, wise old man)  in effect archetypes, became a hallmark of Jungian method.  Entering into the world of a dream allowed him to be fully affected by the unconscious . Interpretation is most often the goal and conclusion of working with a dream. This is not the case with Jung’s method. Finding an interpretation of a dream is only the first step in unleashing the power of an image. The Red Book is essentially a narrative of Active Imaginations (wake dreams) together with Jung’s discoveries during this endeavor. In the Red Book we witness the first time what Jung called a “confrontation” with unknown aspects of himself, giving voice to the inner figures that spontaneously arose during his descents into his unconscious. Jung’s method of dialogue with images and presences within himself was undoubtedly influenced by his observation of mediums that would go into trance states and perform séances, a widespread and common practice throughout Europe in the early part of the 1900’s.

    The major Player- Jung, Salome, Elijah
    The major Player- Jung, Salome, Elijah

    In the book, Jung travels the land of the dead, falls in love with Salome, gets squeezed by a giant serpent and, in one terrifying moment, becomes Jesus. At one point, even the devil criticizes Jung as hateful.  After he has traversed a desert, scrambled up mountains, carried God on his back, committed murder to Siegfried the Hero, visited hell; and he has had long and inconclusive talks with Philemon an FatherArchetype. Salome, a female Archetype Anima, tells him not to fear madness but to accept it, even to tap into it as a source of creativity: Madness is not to be despised and not to be feared, but instead you should give it life. If you want to find paths, you should also not spurn madness,since it malees up such a great part of your nature.  Man strives toward ·reason only so that he can make rules for himself. Life itself has no rules“

    The Red Book is not an easy journey — it is larger than life,medieval and like so much else about Carl Jung, a willful oddity, synched with a alchemy and mystic. The text is dense, often poetic, always strange. The art is arresting and equally strange. While the Red Book contains many beautiful paintings, he was not doing art. His artistic expressions were a means of evoking meaning rather than being primarily an aesthetic experience to gain a deeper connection to the inner figures of his imagination. It was a way of making the representation of his inner experiences more real. In other words, he did art not for art’s sake, but rather part of the method.

    The publishing

    “There can be few unpublished works that have already exerted such far-reaching effects upon twentieth-century social and intellectual history as Jung’s Red Book,” so writes the translator of Carl Jung’s recently published personal journal. By Jung’s own admission, the period of self-examination at mid-life that was recorded in the Red Book was source for all that Jung would write about for the next several decades. Even Jung’s popular autobiography, Memories, Dreams, Reflections, is drawn from the Red Book, yet the document itself had been closely guarded and withheld from the public for fifty more years. The question whether Jung wanted to share his encounter with the unconscious with the future generations,however, remains unsolved, because he expressed himself only ambivalent on this. On the one hand he instructed his children that the Red Book should remain in the family, on the other hand he showed different versions of the work two dozen people. It is quite understandable, that Jung’s heirs declined those recordings to the professional world and interested readership for so long. A reason may be, that the author even was not sure. This indecision is quite evident in the fact, that Jung in the epilogue, which he added 1959, breaks off in the middle of the sentence in after having left the book more or less untouched for 30 or so years. He wrote:

    Epilogue 1959

    I worked on this book for 16 years. My acquaintance with alchemy in 1930 tool( me away from it. The beginning of the end came in 1928, when Wilhelm sent me the text of the “Golden Flower,” an alchemical treatise. There the contents of this book,found their way into actuality and I could no longer continue working on it. To the superficial observer, it will appear like madness. I t would also have developed into one, had I not been able to absorb the overpowering force of the original experiences. With the help of alchemy, I could finally arrange them into a whole. I always knew that these experiences contained something precious, and therefore I knew of nothing better than to write them down in a “precious,” that is to say, costly book and to paint the images that emerged through reliving it all-as well as I could. I knew how frightfully inadequate this undertaking was, but despite much work and many distractions I remained true to it,even if another possibility never …

    Credit Photo: hammer.ucla.edu
    Credit Photo: hammer.ucla.edu

    Yet the very fact he wrote an epilogue close to the end of his life, seems to indicate that he wanted to find the right audience, but only after he took great care that this will happen after his career (and death).

    Decisively for the publication of the work clouded in secrecy work was the discovery of copies by Sonu Shamdasani. The Historian meet in 1997 for the first time to the family Jung and persuaded during three years its members, to release the Red Book for the publication. Jung’s grandchildren soon recognised, that there could be hardly a more experienced Jung historian than Shamdasani.

    Underlying concepts

    Jung understood the psyche as an inherently more spiritual and fluid place, an ocean that could be fished for enlightenment and healing. Whether or not he would have wanted it this way, Jung — who regarded himself like Freud as a scientist — is today remembered more as an icon, a proponent of spirituality inside and outside religion. He is indeed the ultimate champion of dreamers and seekers. Unknown to many his more down to the earth methods were forerunner of the Myers-Briggs personality test and cross cultural trainings utilized by smart consultants. The existence of a collective unconscious and the power of archetypes — have influenced also the shallow domain of New Age thinking.

    For an introduction to the concepts of “C.G. Jung in hurry” see a few slides:

    The Author

    C.G. Jung Source Astro Wiki
    C.G. Jung Source Astro Wiki

    Even after Freud’s theories have been largely discounted for all practical purpose, C.G. Jung still remains at the fringes of orthodox, “serious” psychology. Well, they borrow his concepts liberally without giving credit but labeled him often as non-scientific and inherently politically dubious. No wonder, Jung was interested in the psychological aspects of séances, of astrology, and of witchcraft. I own for example, a book of the late 1950s that examined the psychological phenomenon of flying saucers. He broke with the established ranks of his profession. Even worse, Jung was a well-off conservative, but also a bookish James Bond, with a famously magnetic appeal with women and  prone to dangerous affairs. He even worked once for the OSS (a predecessor of the CIA) and the US president. In short, he was quite a man. Jung pored over Dante, Goethe, Kant and Nietzsche as well as mythology, world religions and cultures. Somewhere along the way, he started to view the human soul — not as an organ to be repaired or drugged — but requiring spiritual development, an idea that pushed him into a province long occupied by artists and priests but not so much by medical doctors and empirical scientists. To him the purpose of analysis was not about handing over problems to a godlike specialist or to give life back to someone who’s lost it. Jung found himself in opposition not just then but also today. Psychiatrists constitute a dominant sect with a language of symptom and diagnoses. Today the just changed asylum wards with Psychopharmaca, or even worse, sometimes project the patients ills to the society and align with political fashions.

    Conclusion

    E: "I am Elijahls7 and this is my daughter Salome."IS8I: "The daughter of Herod, the bloodthirsty woman?"
    Quite an Anima:  “I am Elijahls and this is my daughter Salome.” Jung: “The daughter of Herod, the bloodthirsty woman?”

    Even the Jungian world is cautious about regarding Carl Jung as a sage — a history of political incorrect remarks and his rather patriarchal views of women spells trouble today. I have privately gotten insights from Jungian psychology for more than 12 years and am particularly drawn to the breadth of Jung’s psychology, his knowledge of philosophy, art and world religions. His works include references to Wagner, Faust, (Franz Stuck’s) Salome, Ovid, the Norse gods Odin and Thor, the Egyptian deities Isis and Osiris,the Greek goddess Hecate, ancient Gnostic texts, Greek Hyperboreans, King Herod, the Old Testament, the New Testament, Nietzsche’s Zarathustra, alchemy and astrology, Buddha and Lao-tse. And that’s just naming a few. Jung opened to me encounters with my soul and explained to a “Homo Faber” magic, coincidence and the mythological symbols. I would not like to give most “shrinks” my hand, but found Jung’s work extremely helpful for men (and women) in the second half of their lives. The broader goals of self-discovery and wholeness — a maturation process Jung himself referred to as “individuation” – are timeless:  The blond hero lay slain. The black beetle is the death that is necessary for renewal; and so thereafter, a new sun glowed.

    Note: Of course the Red Book must not read not in a hurry.  As I said, those are just my notes sprinkeld with some quotes and personal memories. I am currently expanding them, since I re-read the book.  I hope it makes appetite.

    The Narrative

    Jung made once  a rather informative remark about the difficult language of his Red Book: „archetypes speak the language of high rhetoric, even of bombast. (…) I had no choice but to write everything down in the styles selected by the unconscious itself.“ (Jung in 1963).  It is also noteworthy that he admits to have lost the control of this self-experiment („(„Today I might equally well say that it was an experiment which was being conducted with me.“). The two most important archetypes, who accompanied him in his dream wanderings are The wise old and more fatherly Man (Elijah, then Philemon resulted from this figure) and the girl Salome (his Anima).  Other women come up, usually representing his soul, as well as one big black Serpent appear also in impressive drawings in the Red Book again. The employment of these and to other figures of his dreams and awake imagination led him to the deciding insight, namely that there are things in the psyche which avoid our control, show themselves and develop an own way of life.  More than 16 years, it was for Jung, primarily about closing the gap between that cosy and orderly outside world and his  inside world of the pictures and to understand the interaction of both worlds. Only when the contradiction between “Inside” and “Outside” was solved for him, he could conclude this self-experiment.

    The Red Book is a testament to what might be called Religion or a spirituality that is developed from the ever evolving Self that is indeed as aspect of nature. It was Jung’s experience to see what the “Deep Knowledge” would present him if he simply put aside his dominant mode of apprehension, the linear, analytical mind, and allowed what else was in him to manifest itself. The conversations we see in the Red Book are a detailed description of what Nature did with Jung. It can be the same with us as well, since our dreaming is unconscious speaking with us. All that is required is that we learn how to enter into the imaginal dialogue that would allow this other intelligence to be understood.

    Jung was very adamant that each of us can and must enter into our own experiment with the unconscious. Ultimately, if we are to become the full potential of our being then we cannot have heroes above us who do things that we cannot do. In Jung’s words, we must be the Christ; that is, we must live our lives as distinctly and as uniquely and as fully as Christ lived his life, taking on himself the full weight of a human life and being true to all that he was.

    “The images of the unconscious place a great responsibility upon a man. Failure to understand them, or a shirking of ethical responsibility, deprives him of his wholeness and imposes a painful fragmentariness on his life.” Liber Novus is an unfinished manuscript corpus, and it taken from series of manuscripts, of which no single version can be taken as final.

    .

    The Red Book: Liber Primus

    Prologue

    Main proponents:   Spirit of the Time, Spirit of the Depth  Gospel of John,  Bible

    The Way of What is to Come
    The Way of What is to Come

    Jung’s Prologue starts with a prophesy announcing Jesus: For unto us a child is born, unto us a son is given: and the government shall be upon his shoulder: and his name shall be

    called Wonderful, Counsellor, The mighty God, The everlasting Father, The Prince of Peace. (Isaiah 9:6) and continues with an vers of the famous prologue in the Gospel of John: And the Word was made flesh, and dwelt among us (and we beheld his glory; the glory as of the only begotten of the Father), full of grace and truth. (John 1:14). Then Jung himself discards the spirit of this time (Zeitgeist) who just wants only to hear about benefit and value. But I did not consider that the spirit of the depths from time immemorial and for all the future possesses a greater power.  Melting sense and anti-sense leads to a supreme (sense) meaning  –  to  “The Way of What is to Come“, – the bridge to what is  coming – but not  to God himself but to his image offering inspiration and knowledge from the Depths but also visions of the coming first Wold War.

    But the spirit of the depths said: “No one can or should halt sacrifice. Sacrifice is not destruction, sacrifice is the foundation stone of what is to come … You should carry the monastery in yourself . The desert is within you. The desert calls you and draws you back … Truly; I prepare you for solitude.”

    After this, my humanity remained silent. Something happened to my spirit, however, which I must call mercy.

    The Prologue closes:

    There is only one way and that is your way. You seek the path, I warn you away from my own. It could also be the

    wrong way for you.

     One eye of the Godhead is blind, one ear of the Godhead is deaf,

    the order of its being is crossed by chaos.

    The Red Book: Liber Primus, Chapters I-VII

    Pages filled with cramped calligraphy that seemed at once controlled but also written feverishly.

    (1) Refinding the soul

    rb-1

    Main proponents:  Jung himself reflecting of the Soul and the  Spirit of the Depth.

    Main thought:  The soul contains the images which the half (of Platon’s) world.

    If we possess the image of a thing, we possess half the thing.

    The image of the world is half the world. He who possesses the world but not its image’ possesses only half the world, since his soul is poor and has nothing. The wealth of the soul exists in images.He who possesses the image of the world, possesses half the world, even if his humanity is poor and owns nothing. 

    (2) Soul and God

    rb-2

    Main proponents:  Jung himself reflecting of the Soul and God.

    Main thought:  One has to recognize and accept that Anima and Animus is  which is irrational. Anima and Animus is the first internal God you meet. Dreams  as knowledge of the heart.

    If you are boys, your God is a woman.

    If you are women, your God is a boy.

    If you are men, your God is a maiden.

    The God is where you are not.

    So: it is wise that one has a God; this serves for your perfection.

    A maiden is the pregnant future.

    A boy is the engendering future.

    A woman is: having given birth.

    A man is: having engendered.

    So: if you are childlike beings now, your God will descend from the height of ripeness to age and death.

    (3) On the Service of the Soul

    rb-3-1

    Main proponents:  Jung  fighting seven Nights against the spirit of the Depth, writing down dreams

    Main thought: Open the gates of the soul to let the dark flood of chaos flow into your order and meaning.

    Christ taught: God is love.  But you should know that love is also terrible.

    Christ totally overcomes the temptation of the devil, but not the temptation

    of God to good and reason.

    The slave to virtue finds the way as little as the slave to vices. 

    If you believe that you are the master of your soul, then become servant.        

    If you were her servant, yourself master, since she needs to be

    ruled. These should be your first steps.

    (4) The Dessert

    rb-4

    Main proponents:  Jung  going in the desert to find his Self

    Main thought: Why is my self a desert? Have I lived too much outside of myself in men and events? Why did I avoid my self?

    When you say that the place of the soul is not, then it is not.

    But if you say that it is, then it is. Notice what the ancients said

    in images: the word is the creative act. The ancients said: in the

    beginning was the Word. Consider this and think upon it.

    The words that oscillate between nonsense and supreme

    meaning are the oldest and truest.

    Experiences in the Desert

    rb-5

    Main proponents: Jung and his Soul – after 25 nights his soul speaks to him, lectures him

    Main thought:  After 25 nights his soul speaks to him, lectures him:  “I am not your mother.”

    Should everything fall into your lap ripe and finished? You are

    full, yes, you teem with intentions and desirousness!-Do you

    still not know that the way to truth stands open only to those

    without intentions?”

    The Zeitgeist considers itself extremely clever, like every such

    spirit of the time. But wisdom is simple-minded, not just simple.

    Many will laugh at my

    foolishness. But no one will laugh more than I laughed at myself.

    So I overcame scorn. But when I had overcome it, I was near to my soul,

    and she could speak to me, and I was soon to see the desert becoming green.



    (5) Descent into Hell in the Future

    rb-5-1

    Main proponents:  Many confused  voices, thousand serpents, Jung falling, spirit of the depth, blond slain hero

    Main thought:  I am seized by fear.

    The spirit of the depths opened my eyes and I caught a glimpse of the inner things, the world of my soul, the many-formed and changing.

    I see a gray rock face along which I sink into great depths.I hear the flow of underground waters. I see the bloody head of a man on the dark stream. Someone wounded, someone

    slain floats there. I see a large black scarab floating past on the dark stream. In the deepest reach of the stream shines a red sun, radiating  through the dark water.  Serpents on the dark rock walls, striving toward the depths, where the sun shines. A thousand serpents crowd around, veiling the sun. Deep night falls. A red stream of blood, thick red blood

    springs up, surging for a long time, then ebbing. I am seized by fear.

    To the extent that the Christianity of this time lacks madness, it lacks divine life.

    But also speak of sick delusion when the spirit of this time does not leave a man and forces him to see only the surface, to deny the spirit of the depths and to

    take himself for the spirit of the times. The spirit of this time is ungodly; the spirit of the depths is ungodly; balance is godly.

    The spirit of the depths is pregnant with ice, fire, and death. You are right to fear the spirit of the depths, as

    he is full of horror.

    Blood shone at me from the red light of the crystal, and when

    I picked it up to discover its mystery; there lay the horror uncovered

    before me: in the depths of what is to come lay murder.

    The blond hero lay slain. Therefore I take part in that murder; the sun of the depths

    also shines in me after the murder has been accomplished; the

    thousand serpents that want to devour the sun are also in me. I

    myself am a murderer and murdered, sacrificer and sacrificed.

    The upwelling blood streams out of me.

    The heroic in you is the fact that you are ruled by the

    thought that this or that is good, that this or that performance

    is indispensable, this or that cause is objectionable, this or that

    goal must be attained in headlong striving work, this or that

    pleasure should be ruthlessly repressed at all costs. Consequently

    you sin against incapacity. But incapacity exists. No one should

    deny it, find fault with it, or shout it down.

    (6) Splitting of the Spirit

    rb-6

    Main proponents:  Jung’s Ego, His Soul in God mask and Devils mask

    Main thought:   Going to hell is equal to becoming hell.

    My soul: “Who gives you thoughts and words? Do you malice

    them? Are you not my serf a recipient who lies at my door and

    picks up my alms? And you dare think that what you devise and

    speak could be nonsense? Don’t you know yet that it comes from

    me and belongs to me?”



    As the first vision had predicted to me, the assassin appeared

    from the depths, and came to me just as in the fate of the people

    of this time a nameless one appeared and leveled the murder

    weapon at the prince. ( Black Book 2 continues: ”Are you neurotic? Are we neurotic?”

    Everything that becomes too old becomes evil, the same is true of your

    highest. Learn from the suffering of the crucified God that one can also betray

    and crucify a God, namely the God of the old year. If a God ceases being the

    way of life, he must fall secretly. The God becomes sick if he overstep the height of the zenith. That is why the

    spirit of the depths took me when the spirit of this time had led me to the summit.

    (7) Murder of the Hero

    rb-7

    Main proponents: Jung, Siegfried (the hero), the spirit of the depth); Siegfried was a heroic prince who appears in old German and Norse epics. In the twelfth-century Nibelunglied, he is described as follows: ”And in what magnificent style Siegfried rode! He bore a great spear, stout of shaft and broad of head; his handsome sword reached down to his spurs; and the fine horn which this lord carried was of the reddest gold” His wife, Brunhild, is tricked into revealing the only place where he could be wounded and killed. Richard Wagner reworked these epics in The Ring of the Nibelung.

    Main action:  Jung ambushes and shoots Siegfried, Jung is reborn, vision of illuminated white men

    Main thought:  “The highest truth is one and the· same with the absurd.”

    What does Siegfried mean for the Germans! What does it

    tell us that the Germans suffer Siegfried’s death! That is why

    I almost preferred to kill myself in order to spare him. But I

    wanted to go on living with a new God.

    After death on the cross Christ went into the underworld

    and became Hell. So he took on the form of the Antichrist, the

    dragon. The image of the Antichrist, which has come down to

    us from the ancients, announces the new God, whose coming

    the ancients had foreseen.

    Gods are unavoidable. The more you flee from the God, the

    more surely you fall into his hand.

    The Red Book: Liber Primus, Chapters VIII-XI

    Of Gods and Prophets.

    (8) The Conception of the God

    rb-8

    Main proponents: Child, Jesus

    Main action:  Christ’s descent into Hell ( contained in several gnostic apocryphal gospels. In the ”Apostles Creed,” it is stated that “He descended into Hell. The third day He

    arose again from the dead.” Jung commented on  this motif  in Psychology and Alchemy, 1944, CW 12, §61n, 440, 451; Mysterium Coniunctionis, 1955/56, CW 14,475). It is the psychological equivalent of an integration with the collective unconscious and an essential part of the individuation process. (Aion, CW 9,2, §72). But the serpent is also life. In the image furnished by the ancients, the serpent put an end to the childlike magnificence of paradise; they even said that Christ himself had been a serpent”  commented on this motif in 1950 in Aion, CW 9, 2. 

    Main thought:   God combining beauty and goodness, beautiful and hateful, good and evil, laughable and serious, human and inhuman. Definition of hell. Why the hero needs to be slain.

    You new spark of an eternal fire, into which night were you born?’

    When my prince had fallen, the spirit of the depths opened my vision and let me become aware of the birth of the new God.

    The divine child approached me out of the terrible ambiguity, the hateful-beautiful, the evil-good, the laughable-serious, the

    sick-healthy, the inhuman-human and the ungodly-godly.

    Therefore after his death Christ had to journey to Hell, otherwise the ascent to Heaven would have become impossible

    for him. Christ first had to become his Antichrist, his underworldly brother. No one knows what happened during the three days Christ

    was in Hell. I have experienced it. 

    The dead matter will change into black serpents.

    What do you think of the essence of Hell? Hell is when the depths come to you with all that you no longer are or are not yet

    capable of Hell is when you can no longer attain what you could attain. Hell is when you must think and feel and do everything

    that you know you do not want. Hell is when you know that your having to is also a wanting to, and that you yourself are responsible

    for it. Hell is when you know that everything serious that you have planned with yourself is also laughable, that everything fine is also brutal, that everything good is also bad, that everything high is also low, and that everything pleasant is also shameful.

    But the deepest Hell is when you realize that Hell is also no Hell, but a cheerful Heaven, not a Heaven in itself, but in this

    respect a Heaven, and in that respect a Hell.

    That is the ambiguity of the God: he is born from a dark ambiguity and rises to a bright ambiguity. Unequivocalness is

    simplicity and leads to death.141 But ambiguity is the way of life.

    I must say that the God could not come into being before the hero had been slain. The hero as we understand him has become an

    enemy of the God, since the hero is perfection. The Gods envy the perfection of man, because perfection has no need of the Gods. But

    since no one is perfect, we need the Gods.

    That will be a time of salvation and the dove, and the eternal fire, and redemption will descend.

    Then there will no longer be a hero, and no one who can imitate him.

    The hero must fall for the sake of our redemption, since he is the model and demands imitation.

    (9) Mysterium encounter

    rb-9

    Main proponents:  Jung,  Elijahls (old man, prophet),  Herod’s bloodthirsty daughter Salome,  black serpent

    Main action:  Meets Salome (his Anima) and Elijah who was one of the prophets of the Old Testament. Jung replied used once Elijah as an archetype, describing him as a “living

    archetype” who represented the collective unconscious and the self.  Salome was the daughter of Herodias and the step-daughter of King Herod danced once before Herod .  She requested the head of John the Baptist, who was then beheaded. In the late nineteenth this archetype of the Feminine Evil, or femme fatale fascinated painters and writers, including

    Oscar Wilde, and Franz von Stuck.

    Main thought:   Why ones Anima must be feared and loved.

    I: “Forgive my astonishment, am I truly in the underworld?”

    S: “Do you love me?”

    I: “How can I love you? How do you come to this question? I see only one thing, you are Salome, a tiger, your hands are stained with the blood of the holy one. How should I love you?”

    S: “You will love me.”

    I: “I? Love you? Who gives you the right to such thoughts?”

    S: “I love you.”

    I: “Leave me be, I dread you, you beast.”

    I: “I am horrified. Who wouldn’t be horrified if Salome loved him?”

    E: ”Are you cowardly? Consider this, I and my daughter have been one since eternity.”

    I see how the black serpent writhes up the tree, and hides in the branches. Apart from Elijah and Salome I found the serpent as a third

    principle. It is a stranger to both principles although it is associated with both. The serpent is the

    earthly essence of man of which he is not conscious.

    Elijah said: “You should recognize her through her love!” Not only do you venerate the object, but the object also sanctifies

    you. Salome loved the prophet, and this sanctified her. The prophet loved God, and this sanctified him. But Salome did not

    love God, and this profaned her. But the prophet did not love Salome, and this profaned him. And thus they were each other’s

    poison and death. May the thinking person accept his pleasure, and the feeling person accept his own thought. Such leads one

    along the way.

    (10) Instruction

    rb-10

    Main proponents:  Jung,  Elijahls (old man, prophet),  Herod’s bloodthirsty daughter Salome, black serpent

    Main action:  Loves Salome (his Anima) becomes prophet.

    Main thought: Sensuality is the lowest and commonest form of pleasure. This is represented by Kali. Salome is the image of his pleasure, that suffers pain,  Salome is Jungs soul. Pope in Rome has become an image and-symbol for us of how God becomes human.

    You see, prophet, I am tired, my head is as heavy as lead. I am

    Elijah and Salome stand smiling before me.

    Elijah is silent. Heaviness lies on me. Then Salome steps in, comes

    over to me and lays her arm around my shoulder. She takes me for

    her father in whose chair I sat.

    On account of my thoughts, I had left myself; therefore my

    self became hungry and made God into a selfish thought.

    Salome embraced me and I thus became a prophet, since I had

    found pleasure in the primordial beginning, in the forest, and in

    the wild animals.

    (11) Resolution

    rb-11

    Main proponents:  Jung,  Elijahls (old man, prophet),  Herod’s bloodthirsty daughter Salome,   black and white serpent, Wagner dwarf mime.



    Main action: Dialogue between Christ and Salome. Christ states that he has come to undo the work of the female, namely; lust, birth, and decay: To Salome’s question of how long shall death prevail, Christ answered, as long as women bear children. In Wagner’s Ring of the Nibelung, the Nibelung dwarf Mime is the brother of Alberich and a master craftsman. Alberich stole the Rhinegold from the Rhinemaidens; through renouncing love, he was able to forge a ring out of it that conferred limitless power. In Siegfried, Mime, who lives in a cave, brings up Siegfried so that he will kill Fafner the giant, who has transformed into a dragon and now has the ring. Siegfried slays Fafner with the invincible sword that Mime has fashioned, and kills Mime, who had intended to kill him after he had recovered the gold.  Fight of the two snakes: the white means a movement into the day, the black into the kingdom of

    darkness, with moral aspects too. Compare Dante’s Inferno. The Gnostics express this same idea in the symbol of the reversed cones. In Aion, Jung also noted that serpents were a typical pair of opposites, and that the conflict between serpents was a motif found in medieval alchemy (1951, CW 9,2, §181).

    War was not only adventure, criminal acts and killing, but the mystery of self-sacrifice. Love brings the self-sacrificer and self-sacrifice. Love is also the mother of my self-sacrifice. In that I hear and accept this, I experience that I become Christ, since I recognize that love makes me into Christ.  My willing, which earlier served the spirit-of-this-time [“Zeitgeist”] went under to the spirit of the depths, and just as it was previously determined by the spirit of the time, it is now determined by the spirit of the depths, by forethinking, by that image of the sighted Salome.  What is presented here develops the notions of the conflict between opposing functions, the identification with the leading function, and the development of

    the reconciling symbol as a resolution of the conflict of opposites, which are the central issues of psychological Types (CW 6),  the process of the fusion of the two currents to the transcendent function.

    Main thought: Jung once recounted that after Salome’s declaration that he was Christ was deification. The animal face which I felt mine transformed into was the famous [Deus] Leontocephalus of the Mithraic mysteries, the figure which is represented with a snake coiled around the man, the snake’s head resting on the man’s head, and the face of the man that of a lion … In this deification mystery you make yourself into the vessel, and are a vessel of creation in which the opposites reconcile. All say that they are fighting for the good and for peace, but one cannot fight one another over the good. No one can judge history in terms of right and wrong. Because one-half of mankind is wrong, every man is half wrong. The psychological processes, which accompany the present war , above all the incredible brutalization of public opinion, the mutual slanderings, the unprecedented fury of destruction, the monstrous flood of lies, and man’s incapacity to call a halt to the bloody demon-are suited like nothing else to powerfully push in front of the eyes of thinking men the problem of the restlessly slumbering chaotic unconscious under the ordered world of consciousness. This war has pitilessly revealed to civilized man that he is still a barbarian … But the psychology of the individual corresponds to the psychology of the nation. What the nation does is done also by each individual, and so long as the individual does it, the nation also does it. Only the change in the attitude of the individual will do.

    The rock separates day and night. On the dark side lies a big black serpent, on the bright side a white serpent.

    Elijah climbs down from the stone, his form becomes smaller in descending, and finally becomes dwarf like. The serpents

    become infinitely small. I feel as if I too am shrinking.

    E: “You wanted to come here far too much. I did not deceive you, you deceived yourself He sees badly who wants to see; you

    have overreached yourself”

    Salome draws near. The serpent has wound itself around my whole body, and my countenance

    is that of a lion.

    Salome says, “Mary was the mother of Christ, do you understand?”

    Then she cries, “I see light!” Truly; she sees, her eyes are open. The serpent falls from my body and lies languidly on the ground.  Elijah transforms into a huge flame of white light.

    The hero strives after the utmost in the pure principle, and therefore he finally falls for the serpent.

    Love and forethinking are in one and the same place. Love cannot be without forethinking, and forethinking cannot be

    without love. Man is always too much in one or the other. Thiscomes with human nature.

    You are Christians and run after heroes, and wait for redeemers who should take the

    agony on themselves for you, and totally spare you Golgotha.

    The spirit of the depths clutched the fate of man unto itself as it clutched mine. He leads mankind through the river of blood

    to the mystery: In the mystery man himself becomes the two principles, the lion and the serpent.

    Because I also want my being other, I must become a Christ. I am made into Christ, I must suffer it. Thus the redeeming blood

    flows. Through the self-sacrifice my pleasure is changed and goes above into its higher principle. Love is sighted, but pleasure is

    blind. Both principles are one in the symbol of the flame. The principles strip themselves of human form.

    The mystery showed me in images what I should afterward live. I did not possess any of those boons that the mystery showed

    me, for I still had to earn all of them.

    finis. part. prim. (End of part one)

    The Red Book: Liber Secundus, Chapters I-VII

    Strange soulmaking encounters.

    (1) The Images of the Erring

    rbs-1

    Hearken not unto the words of the prophets that prophesy unto you: they make you vain: they speak a vision of their own heart, and not out of the mouth of the Lord.” (Jeremiah 23: 16)

    (2) The Red One

    rbs-2

    Main proponents:  Jung, the Devil (The Red One)

    Main proponents:  Jung, the Devil (The Red One)

    Main action:  Funny dialogue

    Main thought: It does not help that we say in the spirit of this time: There is no personal devil. There is one I earnestly confronted my devil and behaved with him as with a real person. Take seriously every unknown wanderer who personally inhabits the inner world, since they are real because.

    T. R.: ”Are you a doctor of theology, who examines Christianity from the outside and appreciates it historically, and therefore a sophist after all?”

    I: “You’re stubborn. What I mean is that it’s hardly a coincidence that the whole world has become Christian. I also believe that it was the task of Western man to carry Christ in his heart and to grow with his suffering, death, and resurrection.”

    (2) The Castle in the Forest

    rbs-3

    Main proponents: Jung, old castle owner and his daughter

    Main action: Overnight in a castle in the wood

    Main thought: You are a slave of what you need in your soul. The most masculine man needs women, and he is consequently their slave. Become a woman yourself; and you will be saved from slavery to woman.The acceptance of femininity leads to completion. The same is valid for the woman who accepts her masculinity. The feminine in men is bound up with evil. I find it on the way of desire. The masculine in the woman is bound up with evil.

     I: “But for Heaven’s sake, tell me one thing: in all earnestness must I assume that you are real?”

    She weeps and does not answer.

    I: “Who are you, then?”

    She: “I am the old man’s daughter. He holds me here in unbearable captivity; not out of envy or hate, but out of love, since

    I am his only child and the image of my mother, who died young.”

    (3) One of the Lowly

    rbs-4

    Main proponents: Jung, a tramp (former convict)

    Main action: Wandering in a homely, snow-covered country, overnight in a country tavern.

    Main thought: At your low point you are no longer distinct from your fellow beings. You are not ashamed and do not regret it, since insofar as you live the life of your beings and descend to their lowliness / you also climb into the holy stream of common life, where you are no longer an individual on a high mountain, but a fish among fish, a frog among frogs. Your heights are your own mountain, which belongs to you and you alone. Becoming belongs to the heights and is full of torment. How can you become if you never are?

    He: “You can go to the cinema in the evenings. That’s great and it’s cheap. You get to see everything that happens in the world.” I have to think of Hell, where there are also cinemas for those who despised this institution on earth and did not go there because everyone else found it to their taste. I: “What interested you most about the cinema?” He: “One sees all sorts of stunning feats. Oh, today’s miracles are simply somewhat less mythical than technical.

    (4) The Anchorite

    rbs-5

    Main proponents: Jung, anchorite of the Libyan Desert

    Main action: hot dry yellow sand desert, discussion about the prologue of the gospel of John

     Main thought: The God of words is cold and dead and shines from afar like the moon. Honor the darkness as the light, and you will illumine your darkness.

     I: “But Philo Judeaus, if this is who you mean, was a serious philosopher and a great thinker. Even John the Evangelist included some of Philo’s thoughts in the gospel.” A: “You are right. It is to Philo’s credit that he furnished language like so many other philosophers. He belongs to the language artists. But words should not become Gods.”

    A: “Guard against being a slave to words.

    I: “‘And life was the light of men and the light shines in the darkness and the darkness has not understood it. But it became a person sent from God, by the name of John, who came as a witness and to be a witness of the light. The genuine light, which Philo Judeaus, also called Philo of Alexandria (20 BCE-50 CE), was a Greek-speaking Jewish philosopher. His works presented a fusion of Greek philosophy and Judaism. For Philo, God, to whom he referred by the Platonic term “To On” (the One), was transcendent and unknowable. A: “I ask you, was this [Logos] a concept, a word? It was a light, indeed a man, and lived among men. You see, Philo only lent John the word so that John would have at his disposal the word ‘logos’ alongside the word ‘light’ to describe the son of man.

    (5) Dies II.

    rbs-6

    Main proponents: Jung, anchorite of the Libyan Desert

    Main action: Morning in the Desert

     Main thought: Things also change, but you do not notice this if you do not change. But if you change, the countenance of the world alters. The manifold sense of things is your manifold sense. It is useless to fathom it in things. And this probably explains why the solitary went into the desert, and fathomed the thing but not himself.

     Then he said: “Dear Ammonius, I have delightful tidings for you: God has become flesh in his son and has brought us all salvation.” “What are you saying,” I called, “you probably mean Osiris, who shall appear in the mortal body?

    “No,” the old man insisted, “he was the Son of God.” “Then you mean Horus the son of Osiris, don’t you?”

    I answered.

    “No, he was not Horus, but a real man, and he was hung from a cross.” “Oh, but this must be Seth, surely; whose punishments our old ones have often described.”But the old man stood by his conviction and said: “He died and rose up on the third day.”

    “Well, then he must be Osiris,” I replied impatiently.“No,” he cried, “he is called Jesus the anointed one.”

    ”Ah, you really mean this Jewish God, whom the poor honor at the harbor, and whose unclean mysteries they celebrate in cellars.” “He was a man and yet the Son of God,” said the old man staring at me intently.

    “That’s nonsense, dear old man,” I said, and showed him to the door. But like an echo from distant rock faces the words returned to me: a man and yet the Son of God. It seemed significant to me, and this phrase was what brought me to Christianity.

    I: “But don’t you think that Christianity could ultimately be a transformation of your Egyptian teachings?”

    A: “If you say that our old teachings were less adequate expressions of Christianity, then I’m more likely to agree with you.”

     (6) Death

    rbs-7

    Main proponents: Jung, the Death

    Main action: Wandering the Northern land meeting death

    Main thought: We need the coldness of death to see clearly. Life wants to live and to die, to begin and to end.74 You are not forced to live eternally; but you can also die, since there is a will in you for both.

     We answered: “Stranger, you may well stand by me, if it is not too cold for you. As you can see, I am cold and my heart has never beaten.”

    “I know, you are ice and the end; you are the cold silence of the stones; and you are the highest snow on the mountains and the most extreme frost of outer space. I must feel this and that’s why

    I stand near you.” “What leads you here to me, you living matter? The livings are never guests here.

     When I see the lamentation and nonsense of the earth and consequently enter death with a covered head, then everything I see will indeed turn to ice. But in the shadow world the other rises, the red sun.

    The ancients said: Inter faeces et urinas nascimur. For three nights I was assaulted by the horrors of birth. On the third night junglelike.

    (7) The Remains of the Earlier Temples

    rbs-8

    Main proponents: Jung, the Devil two strange journey men probably: an old monk and a tall gangly thin man with a childish gait and discolored red clothes. The all one is the Red Rider. The old monk is Ammonius.

    Main action: wide meadows spread out before me-a carpet of flowers-soft hills-a fresh green wood in the distance.

    Main thought: They had got caught in the muck, and so they called the living a devil and traitor. Because both of them believed in themselves and in their own goodness, each in their own way, they ultimately became mired in the natural and conclusive burial ground of all outlived ideals.

    Ammonius exclaims horrified: ”Apage, Satanas!” The Red One: “Damned pagan riffraff!” I: “But my dear friends, what’s wrong with you? I’m the Hyperborean stranger, who visited you, Oh Ammonius, in the desert.84 And I’m the watchman whom you, Red One, once visited.” Ammonius: “I recognize you, you supreme devil. My downfall began with you.” The Red One looks at him reproachfully and gives him a poke in the ribs. The monk sheepishly stops. The Red One turns haughtily toward me.R: ”Already at that time I couldn’t help thinking that you lacked a noble disposition, notwithstanding your hypocritical seriousness. Your damned Christian play-act-“

    The Red Book: Liber Secundus, Chapters VIII-XI

    The healing of Izdubar

    (8) First day

    rbs-9

    Main proponents: Jung, enormous man with bullhead (Izdubar)

    Main action: Discussion with Izdubar

    Main thought: The outer opposition is an image of my inner opposition.

    I: “In the course of the centuries men have made many discoveries, through precise observation and the science of outer things.” Iz: “But this science is the awful magic that has lamed me. How can it be that you are still alive even though you drink from this poison every day?”

    I: “We’ve grown accustomed to this over time, because men get used to everything. But we’re still somewhat lamed. On the other hand, this science also has great advantages, as you’ve seen.What we’ve lost in terms of force, we’ve rediscovered many times through mastering the force of nature.”

    Iz: “Isn’t it pathetic to be so wounded? For my part, I draw my own force from the force of nature. I leave the secret force to the cowardly conjurers and womanly magicians. If I crush another’s skull to pulp, that will stop his awful magic.”

    I: “But don’t you realize how the touch of our magic has worked upon you? Terribly; I think.”

    Iz: “Unfortunately; you are right.”

    (9) Second Day

    rbs-10

    Main proponents: Jung, Izdubar who is sick

    Main action: Carrying Izdubar to the Western Land (Land of the Death in Egypt). Jung reduced Izdubar to the size of an egg so he could secretly carry Izdubar into the house and enable his healing.

    Main thought: Jung said to Aniela Jaffe concerning these sections that some of the fantasies were driven by fear, such as the chapter on the devil and the chapter on Gilgamesh-Izdubar.

    Set the egg before you, the God in his beginning. And behold it. And incubate it with the magical warmth of your gaze.

    rbs-26

    (10) The Incantations

    Main proponents: Jung, Izdubar who is in the Egg

    Main action: Christmas has come. The God is in the egg.

    Main thought: In “Dreams,” Jung wrote: “17 I 1917 Tonight: awful and formidable avalanches come crashing down the mountainside, like utterly nightmarish clouds; they will fill the valley on whose rim I am standing on the opposite side. His soul tells him to help the Gods and to sacrifice to them. She tells him that the worm crawls up to Heaven, it begins to cover the stars and with a tongue of fire he eats the dome of the seven blue heavens. The God is coming, Jung should get ready to receive him.

    My God, I love you as a mother loves the unborn whom she carries in her heart. Grow in the egg of the East, nourish yourself from my love, drink the juice of my life so that you will become a radiant God. We need your light, oh child. Since we go in darkness, light up our paths. May your light shine before us, may our fire warm the coldness of our life. We do not need your power but life.

    (11) The Opening of the Egg

    rbs-12

    Main proponents: Jung, Izdubar who is healed

    Main action: Izdubar comes out of the Egg

    Main thought: Nature is playful and terrible. Some see the playful side and dally with it and let it sparkle. Others see the horror and cover their heads and are more dead than alive. The way does not lead between both, but embraces both. It is both cheerful play and cold horror.

    Iz: Where am I How narrow it is here, how dark, how cool-am I in the graver Where was I ? It seemed to me as if I had been outside in the universe-over and under me was an endlessly dark star ,glittering sky and I was in a passion of unspeakable yearning.Streams of fire broke from my radiating body- I surged through blazing flames. I swam in a sea that wrapped me in living fires- Full of light, full of longing, full of eternity- I was ancient and perpetually renewing myself- Falling from the heights to the depths, and whirled glowing from the depths to the heights hovering around myself amidst glowing clouds as raining embers beating down like the foam of the surf, engulfing/ myself in stiffing heat-Embracing and rejecting myself in a boundless game-Where was I was completely sun. “

    I: “Oh Izdubar! Divine one! How wonderful! You are healed!”

    The Red Book: Liber Secundus, Chapters XII-XIII

    The descent to the hell

    (12) Hell

    rbs-13

    Main proponents: Jung, young maiden, death,

    Main action: Jung reached the underworld

    Main thought: No one should be astonished that men are so far removed from one another that they cannot understand one another, that they wage war and kill one another. One should be much more surprised that men believe they are close, understand one another and love one another.

    (13) The Sacrificial Murder

    rbs-15

    Main proponents: Jung, a woman with covered by an impenetrable veil –his soul

    Main action: Jung eats gods liver

    Main thought: The sacrifice has been accomplished: the divine child, the image of the God’s formation, is slain, and I have eaten from the sacrificial flesh. The child, that is, the image of the God’s formation, not only bore my human craving, but also enclosed all the primordial and elemental powers that the sons of the sun possess as an inalienable inheritance. The God needs all this for his genesis.

    S: “So, take part in his act, abase yourself and eat. I need atonement.”

    I: “So shall it be for your sake, as you are the soul of this child.” I kneel down on the stone, cut off a piece of the liver and put it in my mouth. My gorge rises-tears burst from my eye cold sweat covers my brow-a dull sweet taste of blood I swallow with desperate efforts-it is impossible-once again and once again I almost faint-it is done. The horror has been accomplished.

    S: “I thank you.”

    She throws her veil back-a beautiful maiden with ginger hair. S: “Do you recognize me?”

    I: “How strangely familiar you are! Who are you?”

    S: “I am your soul.”

    The Red Book: Liber Secundus, Chapters XIV-XVIII

    The Library, the Kitchen, and the Madhouse

    (14) Divine Folly

    rbs-16

    Main proponents: Jung, a librarian

    Main action: In a hall. Reflections about Thomas a Kempis’s The Imitation of Christ.

    Main thought: The Imitation of Christ exhorts people to be concerned with the inner spiritual life as opposed to outer things, gives advice as to how this is to be lived: ”Anyone who wishes to understand and to savor the words of Christ to the full must try to make his whole life conform to the pattern of Christ’s life”

    (15) Nox Secunda

    rbs-18

    Main proponents: Jung, fat women in kitchen, Ezechiel (Anabaptist), fellow believers on pilgrimage, two doctors

    Main action: Treated in a large sickroom.

    Main thought: Every man has a quiet place in his soul, where everything is self-evident and easily explainable, a place to which he likes to retire from the confusing possibilities of life, because there everything is simple and clear, with a manifest and limited purpose. And even this place is a smooth surface, an everyday wall, nothing more than a snugly sheltered and frequently polished crust over the mystery of chaos.

    (16) Nox tercia

    rbs-19

    Main proponents: Jung, Soul, Professor, the Fool

    Main action: treated in a madhouse

    Main thought: Commenting on transformation of Judeo- Christian God an incarnation of God after Christ”Ever since John the apocalyptist experienced for the first time (perhaps unconsciously) the conflict into which Christianity inevitably leads, mankind is burdened with this: God wanted and wants to become man” (CW II, §739). In Jung’s view, there was a direct link between John’s views and Master Eckhart’s views and points to the pleroma, and the future birth of the divine child, who, in accordance with the divine trend toward incarnation. This metaphysical process is known as the individuation process in the psychology of the unconscious.

    You can never deny your knowledge of good and evil to yourself, so that you could betray your good in order to live evil.For as soon as you separate good and evil, you recognize them. He who cannot bear doubt does not bear himself. Such a one is doubtful; he does not grow and hence he does not live. Doubt is the sign of the strongest and the weakest. The strong have doubt, but doubt has the weak. My speech is neither light nor dark, since it is the speech of someone who is growing.

    (17) Nox quarta

    rbs-20

    Main proponents: Jung, Soul, librarian

    Main action: Jung  joins a Wagner opera during the last act. One must kneel down as the Good Friday service begins: Parsifal enters-slowly

    Main thought: In Parsifal, Wagner presented his reworking of the Grail legend. The plot runs as follows: Titurel and his Christian knights have the Holy Grail in their keeping in their castle, with a sacred spear to guard it. Klingsor is a sorcerer who seeks the Grail. Parsifal defeats Klingsor’s knights. Kundry is transformed into a beautiful woman, and she kisses him. In the discussion, Jung said: “Wagner’s exhaustive treatment of the legend of the Holy Grail and Parsifal would need to be supplemented with the synthetic view that the various figures correspond to various artistic aspirations. -The incest barrier will not serve to explain that Kundry’s ensnarement fails; instead this has to do with the activity of the psyche to elevate human aspirations ever higher

    (18) The Three prophecies

    Unbenannt-21

    Main proponents: Jung, Soul

    Main action: Jung’s soul gave ancient things that pointed to the future. She gave me three things: The misery of war, the darkness of magic, and the gift of religion.

    Main thought: A free man knows only free Gods and devils that are self-contained and take effect on account of their own force. If they fail to have an effect, that is their own business, and I can remove this burden from myself But if they are effective, they need neither my protection nor my care, nor my belief.

    S: “Will you accept what I bring?”

    I: ”’I will accept what you give. I do not have the right to judge or to reject.”

    S: So listen.

    The Red Book: Liber Secundus, Chapters XIX-XXI

    Magic, Symbols and the Critique of Reason

    (19) The Gift of Magic

    rbs-22

    Main proponents: Jung, Soul

    Main action: Jung’s soul gets magic rod.

    Main thought: Abyss, give birth to the unredeemed. Who is our redeemer? Who our leader? Where are the ways through black wastes? God, do not abandon us!

    S: “Well, then, raise your hands and receive what comes to you.”

    I: “What is it? A rod? A black serpent? A black rod, formed like a serpent-with two pearls as eyes-a gold bangle around its neck. Is it not like a magical rod?”

    S: “It is a magical rod.”

    I: “What should I do with magic? Is the magical rod a misfortune? Is magic a misfortune?”

    S: “Yes, for those who possess it.”

    (20) The Way of the Cross

    rbs-23

    Main proponents: Jung, Soul

    Main action: Jung saw the black serpent, as it wound itself upward around the wood of the cross. It crept into the body of the crucified and emerged again transformed from his mouth. The black snake transformed into become white. It wound itself around the head of the dead one like a diadem, and a light gleamed above his head, and the sun.

    Main thought: The symbol is the word that goes out of the mouth, that one does not simply speak, but that rises out of the depths of the self as a word of power and great need and places itself unexpectedly on the tongue.

    The ancients devised magic to compel fate. They needed it to determine outer fate. We need it to determine inner fate and to find the way that we are unable to conceive.

    (21) The Magician

    rbs-24

    Main proponents: Jung, Philemon ( the magician) and his wife, Bankis, Salome Serpent

    Main action: Jung’s soul gave ancient things that pointed to the future. She gave me three things: The misery of war, the darkness of magic, and the gift of religion.

    Main thought: The devil is the sum of the darkness of human nature. He who lives in the light strives toward being the image of God; he who lives in the dark strives toward being the image of the devil. Because I wanted to live in the light, the sun went out for me when I touched the depths. It was dark and serpentlike.I united myself with it and did not overpower it. I took my part of the humiliation and subjugation upon myself, in that I took on the nature of the serpent.

    Elijah and Salome! The cycle is completed and the gates of the mysteries have opened again. Elijah leads Salome, the seeing one, by the hand. She blushes and lowers her eyes while lovingly batting her eyelids.

    E: “Here, I give you Salome. May she be yours.”

    I: “For God’s sake, what should I do with Salome? I am already married and we are not among the Turks.”

    E: “You helpless man, how ponderous you are. Is this not a beautiful gift? Is her healing not your doing? Won’t you accept her love as the well-deserved payment for your trouble?”

    I: “It seems to me a rather strange gift, more burden than joy. I am happy that Salome is thankful to me and loves me. I love her too-somewhat. Incidentally, the care I afforded her, was, literally, pressed out of me, rather than something I gave freely and intentionally. If my partly unintentional 1 ordeal has had such agood outcome, I’m already completely satisfied.”

    Salome to Elijah: “Leave him, he is a strange man. Heaven knows what his motives are, but he seems to be serious. I’m not ugly and surely I’m generally desirable.”

    Salome to me: “Why do you refuse me? I want to be your maid and serve you. I will sing and dance before you, fend off people for you, comfort you when you are sad, laugh with you when you are happy. I will carry all your thoughts in my heart. I will kiss the words that you speak to me. I will pick roses for you each day and all my thoughts will wait upon you and surround you.”

    I: “I thank you for your love”.

    rbs-25
    The Red Book: Liber Tertitius – Scrutinies (I)

    Philosophical and Theological Reflections. The Scrutinies consists of the Black Books 5-6 (April 1914-June 1916), Septem Sermones (1916) a handwritten and printed draft of the Red book. There are three parts, of which part and III be a final reflection after the individuation.

    I, Self, Prophet, Soul and God

    The Red Book: Liber Tertitius Scrutinies (II)

    “The Seven Sermons to the Dead” I have written about this in another article. This version is expanded.

    The Red Book: Liber Tertitius Scrutinies (III)

    Final Encounters with Elijah and Salome and Reflections

    Sources

    Biographical Scholarship: Toni Wolff & C. G. Jung: A Collaboration (2017) by Nan Savage Healy, Ph.D. (Funded via grants from the Joseph Campbell Foundation and Harvard University’s Countway Library of Medicine).
    Historical Biography: Jung: A Biography (2003) by Deirdre Bair (Winner of the National Book Award).
    Primary Text History: The Red Book: Liber Novus (Edited and introduced by prominent historian Sonu Shamdasani, 2009)

    The Red Book (German Version). 2008 Pictures:  Taken from a pdf published and freely available on the internet under public domain.